HARPER LEE, AUTHOR OF ‘TO KILL A MOCKINGBIRD’
Pulitzer Prize winner and To Kill a Mockingbird author Harper Lee smiles before receiving the 2007 Presidential Medal of Freedom at the White House. Chip Somodevilla/Getty Images
Harper Lee, the author of the classic novel To Kill a Mockingbird, has died in her hometown of Monroeville, Ala. The Pulitzer Prize-winning writer was 89.
Monroeville city officials confirmed reports of Lee’s death to Alabama Public Radio. Her publisher, HarperCollins, also confirmed the news to NPR.
Her famous novel about a young girl’s experience of racial tensions in a small Southern town has sold tens of millions of copies and been translated into dozens of languages.
Lee’s family issued a statement Friday morning saying that Lee “passed away in her sleep early this morning. Her passing was unexpected. She remained in good basic health until her passing.”
Family spokesman Hank Conner, Lee’s nephew, said:
“This is a sad day for our family. America and the world knew Harper Lee as one of the last century’s most beloved authors. We knew her as Nelle Harper Lee, a loving member of our family, a devoted friend to the many good people who touched her life, and a generous soul in our community and our state. We will miss her dearly.”
The family says that as Lee had requested, a private funeral service will be held.
CreditDonald Uhrbrock/The LIFE Images Collection, via Getty Images
Lee made headlines last year, on the news that a companion to her beloved novel would be coming out some 55 years after To Kill a Mockingbird was first published in 1960. When that book, Go Set a Watchman, was published last summer, it set off debates about the author’s health and how involved she had been in the project.
An Alabama native, Lee moved to New York City in 1948 with the dream of being a writer. For about eight years, she worked as an airline reservationist at Eastern Airlines.
“Lee’s fortunes began to improve at the end of 1956 when her friends Michael and Joy Williams Brown gave Nelle, as those close to Lee call her, a generous Christmas gift: enough money to spend a year writing. That’s when she completed the manuscript for Go Set a Watchman. The novel helped her find an agent, who got her signed to the publisher J.B. Lippincott. But Go Set a Watchman was never released. Instead, Lee’s editor urged her to expand on the flashback passages set during Scout’s childhood. Lee spent more than two years writing and rewriting the novel that became known as To Kill a Mockingbird.”
When it was published in 1960, To Kill a Mockingbird found immediate success. Lee won the Pulitzer Prize for fiction the following year, and the novel inspired a film adaptation that came out in 1962 starring Mary Badham as Scout and Gregory Peck as Atticus Finch.
That film was also a smashing success, garnering numerous Academy Award nominations and several wins.
Lee was famous for avoiding the public eye — one of the last extensive interviews she gave took place in 1964, when she spoke to New York radio station WQXR. Here’s some of what she said:
“Well, my objectives are very limited. I think I want to do the best I can with the talent that God gave me, I suppose. I would like to be the chronicler of something that I think is going down the drain very swiftly, and that is small-town, middle-class Southern life. There is something universal in it. Something decent to be said for it, and something to lament, once it goes, in its passing. In other words, all I want to be is the Jane Austen of South Alabama.”
In that same conversation, Lee also spoke of how she had attended law school, but “I didn’t graduate. I left the university one semester before I’d have gotten my degree.”
In 2007, Lee was awarded a Presidential Medal of Freedom, and she was honored with a National Medal of Arts in 2010.
Here’s how news website AL.com describes Lee’s final years:
“Harper Lee suffered a stroke in 2007, recovered and resumed her life in the hometown where she spent many of her 89 years. A guardedly private individual, Lee was respected and protected by residents of the town that displays Mockingbird-themed murals and each year stages theatrical productions of To Kill a Mockingbird.
“Lee returned to Monroeville for good once her sister Alice became ill and needed help. She’d eat breakfast each morning at the same fast-food place, and could later be seen picking up Alice from the law firm founded by their father.”
President and Mrs. Obama released this statement Friday in memory of Lee:
“‘Atticus, he was real nice.’
“‘Most people are, Scout, when you finally see them.’
“When Harper Lee sat down to write To Kill a Mockingbird, she wasn’t seeking awards or fame. She was a country girl who just wanted to tell an honest story about life as she saw it.
“But what that one story did, more powerfully than one hundred speeches possibly could, was change the way we saw each other, and then the way we saw ourselves. Through the uncorrupted eyes of a child, she showed us the beautiful complexity of our common humanity, and the importance of striving for justice in our own lives, our communities, and our country.
“Ms. Lee changed America for the better. And there is no higher tribute we can offer her than to keep telling this timeless American story — to our students, to our neighbors, and to our children — and to constantly try, in our own lives, to finally see each other.”
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UMBERTO ECO, AUTHOR OF ‘THE NAME OF THE ROSE’
Umberto Eco is dead: Long live Umberto Eco
Jealous novelists criticised his novels, but readers around the globe devoured his dazzling brilliance.
![Umberto Eco is dead: Long live Umberto Eco Italian writer Umberto Eco [AP]](https://i0.wp.com/www.aljazeera.com/mritems/imagecache/mbdxxlarge/mritems/Images/2016/2/21/654469850c7945c8838bf5d0afde1376_18.jpg)

About the Author
Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University.
The news of the death of someone like Umberto Eco hits you like a thunderbolt – when you least expect it, and you don’t know what hit you. It leaves you blank, suddenly emptied, eerily silent. What does that even mean? “Umberto Eco, 84, best-selling academic who navigated two worlds, dies.”
I have had that feeling before – three or four times I think: when my most immediate teachers George Makdisi and Philip Rieff died, and then when Edward Said died, and then when Ingmar Bergman died while I was, in fact, in Sweden.
You stare into the world, but for a moment you don’t see anything. It is as if the light in your eyes is gone. You cannot hear anything. It is as if your life has been suddenly silenced.
A towering presence
I met Eco in the late 1980s, or maybe in the early 1990s – I cannot remember now – soon after I had joined Columbia and he had come there by the invitation of our Casa Italiana (Italian Academy) to deliver a lecture series. I had read him long before and I read him long after.
Eco had found his gradual, systematic, and increasingly towering presence in the scholarly world first and foremost as an exquisite semiotician and soon after that, as a hermeneutician.
With two particular books, Open Work (1962) and Limits of Interpretation (1990), he had opened and delimited the field of hermeneutics to such a wondrous humanistic spectrum no one ever before or after could imagine.
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His fame, however, suddenly became wildly global with the publication of his first novel, The Name of the Rose (1980), which was later turned into a movie starring Sean Connery in the lead role of William of Baskerville.
His prose was replete with the vertiginous wit of a polyglot thriving at intertexuality and virtuoso performance of his astounding erudition. |
The Name of the Rose is a study in semiotics, hermeneutics, biblical exegesis, and medieval philosophy cast ingeniously as a murder mystery.
He would write a few other novels, and his sublime wit and exquisite sense of humour were for many years on display when he wrote regular columns in Italian newspapers. His prose was replete with the vertiginous wit of a polyglot thriving at intertextuality and virtuoso performance of his astounding erudition.
Flying like Peter Pan
In his writing, he flew with the ease and playfulness of Peter Pan from medieval aesthetics to literary criticism, semiotics, hermeneutics, media and cultural studies, and then diving with all his literary might for a quick column in a newspaper before soaring into a dazzlingly brilliant novel that would take the world by a storm.
No one would know what he had up his sleeve. Jealous novelists like Salman Rushdie did not like him; professional reviewers criticised his novels. But readers around the globe devoured his dazzling brilliance.
Soon after 9/11, when his fellow Italian journalist and novelist Oriana Fallaci was suddenly afflicted and diagnosed with a nasty case of the racist disease of Islamophobia and began spewing hatred of unfathomable depth and ferocity against Muslims, Eco wrote a gentle but dismantling piece against her without even mentioning her name, insisting on placing the civilised discourse on track of his own exemplary humanism.
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Italian author Umberto Eco [EPA] |
A few years ago, while I was in Milan, I was invited to the University of Bologna where he was the president of the Graduate School for the Study of the Humanities. I went to Bologna happily hoping I might get to see him. I could not.
He was too ill to attend my talk, but he had asked for a copy of my World of Persian Literary Humanism which had just been published. I left a copy for him with mutual friends and colleagues with a note of humility and gratitude written for him on the first page.
The mind of the sublime
I spent that day in Bologna with friends and colleagues, walking around Piazza Maggiore, visiting San Petronio Basilica, sitting down for a quick bite and a coffee, imagining Eco inhabiting that space. Right in front of the City Hall, I remember there was a demonstration against a proposed plan to privatise water resources.
ALSO READ: Khalil Gibran for a new generation
For Eco, aesthetics, politics, and hermeneutics dwelled somewhere between the heart of the mundane and the mind of the sublime.
All my students know my enduring indebtedness to his theories of hermeneutics and semiotics, to his happy, hopeful, joyous swinging from Homer to Mickey Mouse.
One particular gem among his myriad of ideas is his famous triangular theory of interpretation: located somewhere among the intention of the author, the intention of the reader, and the intention of the text.
The name Umberto, long before he passed away, had transcended his mortal coil and became a citation informing his texts.
The intention of the author Umberto Eco became the voice resonating in the intention of his texts: varied, vivacious, brilliant, dizzying.
All that now remains is the enduring gaze and grace of those text awaiting any and all those fortunate enough to find their lost way into the labyrinth of his magnificent, enabling, beautiful thoughts.
Hamid Dabashi is Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University in New York.
The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial policy.
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ACEL MOORE, PULITZER PRIZE-WINNING PHILADELPHIA INQUIRER COLUMNIST

Acel Moore, a Pulitzer Prize winner, was a mentor to scores of aspiring journalists.
Acel Moore, a Pulitzer Prize-winning former reporter and columnist for the Philadelphia Inquirer, has died. He was 75.
Moore, known as a trailblazing and dogged reporter as well as a mentor to scores of aspiring journalists, helped found local and national organizations that advocate for black journalists.
Moore’s wife, Linda Wright Moore, said he died Friday night at their home in suburban Philadelphia after battling health issues for years.
The Philadelphia native served as an Army medic before becoming a copy clerk at the Philadelphia Inquirer in 1962. He went on to become the first black reporter at the paper, working as an investigative reporter, editorial board member and columnist.
Moore was awarded a Pulitzer Prize in 1977 for his investigation of inmates at Fairvew State Hospital and was also a founder of the Philadelphia Association of Black Journalists and later, the National Association of Black Journalists.
But his wife said he was most proud of a high school minority journalism program he started that has given scores of aspiring journalists an introduction to the craft.
“He was very smart and thoughtful, but at the same time, he was a regular guy,” she said. “His passion was helping and supporting and encouraging young journalists.”
Sarah Glover, president of the NABJ, said she was “heartbroken” by the passing of a man she called a longtime mentor and friend who had had an effect on the careers of hundreds of members of the organization.
“Moore left us a wonderful legacy as a humanitarian, truth seeker, fighter for equal opportunity and trailblazer who opened doors for countless journalists, especially those of color,” she said.
Moore is survived by his wife; his daughter, Mariah; his son, Acel Jr.; his sister, Geraldine Fisher; and his twin brother, Michael Moore.
WIth News Wire Services
Remembering NABJ Co-Founder Acel Moore
Listen to the Story
NPR’s Michel Martin remembers journalist Acel Moore, a Pulitzer Prize winner who helped found the National Association of Black Journalists.
MICHEL MARTIN, HOST:
We’d like take a minute now to tell you about an important figure in American journalism. Acel Moore, a longtime editor, reporter and columnist at the Philadelphia Inquirer, died last night at the age of 75 at his home outside Philadelphia. His death was first reported by the National Association of Black Journalists, an organization he helped found. Moore received many honors, including a Pulitzer Prize for Investigative Reporting. His biggest impact though might have been as a mentor to hundreds of journalists, both informally and with programs to introduce people of diverse backgrounds to journalism careers. When we reached her today, Acel Moore’s widow, Linda Wright Moore, remembered his intelligence, humor and especially his passion for helping young people. We offer our condolences and appreciation to his family.
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ANGELA RAIOLA, ‘BIG ANG’ OF TV’S MOB WIVES
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