Monthly Archives: April 2013

WORLD BOOK AND COPYRIGHT DAY: APRIL 23, 2013

WORLD BOOK AND COPYRIGHT DAY

Quick Facts

World Book and Copyright Day is an occasion to celebrate the contribution of books and authors to our global culture and the connection between copyright and books.

Local names

Name Language
World Book and Copyright Day English
Día Mundial del Libro y del Derecho de Autor Spanish

World Book and Copyright Day 2013

Tuesday, April 23, 2013

World Book and Copyright Day 2014

Wednesday, April 23, 2014

April 23 marks the anniversary of the birth or death of a range of well-known writers, including Miguel de Cervantes Saavedra, Maurice Druon, Inca Garcilaso de la Vega, Haldor Kiljan Laxness, Manuel Mejía Vallejo, Vladimir Nabokov, Josep Pla and William Shakespeare. For this reason, UNESCO’s General Conference chose this date to pay tribute to books, the authors who wrote them, and the copyright laws that protect them.

World Book and Copyright DayPeople of all ages take the time to appreciate books and their authors on World Book and Copyright Day.©iStockphoto.com/ Ekaterina Monakhova

What do people do?

A range of activities to promote reading and the cultural aspects of books are held all over the world. Many of these emphasize international cooperation or friendships between countries. Events include: relay readings of books and plays; the distribution of bookmarks; the announcement of the winners of literary competitions; and actions to promote the understanding of laws on copyright and the protection of authors’ intellectual property.

In some years, the Children’s and Young People’s Literature in the Service of Tolerance is awarded. This is a prize for novels, collections of short stories or picture books that promote tolerance, peace, mutual understanding and respect for other peoples and cultures. There are two categories: one for books aimed at children aged up to 12 years; and one for those aimed at young people aged 13 to 18 years.

Purpose of the day

World Book and Copyright Day is an occasion to pay a worldwide tribute to books and authors and to encourage people to discover the pleasure of reading. It is hoped that this will lead to the renewed respect for those who have made irreplaceable contributions to social and cultural progress. In some years, the UNESCO Prize for Children’s and Young People’s Literature in the Service of Tolerance is awarded. It is also hoped that World Book and Copyright Day will increase people’s understanding of and adherence to copyright laws and other measures to protect intellectual copyright.

Background

The year 1995 was named the United Nations Year for Tolerance and UNESCO’s General Conference, held in Paris, concentrated on this theme. The delegates voted to establish an annual occasion to carry the message of tolerance into the future, in the form of a day to celebrate books, authors and the laws that protect them. The date was chosen because April 23 marks the anniversary of the birth or death of a range of internationally renowned writers and because of the Catalan traditions surrounding this day. In Catalonia, a region of Spain, April 23 is known as La Diada de Sant Jordi (St George’s Day) and it is traditional for sweethearts to exchange books and roses. World Book and Copyright Day has been held annually since 1995.

Symbols

Each year a poster is designed and distributed around the world. It features images designed to encourage people, particularly children, to read books and appreciate literature. There is also a logo for World Book and Copyright Day. It features a circle, representing the world, and two books, one of which is open.

External links

United Nations: World Book and Copyright Day

World Book and Copyright Day Observances

Weekday Date Year Name Holiday type Where it is observed
Wed Apr 23 1980 World Book and Copyright Day United Nations observance
Thu Apr 23 1981 World Book and Copyright Day United Nations observance
Fri Apr 23 1982 World Book and Copyright Day United Nations observance
Sat Apr 23 1983 World Book and Copyright Day United Nations observance
Mon Apr 23 1984 World Book and Copyright Day United Nations observance
Tue Apr 23 1985 World Book and Copyright Day United Nations observance
Wed Apr 23 1986 World Book and Copyright Day United Nations observance
Thu Apr 23 1987 World Book and Copyright Day United Nations observance
Sat Apr 23 1988 World Book and Copyright Day United Nations observance
Sun Apr 23 1989 World Book and Copyright Day United Nations observance
Mon Apr 23 1990 World Book and Copyright Day United Nations observance
Tue Apr 23 1991 World Book and Copyright Day United Nations observance
Thu Apr 23 1992 World Book and Copyright Day United Nations observance
Fri Apr 23 1993 World Book and Copyright Day United Nations observance
Sat Apr 23 1994 World Book and Copyright Day United Nations observance
Sun Apr 23 1995 World Book and Copyright Day United Nations observance
Tue Apr 23 1996 World Book and Copyright Day United Nations observance
Wed Apr 23 1997 World Book and Copyright Day United Nations observance
Thu Apr 23 1998 World Book and Copyright Day United Nations observance
Fri Apr 23 1999 World Book and Copyright Day United Nations observance
Sun Apr 23 2000 World Book and Copyright Day United Nations observance
Mon Apr 23 2001 World Book and Copyright Day United Nations observance
Tue Apr 23 2002 World Book and Copyright Day United Nations observance
Wed Apr 23 2003 World Book and Copyright Day United Nations observance
Fri Apr 23 2004 World Book and Copyright Day United Nations observance
Sat Apr 23 2005 World Book and Copyright Day United Nations observance
Sun Apr 23 2006 World Book and Copyright Day United Nations observance
Mon Apr 23 2007 World Book and Copyright Day United Nations observance
Wed Apr 23 2008 World Book and Copyright Day United Nations observance
Thu Apr 23 2009 World Book and Copyright Day United Nations observance
Fri Apr 23 2010 World Book and Copyright Day United Nations observance
Sat Apr 23 2011 World Book and Copyright Day United Nations observance
Mon Apr 23 2012 World Book and Copyright Day United Nations observance
Tue Apr 23 2013 World Book and Copyright Day United Nations observance
Wed Apr 23 2014 World Book and Copyright Day United Nations observance
Thu Apr 23 2015 World Book and Copyright Day United Nations observance

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THE SUGAR SHACK

The Sugar Shack, by Ernie Barnes, 34″ x 24″, oil on canvas, 1976.

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EARTH DAY: APRIL 22, 2013

She is the only world we will ever have.

She sustains us, protects us, and gives us all we need to live.

She is Earth.

Taken for granted and assumed to be invincible, Earth has been pillaged and ravaged by many who care not what their actions can cause against her as well as their fellow human beings.

On the other hand, there are many who do care how our carbon footprint leaves a lasting effect on humans, animals, and  plants.

From the Polar Arctic North, where polar bears seek to survive the effects of sea and climate change, to the bees which pollinate our crops, many of which would cease to exist if bees were to become extinct, to the children who need to grow up in a world where they can breathe and thrive into adulthood, to the farmer who tends and harvests her crops—-the Earth is ours and all within it, but, only if we are good stewards of that with which we have been blessed.

We need the Earth. She does not need us.

Earth Day poster (1970) by Walt Kelly.

Tomorrow, April 22, 2013, is Earth Day, also known as International Mother Earth Day.

Take time out to remember all that we receive from Earth.

Enjoy the beauty of a flower, the aroma and joy of a citrus tree, the grass we walk on, the water we drink, the trees we adore, the mountains, lakes, rivers, oceans and sky, the natural wonder of America’s national parks, many of which will be open free to all who visit them. Honor Mother Earth by picking up litter and trash along the roadside and in neighborhoods; use recyclable containers and recycled products; plant a tree, or an herb garden; conserve water; petition your state or government agencies to step up the fight against global warming and climate change.

EARTH.

Our Big Blue Marble.

SALUTARE.

SOURCE

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INTERNATIONAL MOTHER EARTH DAY

“International Mother Earth Day is a chance to reaffirm our collective responsibility  to promote harmony with nature at a time when our planet is under threat from  climate change, unsustainable exploitation of natural resources and other  man-made problems. When we threaten the planet, we undermine our only home –  and our future survival. On this International Day, let us renew our pledges to  honour and respect Mother Earth.”

Secretary-General Ban Ki-moon Message for the International Mother Earth Day 2013

Earth Day 2013: The Face of Climate Change

From a man in the Maldives  worried about relocating his family as sea levels rise, to a polar bear in the  melting artic, climate change has many faces. To celebrate International Mother  Earth Day, images of people, animals, and places directly affected or  threatened by climate change – as well as images of people stepping up to do  something about it, have been collected all around the world. (See the gallery)

Mother Earth is a common expression for the planet Earth in  a number of countries and regions, which reflects the interdependence that  exists among human beings, other living species and the planet. For instance,  Bolivians call Mother Earth Pachamama and Nicaraguans refer to her as Tonantzin.

The proclamation of 22 April as International Mother Earth  Day is an acknowledgement that the Earth and its ecosystems provide its  inhabitants with life and sustenance. It also recognizes a collective  responsibility, as called for in the 1992 Rio Declaration, to promote harmony  with nature and the Earth to achieve a just balance among the economic, social  and environmental needs of present and future generations of humanity.

Recognizing  that Mother Earth reflects the interdependence that exists among human  beings, other living species and the planet we all inhabit, the General Assembly declared 22  April as International Mother Earth Day (A/RES/63/278) to highlight the need to  help improve the lives of children and adults who suffer from the disorder so  they can lead full and meaningful lives.

SOURCE

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IN REMEMBRANCE: 4-21-2013

ANNA MERZ, CHEERLEADER AND GUARDIAN FOR BLACK RHINOS

Lewa Wildlife Conservancy

Anna Merz with a rhinoceros named Samia.

By

Published: April 21, 2013

  • Anna Merz, who went to Kenya seeking a serene retirement but became so appalled by the slaughter of black rhinoceroses that she helped start a reserve to protect them, becoming a global leader in the fight against their extinction, died on April 4 in Melkrivier, South Africa. She was 81.

The Lewa Wildlife Conservancy, the reserve she founded, announced her death. She left no immediate survivors, but more than 70 black rhinos, including one born the day she died, continue to thrive in the sanctuary that she created to protect them from poachers, who kill the animals for their horns.

As a young woman, Mrs. Merz roamed the world and ended up in Ghana, where she married twice, ran an engineering firm and became active in wildlife conservation. She and her husband went to Kenya to retire, but her revulsion at seeing the carcasses of rhinos strewn about a national park, each missing its distinctive double horn, compelled her to change her plans.

She started looking for land to use as a rhino reserve and, after many rejections, found a patron, David Craig, who with his wife, Delia, owned a vast tract in the shadow of Mount Kenya. They agreed to set aside 5,000 acres for the project, which opened in 1981 as the Ngare Sergoi Rhino Sanctuary. It has since grown to 61,000 acres through more land donations and was renamed the Lewa Wildlife Conservancy in 1995.

Lewa’s success helped the black rhino population double to 4,880 over the last decade, still a far cry from the millions that once roamed Africa. Lewa is home to 10 percent of Kenya’s black rhinos, and its efforts have lent substance to the dream of returning the species to its former dominance in northern Kenya.

Lewa rhinos must be regularly resettled elsewhere because the success of the breeding program — the reserve’s numbers grow 10 percent a year — has caused overcrowding and fights.

Mrs. Merz’s example has inspired other wildlife conservation efforts and has helped make the black rhino, which is still critically endangered, a global symbol of extinction prevention.

“I have met many remarkable animal specialists during my life, but none as extraordinary as Anna Merz,” Desmond Morris, the zoologist and author, wrote in the foreword to her 1991 book, “Rhino at the Brink of Extinction.” “What Joy Adamson was to lions, Dian Fossey was to gorillas, and Jane Goodall is to chimpanzees, Anna Merz is to rhinos.”

Florence Ann Hepburn was born in Radlett, England, on Nov. 17, 1931, and moved between London and Cornwall as a child. A formative experience was seeing a museum exhibit on the dodo, which became extinct in the 17th century. Another was being on a beach at age 9 when a German fighter attacked: a total stranger threw his body on top of hers and died saving her life.

She graduated from Nottingham University, studied law and traveled to exotic places before settling in Ghana. There she married Ernest Kuhn, whom she divorced in 1969, and Karl Merz, who died in 1988. Both husbands were Swiss.

In Ghana she trained and rode racehorses, rescued chimpanzees and was named an honorary game warden by the nation’s game department. She and Mr. Merz moved to Kenya in 1976.

After securing the first 5,000 acres for the reserve, Mrs. Merz, using her inheritance, built an eight-foot-high fence, then began rounding up rhinos using helicopters and stun guns. She hired more than 100 armed guards, bought a plane for surveillance and built a network of spies to inform on poachers. Poachers, also armed, sell the horns largely to Asians, who grind them for folk medicine, and Arabs, who carve them to use as dagger handles. Prices for rhino horns can run higher than those for gold.

“These are very ruthless people,” she said of poachers.

Mrs. Merz herself carried a gun and knife. Deborah Gage, a conservancy official in London, wrote in an e-mail that about a year ago Mrs. Merz heard a yelp and “went into the next-door room to find that a python had taken her favorite dog, so she grabbed her pistol, shot the python in the head and gradually unraveled it off her dog.”

At first Mrs. Merz used her own money to finance the project, a total of more than $1.5 million, but she came to rely on donations. The American Association of Zoo Keepers helped by raising millions for rhino preservation through its annual “Bowling for Rhinos” campaign. Winners spent a week with Mrs. Merz at her reserve.

Giving local people a stake in the reserve was crucial to its success. She employed them, built schools and medical clinics for them and helped foster the tourist industry. Besides rhinos, of both the black and white species, visitors come to see lions, elephants and other animals. Prince William of Britain and Kate Middleton became engaged in 2010 while staying at a cottage at the reserve.

In 1990, the United Nations Environmental Program named Mrs. Merz to its Global 500 Roll.

To Mrs. Merz, rhinos — far from being the stupid, aggressive, ill-tempered sorts many suppose — were, in her words, beautiful and elegant. She blamed their bellicosity on their poor eyesight, leading them to charge first and ask questions later. She found that rhinos have a sense of humor and that they communicate by altering their breathing rhythms. She read them Shakespeare to soothe them.

Samia, an orphan rhino whom she raised from babyhood, even crawled into bed with Mrs. Merz — not entirely to her delight. Samia would follow her around like a dog, even after leaving Mrs. Merz’s immediate care and returning to the reserve, where she mated and had her own calf. If Mrs. Merz fell, Samia would extend her tail to help her up.

Not realizing how big she had grown, Samia once tried to sneak back into the house where she had been nursed and became jammed in the dining room door. Mrs. Merz had to pour a gallon of cooking oil on her rough skin to ease her through.

SOURCE

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STORM THORGERSON, DESIGNER OF UNSETTLING ALBUM COVERS

By

Published: April 20, 2013

  • Storm Thorgerson, a British graphic designer whose comic, disturbing, semi-surreal images for the covers of albums helped illustrate the era of psychedelic rock, died on Thursday. He was 69.

Yui Mok/Press Association, via Associated Press

Storm Thorgerson in 2008.

The cover of “Wish You Were Here,” an album by Pink Floyd, was designed by Mr. Thorgerson.

His death was announced on the Web site of Pink Floyd, the band with which he was most closely associated. In a statement there, his family said he died of cancer but did not say where he died.

Over a 40-year career, Mr. Thorgerson, working with partners in two different companies, designed LP covers, and later CD covers, for bands including Led Zeppelin, Genesis, the Cranberries, Styx and Phish, helping to push album design away from simply featuring pictures of the artists.

It was Pink Floyd, a band whose eerie, electric operatics and portentous anthems made them emblematic of a progressive, otherworldly strain of rock, with whom Mr. Thorgerson melded most successfully, his images complementing their music and vice versa. Evidently influenced by Magritte, Dalí and Man Ray, he worked mostly with photographs, creating harsh collages, weird juxtapositions, infinite mirrors and reality-defying urbanscapes, images that often required elaborate constructions.

For “A Momentary Lapse of Reason” (1987), he hauled 700 iron hospital beds to the beach and arranged them in rows stretching out to the horizon. For “Wish You Were Here” (1975), he depicted a handshake between two well-dressed men, one of whom is on fire.

He was capable of grand jokes. For “Animals” (1977), he photographed an enormous inflatable pig floating between the smokestacks of a power plant. (The pig reportedly slipped away and entered the potential flight paths of aircraft approaching Heathrow Airport.) The cover of “Atom Heart Mother” (1970) was simply a cow standing in a field, looking over its shoulder, dumbly, back at the camera.

What was perhaps his best-known image was something of an anomaly. For the 1973 Pink Floyd album “The Dark Side of the Moon,” prompted by a request from a band member for something “graphic, cool and deliberate,” he created the suggestion of a triangular prism against a black background, an image of brilliant light refraction that became a symbolic reference to the band.

“It always seemed funny in a way to represent music by choosing to taking a picture of four chaps,” Mr. Torgerson said when asked about his approach to design in an interview with the BBC in 2007. “You’ve got music which might be about all sorts of things, from love lost and love won to politics to school days, from sport to perverse obsessions, etc., etc. Why would you have four chaps on the front? What does that say about the music?”

Storm Elvin Thorgerson was born on Feb. 28, 1944, in Potters Bar, north of London, and grew up mostly in Cambridge, where he and three of the original members of Pink Floyd — Syd Barrett, Roger Waters and David Gilmour — knew one another as teenagers. He attended Leicester University and the Royal College of Art in London. He was sharing an apartment with a friend, Aubrey Powell, when Mr. Powell was asked to design the jacket for Pink Floyd’s second album, “A Saucerful of Secrets” (1968). When Mr. Powell declined, Mr. Thorgerson volunteered, though he later said he had no idea what he was getting into or what was required. He created a swirl of images suggesting a solar system of planets tumbling out of a galaxy above the earth.

He and Mr. Powell eventually formed a design company, Hipgnosis, which lasted until 1983. A subsequent company, Stormstudios, produced music videos, concert films and documentaries as well as album designs.

Mr. Thorgerson is survived by his mother, Vanji; his wife, Barbie Antonis; a son, Bill; and two stepchildren, Adam and Georgia.

Tributes to Mr. Thorgerson, before and after his death, rarely failed to mention that he could be difficult to work with, a description he himself had no quarrel with.

“Scourge of management, record companies and album sleeve printers; champion of bands, music, great ideas and high, sometimes infuriatingly high, standards,” Pink Floyd’s drummer, Nick Mason, wrote about Mr. Thorgerson on the band’s Web site on Friday, adding: “Endlessly intellectual and questioning. Breathtakingly late for appointments and meetings, but once there invaluable for his ideas, humor and friendship.”

SOURCE

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JIMMY DAWKINS, FAST-FINGERED CHICAGO BLUES GUITARIST

By PETER KEEPNEWS

Published: April 18, 2013

  • Jimmy Dawkins, a Chicago blues guitarist whose prodigious technique earned him the nickname Fast Fingers, and whose admirers included a number of guitarists far more famous than he was, died on April 10 at his home in Chicago. He was 76.

Jack Vartoogian/FrontRowPhotos

Jimmy Dawkins in 2007.

His death was confirmed by Bob Koester, the owner of Delmark Records, the Chicago blues and jazz label for which Mr. Dawkins made his first albums. Mr. Koester did not specify a cause.

Mr. Dawkins said he disliked his nickname, taken from the title of his first album, because he felt it typecast him as a high-energy, showy kind of player and gave short shrift to his affinity for the slower kind of blues. But it stuck.

A practitioner of the so-called West Side brand of Chicago blues, slicker and somewhat less hard-edge than the South Side style of Muddy Waters and Howlin’ Wolf, Mr. Dawkins was an unusual kind of bluesman. As a guitarist, he was intense without being dramatic; as a singer, he was expressive without shouting; as a performer, he was, by choice, not much of a showman.

He never had a large following in the United States, in part because he decided early on to do most of his touring in Europe and Japan, where he found audiences to be more receptive. But among his fans were fellow guitarists like Buddy Guy, Eric Clapton and Stevie Ray Vaughan.

Reviewing a rare New York performance by Mr. Dawkins in 1990, at the blues club Manny’s Car Wash, Peter Watrous of The New York Times noted his introspective approach — “Whereas most bands play for the audience, Mr. Dawkins played for himself” — but praised him as “a master of rhythms” whose “playing reveled in the erratic.”

James Henry Dawkins was born on Oct. 24, 1936, in Tchula, Miss., and grew up in Pascagoula, a coastal town, where the easy-swinging music of New Orleans was as much an influence on his playing as the Delta blues. After teaching himself to play guitar, he moved to Chicago in 1955 and worked in a box factory by day while sharpening his guitar skills in blues clubs by night.

He was brought to Delmark Records by his fellow West Side blues guitarist Magic Sam. His first album, “Fast Fingers,” was released in 1969 and won the Grand Prix du Disque from the Hot Club of France. He recorded several albums in the United States and Europe and in the 1980s had his own record company, Leric.

Survivors include his wife, Verdia; six children; and many grandchildren and great-grandchildren.

SOURCE

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PAT SUMMERALL,  STAR KICKER WITH GIANTS AND A CALM VOICE ON TV

Michael Conroy/Associated Press

Pat Summerall, left, worked with John Madden for 21 years as the lead N.F.L. broadcast team for CBS and then Fox. “John looks at it from a coach’s angle; I bring a player’s point of view,” he said.

By

Published: April 16, 2013

  • Pat Summerall, the Giants’ outstanding place-kicker who went on to team with John Madden for 21 seasons in network television’s most prominent N.F.L. broadcast twosome, died on Tuesday in Dallas. He was 82.

Associated Press

Summerall’s 49-yard field goal for the Giants forced a playoff game against Cleveland in 1958.

A family spokeswoman, Valerie Bell, said Summerall had been at Zale Lipshy University Hospital since Thursday, when he broke a hip in a fall at his home in Southlake, Tex., in the Dallas-Fort Worth area.  She said he was undergoing rehabilitation at the hospital when he experienced sudden cardiac arrest.

On a December afternoon in 1958, Summerall kicked a 49-yard field goal in a snowstorm at Yankee Stadium to give the Giants a 13-10 victory over the Cleveland Browns and send the teams to a playoff for the Eastern Conference title. The Giants beat the Browns again the next Sunday, then played in the first of three National Football League championship games in Summerall’s years with them.

That field goal provided one of the more thrilling moments in Giants history. But when Summerall took up broadcasting, he shunned the dramatic turn, preferring an understated and spare style in doing the play-by-play. He largely let the action on the screen speak for itself, meshing splendidly with Madden, a former coach, who eagerly explained the strategy.

“When you listen to Pat, it’s comfortable, it’s a big game, you’re bringing a gentleman into your house,” Madden once said.

Summerall spent more than 40 years in broadcasting with CBS and Fox. Although best remembered for his football work, he was also the voice of the Masters golf tournament and the United States Open tennis tournament.

But for much of his time at the microphone, Summerall had an addiction that afflicted his professional and his personal life, and cost him his health. He was an alcoholic.

In 1992, he was confronted by family members, friends and associates in an intervention and persuaded to enter the Betty Ford substance-abuse clinic in Rancho Mirage, Calif. He emerged sober, remained so, and became a born-again Christian, speaking often of his newfound faith and the insights he had gleaned into his self-destructive conduct. But his liver had sustained irreparable damage. In 2004, he underwent a transplant, receiving the liver of a 13-year-old boy who had died of a brain aneurysm.

In his memoir “Summerall: On and Off the Air” (Thomas Nelson, 2006), he told of how his time at the Betty Ford Clinic “was full of revelations.”

“As the years and the parties passed,” he said, “I became more erratic in my judgment and less patient as I drank more frequently and recovered more slowly. In addition, I had lowered my standards along the way — professionally, personally and physically. To my shame, I had become a practiced liar and a seasoned cover-up man. I was spending more and more time on the road just to be around the party scene, always to the detriment of my family. I had walked away from my marriage and alienated my three kids. They didn’t deserve that treatment.”

George Allen Summerall, nicknamed Pat as a youngster, was born in Lake City, Fla., where he endured a traumatic childhood.

He was born with a right leg twisted backward. A doctor, trying a novel procedure, fractured the leg, turned it around and then reset it when he was an infant. The doctor thought the child might always walk with a limp and doubted he could play sports.

Summerall’s parents had separated before he was born. When he was 3, his mother no longer wished to care for him, and he was raised by an aunt, an uncle and a grandmother, who inspired him to pursue sports.

Though his right leg was shorter than the left, he became a place-kicker and played end for the University of Arkansas, and then was drafted by the Detroit Lions in 1952. He spent one season with Detroit and five with the Chicago Cardinals before joining the Giants in 1958.

Summerall sometimes played at defensive or tight end, but he was primarily a kicker in his 10 N.F.L. seasons, and no kick was more memorable than that 1958 field goal against the Browns in the snow.

As he told it in his memoir: “I made the mistake of looking toward the distant goal shrouded in a heavy curtain of falling snow. The wind was howling. My breath was a vapor cloud hovering in front of my face. It was a good snap and a good hold. As soon as I kicked it, I knew it was going to be far enough, but the ball was on a very unpromising trajectory, knuckleballing like a missile gone awry. Yet somewhere it stayed on course and cleared the uprights by so much it would have been good from 65 yards out.”

After beating the Browns a second time in the playoff game, the Giants lost to the Baltimore Colts in sudden-death overtime in the 1958 championship game, which buoyed pro football’s emerging popularity and came to be called “The Greatest Game Ever Played.” The Giants went to the title game again in 1959 and ’61, losing each time.

Summerall retired after the 1961 season with 563 career points, all coming on field goals and extra points except for one interception return for a touchdown.

He began his broadcasting career doing sports shows for CBS Radio while playing for the Giants, then worked as an analyst on Giants’ TV broadcasts, teaming with Chris Schenkel. He teamed with the former Philadelphia Eagles defensive back Tom Brookshier during the 1970s, then began working with Madden during the 1981 season. They remained together on CBS through 1993, then worked as a pair for Fox from 1994 through the 2001 season. Summerall remained with Fox for another year after that, then worked Dallas Cowboys games on the radio.

In 1994, the National Academy of Television Arts and Sciences gave him a lifetime achievement award, and the Pro Football Hall of Fame honored him with its Pete Rozelle Radio-Television Award.

He is survived by his wife, Cheri; his sons, Kyle and Jay; and a daughter, Susan Wiles, from his marriage to his first wife, Kathy.

Summerall relished his collaboration with Madden, but liked to point out the contrast in their approaches.

“John looks at it from a coach’s angle; I bring a player’s point of view,” Summerall told The San Diego Union-Tribune when he and Madden prepared for the 2002 Super Bowl, their last one together. “What he doesn’t see, I see, and vice versa. But I always remember a bit of great advice from a producer doing golf for CBS. He told me that TV is a visual medium, and you don’t have to tell people what they already can see. His last words were, ‘If I ever hear you say that he made the putt, you’re fired.’ ”

SOURCE

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FRANK BANK, LUMPY ON ‘LEAVE IT TO BEAVER’

ABC Photo Archives, via Getty Images

From left, Tony Dow, Frank Bank and John Close in “Leave It to Beaver.”

By

Published: April 16, 2013

  • Frank Bank, who played the sweet teenage nitwit Lumpy Rutherford on the 1950s-60s hit sitcom “Leave It to Beaver,” died on Saturday in Los Angeles. He had celebrated his 71st birthday the day before.

His death was confirmed by Stu Shostak, a friend, who did not provide a cause.

Lumpy — a friend of Wally Cleaver (Tony Dow), the older brother of Beaver Cleaver (Jerry Mathers) — was something of a heavy on the cheerful series; he tried to push younger boys around but wasn’t very good at it. Thus the character, whose real name was Clarence Rutherford, reflected the idealized American suburbia of network television: even the town bully was lovable.

Nicknamed for his size and perhaps for his less-than-stellar intellect, Lumpy may have been larger than the other boys because he had repeated his sophomore year (at least once) or because his favorite hobby was eating. Constantly. Hapless and harmless, he appeared in 50 episodes during the show’s seven seasons, occasionally as the center of attention. (Certainly that was the case in the episodes called “Lumpy’s Scholarship,” “Lumpy’s Car Trouble” and “Wally Stays at Lumpy’s.”)

Mr. Bank reprised the role in a 1983 television movie, “Still the Beaver,” and a follow-up series, “The New Leave It to Beaver,” which ran from 1983 to 1989 and featured the once-young characters as the older generation. He also played a small part in the feature-film remake “Leave It to Beaver” (1997).

Mr. Bank was born on April 12, 1942, in Los Angeles, reportedly in a hospital corridor during a wartime air-raid drill, and made his credited film debut at 10 as the young Will Rogers in “The Story of Will Rogers” (1952). Typecast after his years on “Leave It to Beaver,” he soon retired from entertainment and became a securities trader. He did appear in the 1983 TV movie “High School U.S.A.,” along with Mr. Dow and other former child and adolescent television stars.

Two previous marriages, to Marlene Blau (1963-65) and Jeri Handelman (1966-82), ended in divorce. His survivors include his third wife, Rebecca Fink, whom he married in 1982; four daughters, Julie Bank, Kelly Lightner, Michelle Randall and Joanne Littman; and five grandchildren.

Daniel E. Slotnik contributed reporting.

SOURCE

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SKYWATCH: LYRID METEOR SHOWER, ALMOST EARTH-LIKE EXOPLANETS, AND MORE

News
Kepler-62's habitable-zone exoplanets

NASA Ames / JPL-Caltech

Almost Earth-like Exoplanets

April 18, 2013                                                                | NASA’s Kepler mission has discovered a 5-planet system that includes a hot Mars and four super-Earths, two of which might host liquid water. These aren’t quite the Earth-like exoplanets Kepler’s been looking for, but they’re close. > read more

A Tumbling Apophis: Good News for Earth

April 19, 2013                                                                | Careful observations of asteroid 99942 last January show it to be both elongated and tumbling — which is good news to the celestial dynamicists trying to predict this body’s future close brushes with Earth. > read more

When Supergiants Explode: Taking It Slow

April 17, 2013                                                                | Astronomers have announced a new class of gamma-ray bursts, possibly created when some of the biggest stars in the universe go supernova. > read more

Homing in on Dark Matter

April 16, 2013                                                                | Three potential detections from deep underground could be from dark matter particles. While still uncertain, the result suggests a particle mass in keeping with hints from several other experiments. > read more

The Most Distant Star Ever Seen?

April 15, 2013                                                                | Astronomers have detected what might be the farthest star ever spectroscopically observed. The bright object blazes in an unusual location, too, perhaps giving insight into star formation in unconventional environments. > read more

Observing

Radiant of Lyrid meteors

Sky & Telescope diagram

Lyrid Meteor Shower in 2013

April 18, 2013                                                                | Even though moonlight will interfere with this year’s Lyrid meteor shower, skywatchers should be alert for a possible outburst on the night of April 21-22. > read more

April 25th’s Partial Lunar Eclipse

April 19, 2013                                                                | Truly dedicated eclipse-watchers — who live in the Eastern Hemisphere — have a chance to watch the Moon barely graze Earth’s umbra during the first eclipse of 2013. > read more

Tour April’s Sky by Eye and Ear!

March 29, 2013                                                                  | Celebrate “Global Astronomy Month” by strolling outside to take in all the evening sky sights. Jupiter and Sirius frame Orion nicely in the west, while Saturn is low in the east an hour or two after sunset. > read more

This Week’s Sky at a Glance

This Week’s Sky at a Glance

April 19, 2013                                                                  | The bright Moon pairs with Spica and Saturn. Orion and family are lying down in the west. And will the Lyrid meteors perform? > read more

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COLORLINES: BREAKING THE CYCLE OF PAIN FROM MASS VIOLENCE

How We Can Break the Cycle of Pain From Mass Violence

Care for those hurt. Care for those who will be accused. And care for ourselves. That’s how we’ll grow together, rather than tear apart.

Rinku Sen shares her words of wisdom.

A Synopsis (in Progress) of the Senate’s Immigration Bill

Seth Freed Wessler has been reading the 844-page piece of legislation. For updates as we work through the bill’s details, follow our What’s in the Bill tag.

Who Was the Real Jackie Robinson?

With the release of the Hollywood film about Jackie Robinson’s first year in the racially segregated major leagues, Jamilah King explores the racial politics and legacy of the baseball trailblazer.

History Would Repeat Itself if Boston Derailed Immigration Reform American lawmakers have generally responded to acts of mass violence, whether by U.S. citizens or foreigners, with anti-immigration laws and a retreat from reform.

Here’s Video of CNN Spreading Rumors About a ‘Dark Skinned’ Boston Suspect On Wednesday afternoon a handful of news outlets falsely reported that an arrest had been made in the Boston bombings. CNN took it a step further by reporting the supposed suspect was “brown-skinned.”

Meet Skylar Diggins, the WNBA Draft Pick With Social Media Sex Appeal Skylar Diggins, the Notre Dame point guard just added to the WNBA’s Tulsa Shock, is one of the most talented ballers in the country. In the age of Twitter, will a focus on her appearance become a dangerous distraction?

Police Sergeant Caught With Trayvon Martin Shooting Targets Says: Sorry I’m Not Sorry The Port Canaveral, Fla., Port Authority police sergeant who was fired after he brought shooting targets resembling Trayvon Martin to a firearms training says he’s the victim of another sergeant’s political agenda.

Tim Wise on Understanding the Power of Whiteness, Terrorism and Privilege Anti-racist writer and educator Tim Wise: “White privilege is knowing that even if the bomber turns out to be white, no one will call for whites to be profiled as terrorists as a result, subjected to special screening, or threatened with deportation.”

Watch Maria Tallchief, Barrier-Breaking Prima Ballerina, Perform ‘Firebird’ Maria Tallchief, the first Native American prima ballerina of the New York City Ballet, died last Thursday at age 88.

Magic Johnson’s Fabulously Gay Son Doesn’t Care About Haters He’s the son of NBA legend and businessman Magic Johnson, he’s out and proud, and he has the complete support of his high-profile parents.

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HATEWATCH: WHITE SUPREMACISTS ARRESTED IN TENNESSEE MURDER OF FELLOW RACIST

 

White Supremacists Arrested in Tennessee Murder of Fellow Racist

by Bill Morlin  on April 10, 2013

Two white supremacists are in custody and two more are being sought in the beating death in Tennessee of a volunteer firefighter who authorities say was affiliated with the neo-Nazi Aryan Nations.

At least one of the four suspects is reportedly a member of the Aryan Brotherhood, a prison-based, “whites-only” gang that is known as one of the most violent of its type in the country. In recent years, felons released from prison have increasingly continued to work for the Aryan Brotherhood, which frequently is involved in drug dealing, in the outside world.

John Corey Lanier, 26, and Todd E. Dalton, 39, both of Manchester, Tenn., are currently being held in jail in Franklin County, Tenn., on charges of first-degree murder, authorities say.

David Gordon Jenkins, 46, also of Manchester, and Coty Keith Holmes, 25, of Hillsboro, Tenn., also were charged with murder in grand jury indictments returned Monday. “They are still at large,” Franklin County Sheriff’s Sgt. Chris Guess told Hatewatch today. He said investigators aren’t certain if the two fugitives have left Tennessee, but warrants for their arrests have been entered into the national crime data system and they are identified as being armed and dangerous.

The four are charged in the death of Corey N. Matthews, 26, whose body was found March 24 on Jackson Cemetery Road in rural Franklin County. Guess said that Matthews, a volunteer for the Keith Springs Fire Department, died of blunt force trauma to the head and upper body, and most likely was killed on the evening of March 23.

The suspects were identified after investigators worked around the clock, interviewing more than 50 people, Franklin County Sheriff Tim Fuller told News Channel 5 in Nashville.

“This was a specific and targeted incident related to Mr. Matthews’ affiliation with a white supremacist organization,” the sheriff’s spokesman told the Times-Free Press in Chattanooga, Tenn. Guess told the newspaper that investigators theorize that the murder stemmed from “a dispute over the white supremacist organization’s doctrine.”

The newspaper reported that at least three of the suspects — Lanier, Dalton and Holmes — as well as the victim were members of the Aryan Nations, a group that was based in Northern Idaho for many years before a Southern Poverty Law Center lawsuit reduced it to a few squabbling splinter groups that each claim to be the rightful heir of the once-storied organization. Jenkins, who is still a fugitive, had ties to the Aryan Brotherhood, a national prison gang that in recent years has had an increasing presence in the free world.

Asked by Hatewatch, Guess declined to elaborate on which Aryan Nations splinter faction the victim was affiliated with or how long he had been a member of the white supremacist organization. “Those are details of the investigation that we aren’t going to release at this time,” the sheriff’s spokesman said.

SOURCE

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APRIL 15, 2013: BOSTON PATRIOTS

130324 600 Boston Patriots cartoons

Copyright Jeff Darcy, staff cartoonist for the Cleveland Plain Dealer.

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APRIL 15, 2013: TAX DAY

Sack cartoon: U.S. tax code

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April 15, 2013 · 5:14 PM

IN REMEMBRANCE: 4-14-2013

ANNTEE FUNICELLO, BELOVED MOUSEKETEER AND STAR OF BEACH MOVIES

By

Published: April 8, 2013

  • Annette Funicello, who won America’s heart as a 12-year-old in Mickey Mouse ears, captivated adolescent baby boomers in slightly spicy beach movies and later championed people with multiple sclerosis, a disease she had for more than 25 years, died on Monday in Bakersfield, Calif. She was 70.

Photofest

The Mickey Mouse Club, 1955-1959. From left: Jimmie Dodd, Annette Funicello, Tommy Cole, Doreen Tracey.                            More Photos »

Her death, from complications of the disease, was announced on the Disney Web site.

As an adult Ms. Funicello described herself as “the queen of teen,” and millions around her age agreed. Young audiences appreciated her sweet, forthright appeal, and parents saw her as the perfect daughter.

She was the last of the 24 original Mouseketeers chosen for “The Mickey Mouse Club,” the immensely popular children’s television show that began in 1955, when fewer than two-thirds of households had television sets. Walt Disney personally discovered her at a ballet performance.

Before long, she was getting more than 6,000 fan letters a week, and was known by just her first name in a manner that later defined celebrities like Cher, Madonna and Prince.

Sometimes called “America’s girl next door,” she nonetheless managed to be at the center of the action during rock ’n’ roll’s exuberant emergence. She was the youngest member of Dick Clark’s Caravan of Stars tour, which included LaVern Baker, the Drifters, Bobby Rydell, the Coasters and Paul Anka. Mr. Anka, her boyfriend, wrote “Puppy Love” for her in her parents’ living room.

As a Mouseketeer, she received a steady stream of wristwatches, school rings and even engagement rings from young men, all of which she returned. She wrote in her 1994 autobiography, “A Dream Is a Wish Your Heart Makes,” that irate mothers often wrote back to say “how hard Johnny or Tommy had worked to save the money for the gift and how dare I return it?”

She said that if she had charm (she undeniably had modesty), it was partly a result of her shyness. Mr. Disney begged her to call him Uncle Walt, but she could manage only “Mr. Disney.” (She could handle “Uncle Makeup” and “Aunt Hairdresser.”)

At the height of her stardom, she said her ambition was to quit show business and have nine children.

With minor exceptions, like her commercials for Skippy peanut butter, Ms. Funicello did become a homemaker after marrying at 22. One reason, she said, was her reluctance to take parts at odds with her squeaky-clean image. She had three children.

Her cheerfulness was legendary. Her response to learning she had multiple sclerosis, a chronic disease of the central nervous system, was to start a charity to find a cure.

There was no irony, only warm good feeling, in her oft-repeated remark about the world’s pre-eminent rodent: “Mickey is more than a mouse to me. I am honored to call him a friend.”

Annette Joanne Funicello was born on Oct. 22, 1942, in Utica, N.Y., and as the first grandchild on either side of the family was indulged to the point of being, in her own words, a “spoiled brat.” At age 2, she learned the words to every song on the hit parade, her favorite being “Ac-cent-tchu-ate the Positive.”

In 1946, her parents decided to move to Southern California in the hope of doing better economically. They lived in a trailer park until her father, a mechanic, found work. They settled in Studio City and later moved to Encino.

Annette took dancing lessons, learned to play drums and, at 9, was named Miss Willow Lake at a poolside beauty contest. She did some modeling. Mr. Disney, who wanted amateurs and not professional child actors, discovered her when she danced in “Swan Lake” at a local recital.

“The Mickey Mouse Club” was instantly popular, generating orders for 24,000 mouse-eared beanies a day. Annette quickly became the most popular Mouseketeer, and Disney marketed everything from Annette lunchboxes and dolls to mystery novels about her fictionalized adventures.

But she did not receive special treatment. When she lost a pair of felt mouse ears, she was charged $55. It was deducted from her $185 weekly paycheck.

She once decided she wanted to change her last name to something more typically American. She chose Turner. But Mr. Disney, whom she considered a second father, convinced her that her own name would be more memorable once people learned it.

In 1958, as “The Mickey Mouse Club” was ending its run, Mr. Disney summoned Ms. Funicello to his office. She feared she was going to be fired for growing too tall, but instead he offered her a studio contract — the only one given to a Mouseketeer.

Her first movie role was in “The Shaggy Dog,” Disney’s first live-action comedy. Then came the television series “Zorro.” Next she was “loaned out,” in industry talk, to CBS to appear on the Danny Thomas sitcom “Make Room for Daddy.” She also pursued a recording career, and had two Top 10 singles: “Tall Paul” in 1959 and “O Dio Mio” in 1960.

Multimedia

Video Highlights From Funicello’s Career

Ms. Funicello embodied youth, good cheer and beach parties for children of the ’50s and ’60s.

She and her family continued living as they had, with her father working five days a week at a gas station and everyone pitching in to do housework. She was not allowed to date until she was 16. When her mother was asked how she was able to keep life so normal, she answered succinctly, “Nothing impressed us.”

Ms. Funicello had crushes on her fellow singers Fabian Forte and Frankie Avalon but fell hard for Mr. Anka. “As Paul wrote in his hit song about us,” she wrote, “just because we were 17 didn’t mean that, for us, our love wasn’t real.”

But their careers were increasingly busy, and time together was scant. When Ms. Funicello finally told Mr. Anka that she really cared for him, he replied, “What script did you get that from?”

Her records continued, including the albums “Hawaiiannette,” “Italiannette” and “Dance Annette.” Movie parts included “Babes in Toyland,” in which she sang “I Can’t Do the Sum.” (She actually could, as proved by her straight-A high school record.)

When Mr. Disney told her he had been approached by American International Pictures about her making a beach movie, he said he thought it sounded like “good clean fun,” but asked her not to expose her navel. She readily agreed.

She and Mr. Avalon ultimately starred in a series of beach movies together, beginning with “Beach Party” in 1963. She harbored no illusions that she and Mr. Avalon were the Fred Astaire and Ginger Rogers of their generation. “Ma and Pa Kettle of the surf set,” she suggested instead.

On Jan. 9, 1965, Ms. Funicello married her agent, Jack Gilardi. Charles M. Schulz, in his “Peanuts” comic strip, showed Linus reading a paper, clutching his security blanket and wailing: “I can’t stand it! This is terrible! How depressing. … ANNETTE FUNICELLO HAS GROWN UP!”

She made a few films in the middle and late 1960s, including “Fireball” and “Thunder Alley,” but her attention was focused on her children, Gina, Jack Jr. and Jason Michael. During the 1970s and early 1980s, she appeared occasionally on TV but was known principally for commercials, including her memorable issuing of the Skippy peanut butter challenge: Which has more protein? (Bologna and fish were not the correct answers.)

In 1987, she and Mr. Avalon reunited to do a self-mocking beach party movie. She wore polka dots with matching hair bows, and he portrayed a work-obsessed car salesman who hates the beach. Their fictional son wore punk clothes and carried a switchblade.

But Ms. Funicello’s main concern was being a good mom, her daughter, Gina, said. In a 1994 interview, she told In Style magazine that her mother “was always there for car pools, Hot Dog Day and the PTA.”

In 1981 Ms. Funicello divorced Mr. Gilardi. In 1986 she married Glen Holt, a horse breeder. Mr. Holt, who cared for Ms. Funicello in her later years, survives her, along with her 3 children, 4 stepchildren, 12 grandchildren and 4 great-grandchildren.

Ms. Funicello learned she had M.S. in 1987 but kept her condition secret for five years. She announced the illness after becoming concerned that the unsteadiness the disease caused would be misinterpreted as drunkenness.

She set up the Annette Funicello Research Fund for Neurological Diseases and underwent brain surgery in 1999 in an attempt to control tremors caused by her disease.

But for many, Annette Funicello remained forever young, whether in mouse ears or a modest bathing suit. Some may even recognize a ditty from the long-ago television shows:

Ask the birds and ask the bees

And ask the stars above

Who’s their favorite sweet brunette;

You know, each one confesses:

Annette! Annette! Annette!

SOURCE

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MARGARET THATCHER, ‘IRON LADY’ WHO SET BRITAIN ON A NEW COURSE

Agence France-Presse — Getty Images

Margaret Thatcher, the first female prime minister of Britain, held the office for 11 years. More Photos »

By JOSEPH R. GREGORY

Published: April 8, 2013

  • Margaret Thatcher, the “Iron Lady” of British politics, who set her country on a rightward economic course, led it to victory in the Falklands war and helped guide the United States and the Soviet Union through the cold war’s difficult last years, died on Monday in London. She was 87.

Multimedia

Her spokesman, Tim Bell, said she died of a stroke at the Ritz Hotel. She had been in poor health for months and had suffered from dementia.

Prime Minister David Cameron cut short a visit to Continental Europe to return to Britain after receiving the news, and Queen Elizabeth II authorized a ceremonial funeral with military honors — a notch below a state funeral — at St. Paul’s Cathedral in London. A statement from the White House said that “the world has lost one of the great champions of freedom and liberty, and America has lost a true friend.”

Mrs. Thatcher was the first woman to become prime minister of Britain and the first to lead a major Western power in modern times. Hard-driving and hardheaded, she led her Conservative Party to three straight election wins and held office for 11 years — May 1979 to November 1990 — longer than any other British politician in the 20th century.

The strong economic medicine she administered to a country sickened by inflation, budget deficits and industrial unrest brought her wide swings in popularity, culminating with a revolt among her own cabinet ministers in her final year and her shout of “No! No! No!” in the House of Commons to any further integration with Europe.

But by the time she left office, the principles known as Thatcherism — the belief that economic freedom and individual liberty are interdependent, that personal responsibility and hard work are the only ways to national prosperity, and that the free-market democracies must stand firm against aggression — had won many disciples. Even some of her strongest critics accorded her a grudging respect.

At home, Mrs. Thatcher’s political successes were decisive. She broke the power of the labor unions and forced the Labour Party to abandon its commitment to nationalized industry, redefine the role of the welfare state and accept the importance of the free market.

Abroad, she won new esteem for a country that had been in decline since its costly victory in World War II. After leaving office, she was honored as Baroness Thatcher of Kesteven. But during her first years in power, even many Tories feared that her election might prove a terrible mistake.

In October 1980, 17 months into her first term, Mrs. Thatcher faced disaster. More businesses were failing and more people were out of work than at any time since the Great Depression. Racial and class tensions smoldered. Even her close advisers worried that her push to stanch inflation, sell off nationalized industry and deregulate the economy was devastating the poor, undermining the middle class and courting chaos.

At the Conservative Party conference that month, the moderates grumbled that they were being led by a free-market ideologue oblivious to life on the street and the exigencies of realpolitik. With electoral defeat staring them in the face, cabinet members warned, now was surely a time for compromise.

To Mrs. Thatcher, they could not be more wrong. “I am not a consensus politician,” she said. “I am a conviction politician.”

In an address to the party, she played on the title of Christopher Fry’s popular play “The Lady’s Not for Burning” in insisting that she would press forward with her policies. “You turn if you want to,” she told the faltering assembly. “The lady’s not for turning.”

Her resolve did the trick. A party revolt was thwarted, the Tories hunkered down, and Mrs. Thatcher went on to achieve great victories. She turned the Conservatives, long associated with the status quo, into the party of reform. Her policies revitalized British business, spurred industrial growth and swelled the middle class.

But her third term was riddled with setbacks. Dissension over monetary policy, taxes and Britain’s place in the European Community caused her government to give up hard-won gains against inflation and unemployment. By the time she was ousted in another Tory revolt — this one over her resistance to expanding Britain’s role in a European Union — the economy was in a recession and her reputation tarnished.

This article has been revised to reflect the following correction:

Correction: April 8, 2013

An earlier version of this obituary misquoted Lady Thatcher when, in an address to her party, she played on the title of Christopher Fry’s play “The Lady’s Not for Burning.” She said: “You turn if you want to. The lady’s not for turning.” She did not say, “Turn if you like.”

SOURCE
Read the rest of the article  here.

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JONATHAN WINTERS, UNPREDICTABLE COMIC AND MASTER OF IMPROVISATION

By

Published: April 12, 2013

  • Jonathan Winters, the rubber-faced comedian whose unscripted flights of fancy inspired a generation of improvisational comics, and who kept television audiences in stitches with Main Street characters like Maude Frickert, a sweet-seeming grandmother with a barbed tongue and a roving eye, died on Thursday at his home in Montecito, Calif. He was 87.

Business Wire

Jonathan Winters in 1999.                            More Photos »

His death was announced on his Web site, JonathanWinters.com.

Mr. Winters, a rotund man whose face had a melancholy basset-hound expression in repose, burst onto the comedy scene in the late 1950s and instantly made his mark as one of the funniest, least definable comics in a rising generation that included Mort Sahl, Shelley Berman and Bob Newhart.

Mr. Winters was at his best when winging it, confounding television hosts and luckless straight men with his rapid-fire delivery of bizarre observations uttered by characters like Elwood P. Suggins, a Midwestern Everyman, or one-off creations like the woodland sprite who bounded onto Jack Paar’s late-night show and simperingly proclaimed: “I’m the voice of spring. I bring you little goodies from the forest.”

A one-man sketch factory, Mr. Winters could re-enact Hollywood movies, complete with sound effects, or create sublime comic nonsense with simple props like a pen-and-pencil set.

The unpredictable, often surreal quality of his humor had a powerful influence on later comedians like Robin Williams but made him hard to package as an entertainer. His brilliant turns as a guest on programs like “The Steve Allen Show” and “The Tonight Show” — in both the Jack Paar and Johnny Carson eras — kept him in constant demand. But a successful television series eluded him, as did a Hollywood career, despite memorable performances in films like “It’s a Mad, Mad, Mad, Mad World,” “The Loved One” and “The Russians Are Coming, the Russians Are Coming.”

Jonathan Harshman Winters was born on Nov. 11, 1925, in Dayton, Ohio, where his alcoholic father (“a hip Willy Loman,” according to Mr. Winters) worked as an investment broker and his grandfather, a frustrated comedian, owned the Winters National Bank.

“Mother and Dad didn’t understand me; I didn’t understand them,” he told Jim Lehrer on “The NewsHour With Jim Lehrer” in 1999. “So consequently it was a strange kind of arrangement.” Alone in his room, he would create characters and interview himself.

The family’s fortunes collapsed with the Depression. The Winters National Bank failed, and Jonathan’s parents divorced. His mother took him to Springfield, where she did factory work but eventually became the host of a women’s program on a local radio station. Her son continued talking to himself and developed a repertory of sound effects. He often entertained his high school friends by imitating a race at the Indianapolis Motor Speedway.

A poor student, Mr. Winters enlisted in the Marines before finishing high school and during World War II served as a gunner on the aircraft carrier Bon Homme Richard in the Pacific.

After the war he completed high school and, hoping to become a political cartoonist, studied art at Kenyon College and the Dayton Art Institute. In 1948 he married Eileen Schauder, a Dayton native who was studying art at Ohio State. She died in 2009. His survivors include their two children, Jonathan Winters IV, of Camarillo, Calif., known as Jay, and Lucinda, of Santa Barbara, Calif.; and several grandchildren.

At the urging of his wife, Mr. Winters, whose art career seemed to be going nowhere, entered a talent contest in Dayton with his eye on the grand prize, a wristwatch, which he needed. He won, and he was hired as a morning disc jockey at WING, where he made up for his inability to attract guests by inventing them. “I’d make up people like Dr. Hardbody of the Atomic Energy Commission, or an Englishman whose blimp had crash-landed in Dayton,” he told U.S. News and World Report in 1988.

After two years at a Columbus television station, he left for New York in 1953 to break into network radio. Instead he landed bit parts on television and, with surprising ease, found work as a nightclub comic.

A guest spot on Arthur Godfrey’s “Talent Scouts” led to frequent appearances with Jack Paar and Steve Allen, both of them staunch supporters willing to give Mr. Winters free rein. Alistair Cooke, after seeing Mr. Winters at the New York nightclub Le Ruban Bleu, booked him as the first comedian to appear on his arts program “Omnibus.”

In his stand-up act, Mr. Winters initially relied heavily on sound effects — a cracking whip, a creaking door, a hovering U.F.O. — which he used to spice up his re-enactments of horror films, war films and westerns. Gradually he developed a gallery of characters, which expanded when he had his own television shows, beginning with the 15-minute “Jonathan Winters Show,” which ran from 1956 to 1957. He was later seen in a series of specials for NBC in the early 1960s; on an hourlong CBS variety series, “The Jonathan Winters Show,” from 1967 to 1969; and on “The Wacky World of Jonathan Winters,” in syndication, from 1972 to 1974.Many of Mr. Winters’s characters — among them B. B. Bindlestiff, a small-town tycoon, and Piggy Bladder, football coach for the State Teachers’ Animal Husbandry Institute for the Blind — were based on people he grew up with. Maude Frickert, for example, whom he played wearing a white wig and a Victorian granny dress, was inspired by an elderly aunt who let him drink wine and taught him to play poker when he was 9 years old.

Multimedia

Other characters, like the couturier Lance Loveguard and Princess Leilani-nani, the world’s oldest hula dancer, sprang from a secret compartment deep within Mr. Winters’s inventive brain.

As channeled by Mr. Winters, Maude Frickert was a wild card. Reminiscing about her late husband, Pop Frickert, she told a stupefied interviewer: “He was a Spanish dancer in a massage parlor. If somebody came in with a crick in their neck he’d do an orthopedic flamenco all over them. He was tall, dark and out of it.”

One of Mr. Winters’s most popular characters, she appeared in a series of commercials for Hefty garbage bags, which also featured Mr. Winters as a garbage man dressed in a spotless white uniform and referring, in an upper-class British accent, to gar-BAZH. Carson kidnapped Maude Frickert and simply changed the name to Aunt Blabby, one of his stock characters. Mr. Winters said that the blatant theft did not bother him.

Mr. Winters often called himself a satirist, but the term does not really apply. In “Seriously Funny,” his history of 1950s and 1960s comedians, Gerald Nachman described him, a bit floridly, as “part circus clown and part social observer, Red Skelton possessed by the spirit of Daumier.”

He was hard to define. “I don’t do jokes,” he once said. “The characters are my jokes.” At the same time, unlike many comedians reacting to the Eisenhower era, he found his source material in human behavior rather than politics or current events, but in him the spectacle of human folly provoked glee rather than righteous anger.

In 1961 Variety wrote, “His humor is more universally acceptable than any of the current New Comics, with the possible exception of Bob Newhart, because he covers the mass experiences of the U.S. common man — the Army, the gas station, the airport.”

Mr. Winters did much of his best work in nightclubs, but he hated life on the road. In 1959 he suffered a nervous breakdown onstage at the hungry i in San Francisco and briefly spent time in a mental hospital. Two years later he suffered another collapse, and soon after that he quit nightclubs for good. From 1960 to 1964 he recorded his most-requested monologues for Verve on a series of albums, notably “The Wonderful World of Jonathan Winters,” “Here’s Jonathan” and “Jonathan Winters: Down to Earth.”

The conventional television variety show did not suit Mr. Winters, but film did not seem the right medium for him either. Scripts stifled him. “Jonny works best out of instant panic,” one of his television writers in the 1960s said. He thrived when he could ad-lib, fielding unexpected questions or pursuing spontaneous flights of fancy. In other words, he made a brilliant guest, firing comedy in short bursts, but a problematic host or actor.

In the 1970s and ’80s, Mr. Winters was a frequent guest on “The Andy Williams Show,” “The Tonight Show” and “Hollywood Squares.” He played Robin Williams’s extraterrestrial baby son, Mearth, on the final season of “Mork & Mindy,” and he kept busy with voice-over work in animated television series and films. He also published a book of his cartoons, “Mouse Breath, Conformity and Other Social Ills,” and a collection of whimsical stories, “Winters’ Tales.”

More influential than successful, Mr. Winters circled the comic heavens tracing his own strange orbit, an object of wonder and admiration to his peers. “Jonathan taught me,” Mr. Williams told the correspondent Ed Bradley on “60 Minutes,” “that the world is open for play, that everything and everybody is mockable, in a wonderful way.”

This article has been revised to reflect the following correction:

Correction: April 12, 2013

An earlier version of this article misstated the given name of Jonathan Winters’s wife, who died in 2009. In 1948 he married Eileen Schauder, not Elaine. Additionally, a caption in an earlier version of a slide show featuring Mr. Winters incorrectly stated the recipient of an Oscar. Mr. Winters received an Oscar for Peter Ustinov.

SOURCE

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MARIA TALLCHIEF, DAZZLING BALLERINA AND MUSE FOR BALANCHINE

New York City Ballet Archives

Maria Tallchief in the title role in George Balanchine’s ballet “Firebird.” More Photos »

By

Published: April 12, 2013

  • Maria Tallchief, a daughter of an Oklahoma oil family who grew up on an Indian reservation, found her way to New York and became one of the most brilliant American ballerinas of the 20th century, died on Thursday in Chicago. She was 88.

Her daughter, the poet Elise Paschen, confirmed the death. Ms. Tallchief lived in Chicago.

A former wife and muse of the choreographer George Balanchine, Ms. Tallchief achieved renown with Balanchine’s New York City Ballet, dazzling audiences with her speed, energy and fire. Indeed, the part that catapulted her to acclaim, in 1949, was the title role in the company’s version of Stravinsky’s “Firebird,” one of many that Balanchine created for her.

The choreographer Jacques d’Amboise, who was a 15-year-old corps dancer in Balanchine’s “Firebird” before becoming one of City Ballet’s stars, compared Ms. Tallchief to two of the century’s greatest ballerinas: Galina Ulanova of the Soviet Union and Margot Fonteyn of Britain.

“When you thought of Russian ballet, it was Ulanova,” he said an interview on Friday. “With English ballet, it was Fonteyn. For American ballet, it was Tallchief. She was grand in the grandest way.”

A daughter of an Osage Indian father and a Scottish-Irish mother, Ms. Tallchief left Oklahoma at an early age, but she was long associated with the state nevertheless. She was one of five dancers of Indian heritage, all born at roughly the same time, who came to be called the Oklahoma Indian ballerinas: the others included her younger sister, Marjorie Tallchief, as well as Rosella Hightower, Moscelyne Larkin and Yvonne Chouteau.

Growing up at a time when many American dancers adopted Russian stage names, Ms. Tallchief, proud of her Indian heritage, refused to do so, even though friends told her that it would be easy to transform Tallchief into Tallchieva.

She was born Elizabeth Marie Tall Chief on Jan. 24, 1925 in a small hospital in Fairfax, Okla. Her father, Alexander Joseph Tall Chief, was a 6-foot-2 full-blooded Osage Indian whom his daughters idolized and women found strikingly handsome, Ms. Tallchief later wrote. (She and her sister joined their surnames when they began dancing professionally.)

Her mother, the former Ruth Porter, met Mr. Tall Chief, a widower, while visiting her sister, who was a cook and housekeeper for Mr. Tall Chief’s mother.

“When Daddy was a boy, oil was discovered on Osage land, and overnight the tribe became rich,” Ms. Tallchief recounted in “Maria Tallchief: America’s Prima Ballerina,” her 1997 autobiography written with Larry Kaplan. “As a young girl growing up on the Osage reservation in Fairfax, Okla., I felt my father owned the town. He had property everywhere. The local movie theater on Main Street, and the pool hall opposite, belonged to him. Our 10-room, terracotta-brick house stood high on a hill overlooking the reservation.”

She had her first ballet lessons in Colorado Springs, where the family had a summer home. She also studied piano and, blessed with perfect pitch, contemplated becoming a concert pianist.

But dance occupied her attention after the family, feeling confined in Oklahoma, moved to Los Angeles when she was 8. The day they arrived, her mother took her daughters into a drugstore for a snack at the soda fountain. While waiting for their order, Mrs. Tall Chief chatted with a druggist and asked him if he knew of a good dancing teacher. He recommended Ernest Belcher.

As Ms. Tallchief recalled in her memoir, “An anonymous man in an unfamiliar town decided our fate with those few words.”

Mr. Belcher, the father of the television and film star Marge Champion, was an excellent teacher, and Ms. Tallchief soon realized that her training in Oklahoma had been potentially ruinous to her limbs. At 12 she started studies with Bronislava Nijinska, a former choreographer for Diaghilev’s Ballets Russes, who had opened a studio in Los Angeles.

Nijinska, a formidable pedagogue, gave Ms. Tallchief special encouragement. But she also had classes with other distinguished teachers who passed through Los Angeles. One, Tatiana Riabouchinska, became her chaperon on a trip to New York City, which, since the outbreak of World War II, had become the base of the Ballet Russe de Monte Carlo, a leading touring company. She joined the troupe in 1942.Nijinska, one of its choreographers, cast her in some of her ballets. But Ms. Tallchief also danced in Agnes de Mille’s “Rodeo,”a pioneering example of balletic Americana. It was de Mille who suggested that Elizabeth Marie make Maria Tallchief her professional name. Her sister, who survives her, went on to achieve fame mostly in Europe.

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In the summer of 1944, the entire Ballet Russe de Monte Carlo served as the dance ensemble for”Song of Norway,”a Broadway musical based on the life and music of Grieg, with choreography by Balanchine. And Balanchine remained as a resident choreographer for the company, casting Ms. Tallchief in works like “Danses Concertantes,””Le Bourgeois Gentilhomme,””Ballet Imperial” and “Le Baiser de la Fee.”

Balanchine paid increasing attention to Ms. Tallchief, and she became increasingly fond of him, admiring him as a choreographic genius and liking him as a courtly, sophisticated friend. Yet it came as an utter surprise when he asked her to marry him. After careful thought, she agreed, and they were married on Aug. 16, 1946.

It was an unusual marriage. As she wrote in her autobiography: “Passion and romance didn’t play a big part in our married life. We saved our emotions for the classroom.” Yet, she added, “George was a warm, affectionate, loving husband.”

Ms. Tallchief had become a prominent soloist at the Monte Carlo company. But Balanchine wanted a company of his own. In 1946, he and the arts patron Lincoln Kirstein established Ballet Society, which presented a series of subscription performances; it was a direct forerunner of today’s City Ballet.

At the time, Ms. Tallchief was still a member of the Ballet Russe de Monte Carlo, and she remained with it until her contract expired. Then she went to Paris, where Balanchine had agreed to stage productions for the Paris Opera Ballet in 1947. In her autobiography, she speculated that because Balanchine was a Francophile he might have felt tempted to remain in Paris, but that the intrigues riddling the Paris Opera drove him to leave and return to America.

Balanchine then devoted himself to the City Ballet, which gave its first performance under that name on Oct. 11, 1948. Ms. Tallchief was soon acclaimed as one of its stars.

In addition to “Firebird,” Balanchine created many striking roles for her, including those of the Swan Queen in his version of “Swan Lake,” the Sugar Plum Fairy in his version of “The Nutcracker,” Eurydice in”Orpheus”and principal roles in plotless works like “Sylvia Pas de Deux,” “Allegro Brillante,” “Pas de Dix” and “Scotch Symphony.”

After she and Balanchine were divorced in 1950, she remained with City Ballet until 1965. But she also took time off to dance with other companies, and she portrayed Anna Pavlova in”Million Dollar Mermaid,”a 1952 MGM extravaganza starringEsther Williamsas the swimmer and actress Annette Kellerman.

She returned to the Ballet Russe de Monte Carlo in 1954-55, receiving a salary of $2,000 a week, reportedly the highest salary paid any dancer at that time. When she appeared with American Ballet Theater, in 1960-62, she showed she could be an exponent of dramatic as well as abstract ballets. She was cast in such varied parts as the neurotic title role of Birgit Cullberg’s”Miss Julie” and Caroline, the melancholy heroine of Antony Tudor’s “Jardin aux Lilas,” who must enter into a marriage of convenience with a man she does not love.

At City Ballet, Ms. Tallchief’s partners included André Eglevsky, Erik Bruhn and Nicholas Magallanes. She appeared withRudolf Nureyevon television and on tour in Europe and made guest appearances with Ruth Page’s Chicago Opera Ballet, the San Francisco Ballet, the Royal Danish Ballet and the Hamburg Ballet. One of her last roles was the title role in Peter van Dyk’s “Cinderella” for the Hamburg company in 1966. She retired from the stage soon afterward.

Then Ms. Tallchief became part of dance life in Chicago. She founded the ballet school of the Lyric Opera there in the mid-1970s and was the artistic director of the Chicago City Ballet, which presented its first season in 1981. More successful as a teacher than as a director, she resigned from the post in 1987.

Among her honors, she was inducted into the National Women’s Hall of Fame and received a Kennedy Center Honor in 1996.

Ms. Tallchief was married to Elmourza Natirboff, an aviator, from 1952 to 1954. In 1956 she married Henry Paschen, who eventually became president of his family’s business, Paschen Contractors, in Chicago.

Besides her daughter, Ms. Paschen, and her sister, her survivors include two grandchildren.

Ms. Tallchief remained closely identified with her Osage lineage long after she found fame and glamour in Paris and New York, and she bridled at the enduring stereotypes and misconceptions many held about American Indians. Recalling her youth in her memoir, she wrote of a dance routine that she and her sister were asked to perform at Oklahoma country fairs, making both of them “self-conscious.”

“It wasn’t remotely authentic,” she wrote. “Traditionally, women didn’t dance in Indian tribal ceremonies. But I had toe shoes on under my moccasins, and we both wore fringed buckskin outfits, headbands with feathers, and bells on our legs. We’d enter from opposite wings, greet each other, and start moving to a tom-tom rhythm.”

The performance ended with Marjorie performing “no-handed back-flip somersaults.”

“In the end,” she added, “we stopped doing the routine because we outgrew the costumes. I was relieved when we put those bells away for good.”

Anna Kisselgoff contributed reporting.

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ROBERT G. EDWARDS, CHANGED RULES OF CONCEPTION WITH FIRST ‘TEST TUBE’ BABY’

Bourn Hall Clinic, via Agence France-Presse — Getty Images

Robert G. Edwards with the world’s first “test tube baby,” Louise Brown, second from right, in 2008, just before her 30th birthday. With them are her mother, Lesley, and her son, Cameron (not pictured.)

By

Published: April 10, 2013

  • Robert G. Edwards, who opened a new era in medicine when he joined a colleague in developing in vitro fertilization, enabling millions of infertile couples to bring children into the world and women to have babies even in menopause, died on Wednesday at his home near Cambridge, England. Dr. Edwards, who was awarded the Nobel Prize for his breakthrough, was 87.

Keystone/Hulton Archive, via Getty Images

Dr. Edwards holding Louise in 1978.

The University of Cambridge, where he worked for many years, announced his death. Dr. Edwards was known to have dementia and was said to have been unable to appreciate the tribute when he was awarded the Nobel Prize for Physiology or Medicine in 2010.

Working with Dr. Patrick Steptoe, Dr. Edwards essentially changed the rules for how people can come into the world. Conception was now possible outside the body — in a petri dish.

The technique has resulted in the births of five million babies, many in multiple births, according to the International Committee Monitoring Assisted Reproductive Technologies, an independent nonprofit group.

Yet, like so many pioneers of science, Dr. Edwards and Dr. Steptoe achieved what they did in the face of a skeptical establishment and choruses of critics, some of whom found the idea of a “test tube baby” morally repugnant. Denied government support, the two men resorted to private financing. And they did their work in virtual seclusion, in a tiny, windowless laboratory at a small, out-of-the-way English hospital outside Manchester.

It was there, after outwitting a crowd of reporters, that they delivered their — and the world’s — first IVF baby, Louise Brown, on July 25, 1978. Her parents, John and Lesley Brown, had tried for nine years to have a child — a period that virtually coincided with Dr. Edwards’s research.

Dr. Edwards first had the idea for in vitro fertilization in the 1950s, and after beginning his research in earnest in the late 1960s, he stayed with it for nine years, through trial and error, disappointment and triumph.

He was a colorful physiologist who courted the press and vigorously debated his critics, and he was unflagging. Several times a week he drove three to four hours from his academic office in Cambridge to pursue the work at Oldham General Hospital (now the Royal Oldham Hospital). It was there that he and Dr. Steptoe finally succeeded in fertilizing an egg, growing it briefly in a petri dish and transferring it to a woman’s uterus to produce a baby.

Dr. Steptoe, who died in 1988, did not receive a share of the Nobel because the prizes are not awarded posthumously.

Dr. Edwards’s motivation — his passion, in fact — was not fame or fortune but rather helping infertile women, said Barry Bavister, a retired reproductive biologist who worked with him. “He believed with all his heart that it was the right thing to do,” Dr. Bavister said.

During the frustrating years before that first IVF birth, Dr. Edwards was undaunted by critics who said he might be creating babies with birth defects — undaunted even by the qualms of some of his own graduate students. One, Martin Johnson, wrote that he and a fellow graduate student, Richard Gardner, “were very unsure about whether what Bob was doing was appropriate, and we didn’t want to get too involved in it.”

Dr. Johnson added that when he saw “bigwigs of the subject” who were “lambasting into Bob” and telling him not to continue, “you had to say: ‘Well, what’s going on here? Can one man be right against this weight of authoritative opinion?’ ”

In 1971, Dr. Edwards’s application for research support from the British government was turned down, in part because a committee reviewing his application thought it would be more prudent to perfect the method in primates before jumping to humans.

Then there was Dr. Edwards’s personality. Committee members wrote that they were uncomfortable with his “tendency to seek publicity in the press, television and so on.”

Finally, the committee thought that the hospital where Dr. Edwards and Dr. Steptoe worked was insufficiently equipped.

The two men obtained private funds and continued their work.

In a paper published a decade ago in Nature Medicine, Dr. Edwards explained that he first got the idea for human IVF when he was a Ph.D. student at Edinburgh University. He was working with mouse embryos and testing hormone preparations that induced female mice to ovulate. Years later, he asked gynecologists if they would give him ovarian tissue that they had removed from patients for other reasons. Dr. Edwards sought to induce the eggs in the tissue to mature. Then he would fertilize them and transfer them to infertile women to produce pregnancies.

“Some gynecologists approached about this project candidly responded that they thought the idea preposterous,” Dr. Edwards wrote. But one, Dr. Molly Rose, who had delivered two of Dr. Edwards’s five daughters, said she would do it.

Central Press/Hulton Archive, via Getty Images

Dr. Edwards, center, with his team in Cambridge in 1969, when he began his IVF research in earnest

Central Press/Hulton Archive, via Getty Images

Dr. Edwards, right, with Dr. Patrick Steptoe, his colleague in the effort.

The immature eggs, though, would not mature. Dr. Edwards had assumed it took 12 hours for the process; that was what another research group had said. He finally succeeded, he wrote in 1972, when, after “after two disappointing years,” he let the eggs grow for as long as 25 hours. Then, he wrote, “a joy unbounding,” the eggs matured.

What followed, however, was failure after failure to achieve the steps needed for an actual pregnancy.

The first hurdle was trying to get a human egg to be fertilized by human sperm in the lab. Dr. Edwards tried repeatedly for several years, to no avail. Meanwhile, Dr. Bavister, working next door to Dr. Edwards’s lab, had developed a solution to nourish hamster sperm while he fertilized hamster eggs.

“One day,” Dr. Bavister recalled, “Bob said, ‘Barry, why don’t we try your hamster medium with human eggs?’ ” It worked. Dr. Bavister said he could still recall his first glimpse of that fertilized human egg in the microscope. “It was unbelievable, like ‘Eureka!’ ” he said.

The problem, it turned out, was that the solutions Dr. Edwards had been trying were too acidic. The hamster egg solution was slightly less acidic, which allowed sperm to burrow into the egg.

The next step was to get the embryos to start to grow and divide in a petri dish so that they could be transferred to a woman’s uterus.

Many did not develop, and those that did did not survive long. Even after Dr. Edwards and Dr. Steptoe managed to get the eggs to grow to the point where they could be transferred, no pregnancies resulted. They made over 100 attempts, but no woman got pregnant, except one, who had an ectopic pregnancy, with the embryo in her fallopian tube instead of her uterus.

“Most sensible scientists would have given up,” Dr. Bavister said. “But they plugged on and plugged on.”

Dr. Joseph D. Schulman, an American physician who later founded the Genetics and IVF Institute in Fairfax, Va., worked with Dr. Edwards and Dr. Steptoe in 1973 and 1974 and wrote of those frustrating times:

“Although we tried week after week though most of the winter and spring, with one, two or three infertile patients a week, no pregnancy resulted. We extensively debated the causes of failure, of which the informed scientific imagination would provide many.”

Dr. Edwards, “never the most patient of men, was becoming increasingly irritable,” Dr. Schulman wrote.

It is still not clear why it took so long to achieve success, Dr. Schulman said. Dr. Edwards decided that it was a hormone he was giving women to induce ovulation that was making the uterus inhospitable. He elected to do without the drug and rely instead on the one egg that a woman naturally produced each month.

There were only three remaining patients. Dr. Steptoe could not retrieve any eggs from the first two. One woman did not get pregnant. Another had a tubal pregnancy that could not be carried to term. Then he tried his method with Mrs. Brown.

The night Mrs. Brown was to give birth to the world’s first IVF baby, the press descended on the Oldham hospital. Dr. Edwards left the hospital that afternoon and told reporters that nothing was happening yet and that they could go home. He and Dr. Steptoe sneaked in the back entrance that night, and Dr. Steptoe delivered the baby by Caesarean.

It was Dr. Steptoe’s decision to do a Caesarean, Dr. Bavister said, adding, “If the baby was abnormal, they sure did not want the press in the delivery room.” In fact, he said, if the baby had been abnormal, that would have spelled the end of IVF. The method had succeeded only with rabbits at that point, so it was a huge leap of faith for Dr. Edwards and Dr. Steptoe to try it with humans.

But after the birth of Louise Brown, Dr. Edwards was triumphant. He and Dr. Steptoe founded an IVF center, Bourn Hall Clinic, in Cambridge.

The Roman Catholic Church denounced the Nobel committee for awarding Dr. Edwards his prize, arguing that human life should begin only through intercourse and not artificially. The Vatican said Dr. Edwards “bore a moral responsibility for all subsequent developments in assisted reproduction technology and for all abuses made possible by IVF.”

In 2011, Dr. Edwards was knighted by Queen Elizabeth II “for services to human reproductive biology.”

Robert Geoffrey Edwards was born into a working-class family in Batley, Yorkshire, on Sept. 27, 1925. He joined the British military during World War II, then studied biology at the University of Wales in Bangor. He received a Ph.D. in physiology in 1955 from Edinburgh University in Scotland.

He is survived by his wife, Ruth Edwards, along with their 5 daughters and 12 grandchildren, Cambridge said.

Dr. Bavister said the most moving tribute to Dr. Edwards was in a message posted on the Nobel Web site after Dr. Edwards had received the prize. It was from a man who had been born through IVF. “Dr. Edwards, thank you for my life,” it said.

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McCANDLISH PHILLIPS, TIMES REPORTER WHO EXPOSED A JEWISH KLANSMAN

John Orris/The New York Times

McCandlish Phillips in 1966. He left his journalism career in 1973 to spread the Gospel.

By

Published: April 9, 2013

  • McCandlish Phillips, a former reporter for The New York Times who wrote one of the most famous articles in the newspaper’s history — exposing the Orthodox Jewish background of a senior Ku Klux Klan official — before forsaking journalism to spread the Gospel, died on Tuesday in Manhattan. He was 85.

The cause was complications of pneumonia, said Jaan Vaino, a friend.

Even in a newsroom that employed Gay Talese, David Halberstam, Richard Reeves and Ada Louise Huxtable, Mr. Phillips, who was with The Times from 1952 to 1973, stood out.

He stood out as a tenacious reporter and a lyrical stylist — an all-too-rare marriage on newspapers then — and in his hands even a routine news article seldom failed to delight.

Consider Mr. Phillips’s 1961 account of New York’s St. Patrick’s Day parade, an annual millstone for the city’s general-assignment reporters:

“The sun was high to their backs and the wind was fast in their faces and 100,000 sons and daughters of Ireland, and those who would hold with them, matched strides with their shadows for 52 blocks. It seemed they marched from Midtown to exhaustion.”

In his 2003 memoir, “City Room,” Arthur Gelb, a former managing editor of The Times, called Mr. Phillips “the most original stylist I’d ever edited.”

Mr. Phillips stood out in other ways. About 6 feet 5 inches tall and not much more than 160 pounds, he was often described as a latter-day Ichabod Crane — “the man of the awkward gait and the graceful phrase,” his editors called him.

An evangelical Christian, he kept a Bible on his desk and led prayer meetings for like-minded colleagues (there were none when he joined the paper, he noted ruefully) in a conference room off the newsroom.

He refrained from smoking, drinking, cursing and gambling, each of which had been refined to a high, exuberant art in the Times newsroom — the last of these to such a degree that at midcentury the newspaper employed two bookmakers-in-residence, nominally on the payroll as news clerks.

Mr. Phillips’s most renowned article appeared on Page 1 on Sunday, Oct. 31, 1965, under the headline “State Klan Leader Hides Secret of Jewish Origin.” It was a rigorously reported profile of Daniel Burros, a 28-year-old Queens man who was the Grand Dragon of the New York State Ku Klux Klan, a chief organizer of the national Klan and a former national secretary of the American Nazi Party.

Mr. Burros, the article went on to document, was also a Jew — a former Hebrew school student who had been bar mitzvahed at 13.

The article remains a case study in a reporter’s perseverance in the face of intimidation. It is also a case study in the severe, unintended consequences that the airing of fiercely guarded truths can have for the guardian: despite threatening to kill Mr. Phillips if the article went to press, Mr. Burros, in the end, killed only himself.

John McCandlish Phillips Jr. was born in Glen Cove, N.Y., on Long Island, on Dec. 4, 1927. His father was a traveling salesman, and young Johnny, as he was known, would attend 13 grammar schools across New York, Ohio and Massachusetts.

After graduating from Brookline High School, near Boston, he forwent college for reporting and editing jobs on small New England papers. From 1950 to 1952 Mr. Phillips served with the Army at Fort Holabird, in Baltimore, and it was there, he said, that he attended the church service at which he was born again.

Mr. Phillips joined The Times as a copy boy in November 1952, later working as a clerk on the city desk and in the Washington bureau. In 1955, he was made a cub reporter and consigned to prove his mettle in the paper’s Brooklyn office, then a dank, decrepit outfit near Police Department headquarters in the borough’s nether regions.

His account of life there, written for Times Talk, the newspaper’s house organ (“It is impossible to tell a plainclothes detective from a mugger here. You just have to wait to see what they do”), so delighted the newspaper’s management that his sentence was commuted to service in the main newsroom.

In October 1965, The Times received a tip about Mr. Burros’s Jewish upbringing. Assigned to pursue it, Mr. Phillips, aided by newsroom colleagues, spent days reconstructing his life, scouring school, military, employment and police records; amassing photographs; and interviewing neighbors and associates.

The one thing they lacked was an interview with Mr. Burros: efforts to reach him had been unsuccessful. Finally, on a return visit to South Ozone Park, the Queens neighborhood in which Mr. Burros lived, Mr. Phillips glimpsed him on the street — “a round, short, sallow young man who looked a little like a small heap of misery,” he would later write in Times Talk.

He approached Mr. Burros, and they went into a luncheonette. The conversation, which ranged over Mr. Burros’s brilliant scholastic record — he had an I.Q. of 154 — and his rise to power in the Klan, was cordial.

Then, nearly 20 minutes into the interview, Mr. Phillips raised the subject of Mr. Burros’s Jewishness.

“If you publish that, I’ll come and get you and I’ll kill you,” Mr. Burros said. “I don’t care what happens to me. I’ll be ruined. This is all I’ve got to live for.”

By the time the two men parted, Mr. Phillips later wrote, Mr. Burros had threatened his life half a dozen times.

Mr. Phillips returned to the newsroom, and The Times arranged for round-the-clock bodyguards. He wrote his article, detailing Mr. Burros’s religious upbringing, his early fascination with far-right ideologies and his advocacy of genocide for Jews and blacks. On the day the article was published, Mr. Burros committed suicide.

The article cemented Mr. Phillips’s reputation as one of the city’s most esteemed reporters. He spent his remaining years at The Times primarily in the paper’s Metropolitan section, where his portfolio included the About New York column.

Mr. Phillips became known in particular for his coverage of the city’s vaunted, vanishing institutions, as in this 1969 article about the closing of the original Lindy’s delicatessen, which began:

“What kind of a day is today? It’s the kind of a day that if you wanted a slice of cheesecake at Lindy’s, you couldn’t get it.”

Near the end of the article, he wrote, with plain-spoken, impeccable logic:

“The locusts stripped the place of menus and ashtrays and other mementos. There were conflicting claimants to possession of the last bagel. As a souvenir, a bagel is not much good. It is perishable and it also lacks proof. Anyone can hold up a bagel and say, ‘This is the last bagel from Lindy’s.’ ”

Mr. Phillips resigned from The Times in late 1973 for a life in religion.

In 1962, he had helped found the New Testament Missionary Fellowship, a Pentecostal congregation in Manhattan. Its tenets, as Ken Auletta wrote in a 1997 New Yorker profile of Mr. Phillips, include the belief that “pornography, drugs, abortion and any form of fornication (including premarital sex and homosexuality) are sins.”

In the early 1970s, the New Testament Missionary Fellowship made headlines after the kidnapping or attempted kidnapping of several of its congregants by their families. The families maintained that the group had trained the congregants to repudiate them.

After leaving The Times, Mr. Phillips lived, in Mr. Auletta’s account, a contented if threadbare existence, preaching the Gospel on the Columbia University campus, near his home, and managing the fellowship’s affairs. The fellowship, which has long since ceased to incur unfavorable notice, is still extant, based in Upper Manhattan.

Mr. Phillips, who never married, is survived by a sister, Janet DeClemente.

He published several books, including “City Notebook” (1974), a collection of his articles from The Times, and “What Every Christian Should Know About the Supernatural” (1988).

Over the years, Mr. Phillips was asked whether he felt responsible for Mr. Burros’s suicide. He felt “a vague sense of sadness,” he said, but no guilt.

His stance — the view from the prospect where his faith and his journalism converged — was encapsulated in a remark he made to Mr. Gelb.

On the afternoon of Oct. 31, 1965, Mr. Gelb phoned Mr. Phillips to tell him, very gently, that Mr. Burros had shot himself.

“What I think we’ve seen here, Arthur,” Mr. Phillips replied, “is the God of Israel acting in judgment.”

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