WND and Glenn Beck Want YOU to Build an Untraceable Assault Rifle

Posted in Extremist Commerce by Leah Nelson on May 3, 2013

We live in frightening times. In Boston, a college student who appears to have been radicalized online may face lethal injection for his alleged role in a terrorist attack that left four people dead and more than 260 wounded. Just a few months ago, in Connecticut, a young man killed 20 young children and six adults before shooting himself with one of numerous guns borrowed from his mother’s arsenal.

While America is searches its soul, attempting to make sense of these and other horrific attacks that have rocked the nation with disturbing regularity over the last several years, gun rights absolutists have flooded the Internet and airwaves with wild-eyed talk of sinister government plans to undermine the Second Amendment and disarm harmless American patriots.

At the bottom of the barrel are those who seek to profit off these national tragedies. That’s where you’ll find Caleb Lee, a veteran huckster who has partnered with WorldNetDaily, Glenn Beck and others to offer anyone with $27 information on how to built a completely untraceable AR-15 assault rifle in the comfort of their own garage.

Lee is the proprietor of UndergroundAssaultRifle.com, a Virginia-based business whose sole product is a set of videos and do-it-yourself manual which purports to tell purchasers everything they need to know about crafting copies of the assault rifle used recently in massacres in Newtown, Conn., and Aurora, Colo.

A self-described “red-blooded American” and proud “capitalist” (not, he emphasizes in his online ad, “a ‘spread the wealth’ socialist like those fools in the Whitehouse for crying out loud”), Lee has partnered with far-right media outfits including the online “news” site WorldNetDaily (WND) and Glenn Beck’s TV network and website, TheBlaze, to promote his new business. As of Thursday evening, WND, whose editors never met a conspiracy theory they didn’t like, featured a link to Lee’s ad on its front page, where it shared space with headlines warning direly of a “Saul Alinsky plot to vilify guns” and speculating that the nasty weather that scuttled plans to hoist a spire to the top of theWorld Trade Center on Monday was sent by an angry God to punish America for abandoning Him.

Beck’s site, meanwhile, featured its own front-page link to Lee’s ad (“See how to get an untraceable AR-15 before it’s banned”), along with a promotion for his upcoming keynote address at this weekend’s National Rifle Association (NRA) convention in Houston, a video about “Obama’s private army,” a think piece on whether the late Ronald Reagan would have supported gay marriage, and a “must-read” item about the “mysterious Jesus-era stone” that’s sparked “major debate among scholars.”

Lee, whose site is emblazoned with WND and TheBlaze’s logos, fits right in. His long-winded ad is replete with references to “crooks and fat cat lobbyists” in Washington, who together with their friends, the “power-hungry anti-gun puppets,” are even now “making serious headway at turning the country against Second Amendment supporters like us.” (“Serious headway”? Last time we checked, about 90% of Americans supported some kind of restriction on gun rights, but the U.S. Senate – which supposedly represents them – couldn’t overcome pressure from the gun lobby to muster the votes necessary to pass the most innocuous of gun control proposals.)

Near the beginning of his pitch, Lee warns watchers who “think I’m some far right wacko who is making a big deal out of ‘common sense’ gun control laws” to “LEAVE this page right now.”

We stayed anyway.

Lee’s pitch is simple. He explains that the key component of an AR-15 is a part called the “stripped receiver,” which holds the guts of the weapon – “the actual part of the AR-15 that’s considered the ‘firearm’ by the ATF.” Stripped receivers are hard to come by these days, and they are typically manufactured with serial numbers. But Lee claims to have uncovered a source that sells unfinished receivers, which, “because they still need some holes drilled and other modifications … [are] NOT considered firearms by any authority!”

Channeling Wayne LaPierre, the NRA’s increasingly unhinged executive vice president, Lee urges his fellow Americans to stand against the government’s “jack-booted thugs” by buying his system today.

“Underground Assault Rifle is a simple, step-by-step system that puts YOU in control of your Second Amendment rights and frees you forever from slavery and servitude to the lawmakers in Washington … so you can protect your home and family no matter what happens,” Lee boasts in his ad. Buy today and you’ll get six videos, a how-to manual, and a “special report” on “the only place to hide your guns that the government will never find!”

This apparently isn’t Lee’s first rodeo. When Hatewatch typed his name into Google, the search engine’s helpful auto-complete function suggested we might be looking for “Caleb Lee superdiet scam.” It appears that a couple of years ago, Lee irritated customers who bought the first few books in his “superdiet” scheme by sending repeated E-mails insisting that they purchase additional items from his online store.

UndergroundAssaultRifle.com, which Lee registered just this Feb. 19, does not have an online reputation to speak of.

Not yet, anyway. But a quick perusal of a portion of Lee’s do-it-yourself manual suggests that buyers who shell out $27 for Lee’s “system” may be disappointed – not least because, like most information these days, it’s available for free online. As it turns out, Lee doesn’t offer direct access to suppliers at all. Rather, he rather instructs readers to use Google to search for unfinished stripped receivers, jury-rig a drill press and use it as a mill. (A word to the wise: A 2002 discussion thread on an AR-15 fan site suggests that using a drill press to machine an AR-15 is a very, very bad idea which could result in injury to both you and your drill press.)

Lee suggests that his readers use the Internet to buy or barter for the remaining parts of their homemade assault rifle. Easy as pie, right?

Lee thinks so. “At this point, there’s really only three simple choices. … You can bury your head in the sand [and] continue ignoring my warnings and my offers of help and still be stuck without a AR-15 that is 100% ‘off the books’ – FOREVER”; “You can try to figure all this out [on] your own”; or “you can TAKE CONTROL of your life and get the guidance and advice I’m offering,” he writes.

“Do that now, and I’ll see you on the other side in just minutes!” Signing off, “For our freedoms, Caleb Lee.”


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Assata Shakur and a Brief History of the FBI’s Most Wanted Lists

What’s the purpose of the FBI’s lists? Basically, publicity and fear mongering. Jamilah King explains what it means to be Most Wanted.

Also, watch Angela Davis respondto the FBI’s Shakur announcement on “Democarcy Now!”

Another Flat-Earth Argument About Immigration’s Economic Drain

The Heritage Foundation wants lawmakers to believe immigration reform costs too much. It’s a false argument, but one that’s worked before. Seth Freed Wessler explains.

Also: How the Sierra Club Learned to Love Immigration

Teen Actors Keep Playwright August Wilson’s Legacy Alive [VIDEO]

High school actors from across the country competed for the chance to faceoff on Broadway this week. Watch two finalist share their monologues with Colorlines.

The Sad Lesson of the Comic Cleveland Hero: We Still Love to Laugh at Black People
Antoine Dodson. Sweet Brown. Now Charles Ramsey is a joke, too. Enough already.

Jay Smooth on Charles Ramsey, Humor and the Trouble With Memes [VIDEO]
Says Jay: “I worry that we’re filtering out whatever is real and valuable about people, so that 10,000 of us can all make the same really obvious jokes about them.”

St. Louis Fast Food Workers Are the Latest To Go on Strike
They join a national trend of low-wage and service sector workers walking out to demand more fair jobs.

New York Times Recycles the Same ‘Racist Undertones’ It Covers
The paper of record’s page one story could have been about how public policy pushes workers of color to the margins. Instead, it was about an imagined battle between blacks and Latinos.

Senate Battle Lines Drawn on Immigration Bill
Judiciary Committee members introduced hundreds of amendments this week, from tougher enforcement to recognition of same-sex couples.

Margaret Cho, Alice Walker and 100 More Artists Call for Humane Immigration Reform
As the Senate takes up its immigration bill, cultural leaders remind us that “migration is beautiful.”

FOX Broadcasting Cancels ‘Cops’ After 25 Years
The show is moving to SpikeTV.

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Quick Facts

The United Nations’ (UN) Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War is annually held over two days, from May 8-9.

Local names

Name Language
Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War English
Recordatorio de las Vidas Pérdidas en la Segunda Guerra Mundial Spanish

Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War 2013

Wednesday, May 8, 2013

Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War 2014

Thursday, May 8, 2014

The United Nations (UN) has a two-day global observance that occurs on May 8 and 9 each year. It is known as the “Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War”.

National World War II Memorial on the Mall in Washington, DCMany memorials are dedicated to those who sacrificed their lives during World War II.©iStockphoto.com/Eugenia Kim

What do people do?

This two-day observance gives people, non-government organizations, and governments the chance to remember people who died during World War II. The dates for this observance are marked in calendars and noted in organizations throughout the world. Articles about remembering World War II victims may be published in magazines, newspaper, or online during this time of the year.

Some organizations, including embassies, may have special wreath laying ceremonies at cemeteries or memorials to remember World War II soldiers who died fighting for their country, as well as Holocaust victims and those who died in concentration camps.

Public life

The UN’s Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War is not a public holiday.


The UN General Assembly noted in November 2004 that 2005 marked the 60th anniversary of the end of World War II. The assembly held a special meeting to mark the sixtieth anniversary of the end of World War II during the second week of May in 2005. The meeting gave participants a chance to commemorate the sacrifices that people made during the war.

The UN also declared May 8 and 9 as a time of remembrance and reconciliation, to be observed annually worldwide on either day or both days. These dates serve as a tribute to all those who died during World War II. This observance is not to be confused with the International Day of Commemoration in Memory of the Victims of the Holocaust.


The UN emblem may be found in material promoting the Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War. The emblem consists of a projection of the globe centered on the North Pole. It depicts all continents except Antarctica and four concentric circles representing degrees of latitude. The projection is surrounded by images of olive branches, representing peace. The emblem is often blue, although it is printed in white on a blue background on the UN flag.

Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War Observances

Weekday Date Year Name Holiday type Where it is observed
Sun May 8 2005 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Mon May 8 2006 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Tue May 8 2007 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Thu May 8 2008 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Fri May 8 2009 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Sat May 8 2010 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Sun May 8 2011 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Tue May 8 2012 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Wed May 8 2013 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Thu May 8 2014 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance
Fri May 8 2015 Time of Remembrance and Reconciliation for Those Who Lost Their Lives during the Second World War United Nations observance

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Texas’ Appleby Baptist Church Pushes Racist Doctrine

by Marilyn Elias on April 25, 2013

“The curse of Ham,” an old-time Biblical (mis)interpretation used to vilify black people and justify slavery and laws against racial intermarriage, is still alive and spreading bigotry in the United States.

The Appleby Baptist Church in Nacogdoches, Texas, is among this country’s scattered, independent fundamentalist churches still openly promoting the idea that the Biblical Noah pronounced a curse on descendants of his son, Ham. Ham had sexually molested Noah as he slept in a drunken stupor, and Noah realized it, the story goes. The curse ultimately fell on Canaan, Noah’s grandson, whose descendants were black and fated to be an underclass of slaves, according to this version of the Bible, which has been widely discredited by mainstream religious scholars.

But the canard is trumpeted loud and clear in an online statement of conviction by Appleby leaders. The East Texas church, 90 miles from Shreveport, La., is “a bit of a throwback, but these people are still out there,” Rachel Tabachnick, a fellow at the think tank Political Research Associates, told Hatewatch. She researches the impact of the religious right on politics and society.

For hundreds of years, the so-called curse of Ham was frequently taught by religious leaders as the source for racial differences, and in more recent times was seized on as a Biblical excuse for segregation and slavery, said Tabachnick. “There’s been a shift, and you don’t often see churches that are this forthright now, but the underlying theme is still there in fundamentalist holdout churches.”

The Appleby church, whose pastor could not immediately be reached for comment, proclaims a litany of racist beliefs on its website: The black descendants of Ham like fair-skinned women, of course. And “the proof of the presence of God among the Israelites was the absence of the black skinned folk of Canaan …  It is obvious God is a separator, not a mixer. It is God who set the boundaries.”

And who’s in favor of the races mixing? The church knows: “Satan wants to eliminate color by interracial marriages. Someone will ask why do we have to see color when we look at one another? Why can’t we just see each other as people? The same reason you see a Poodle, German Shepherd, Beagle, etc. God made us different and set the bounds. You don’t get thoroughbreds by taking the fences down. You get thoroughbreds by putting the fences up.”

In case you don’t get the meta-message about thoroughbreds versus mongrels, the church’s statement mangles a Biblical passage in Matthew in which a Canaanite woman pleads with Christ on behalf of her daughter, who is assumed by the Appleby church to be black. “Christ terms her people as dogs,” the church says. “‘It is not meet to take the children’s bread and cast it to dogs.’ … Unlike modern day blacks yelling about equal rights, this woman humbles herself and says ‘Truth Lord: yet the dogs eat of the crumbs which fall from the master’s table.’”

The bottom line: Why don’t blacks know their place? Read the Bible!

Hewing to an extreme fundamentalist principle, Appleby condemns ancient Hebrews for “immorality, idolatry, and interracial marriages.” We’re seeing the punishment to this day, it insists. “Interracial relationships bring much heartache. … Before the coming of Christ, there will be many more half-breed producing marriages that will, in turn, produce more hate and envy against what the Lord has commanded.”

In case you wondered where the love of Christ fits in with all this, the church has an answer: “In Salvation, ‘There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Christ Jesus.’ In salvation, there is no difference, but when it comes to marriage, there is.”

Finally, for proponents of our 13th Amendment, the church helpfully reminds us that slavery is fine with God. “The New Testament does not condemn slavery,” it says. “What it does condemn is the misuse of a slave.”

Although such overt racism is certainly waning in fundamentalist Christianity, especially in the Southern Baptist Convention (which now has a black president for the first time), Tabachnick worries about remaining outposts.

And there’s great concern about the increased teaching of Biblical literalism to thousands of U.S. children. Homeschooling is on the upswing, and public dollars are flowing into private schools through vouchers and corporate tax credit programs, she points out. In textbooks used by students in these programs “some of the foundations for the Biblical justification of racism and slavery are still being widely taught,” Tabachnick said.

So the same seeds of hatred proudly displayed by Appleby and an unknown number of other independent fundamentalist churches are scattering, planted to grow in coming generations.



‘And who’s in favor of the races mixing? The church knows: “Satan wants to eliminate color by interracial marriages. Someone will ask why do we have to see color when we look at one another? Why can’t we just see each other as people? The same reason you see a Poodle, German Shepherd, Beagle, etc. God made us different and set the bounds. You don’t get thoroughbreds by taking the fences down. You get thoroughbreds by putting the fences up.”

No. You do not obtain so-called thoroughbreds or dog breeds except from the interference of humans. Pugs, bulldogs, and mastiffs which can hardly breathe due to humans altering their genetics. Persian cats who have eye and breathing problems. Thoroughbred race horses who are raced just as soon as they turn three years of age.

Gene mixing is something that has been going on since humans came out of Africa and began to evolve into their present-day stage. It is not something new. Then again, Appleby Church and their ilk would have a stroke if they had to accept that all of us are descendants of a black woman  named Lucy who walked the Earth 3.2 million years ago in what is present-day Ethiopia. Only racists who hate that humans should do what comes naturally to them have created the hell of racism. As for Satan “wants to eliminate color by interracial marriages”, since when is this church pastor on a first-name basis with Lucifer? When did he get the memo from Lucifer that so-called mixed-race marriages are a no-no and bad juju?

As for God’s anger concerning Moses’ marriage to Zipporah, it was his wrath against Moses’ siblings that kindled God’s ire:  Aaron and Miriam both became enraged that Moses married Zipporah, and castigated him to no end. Miriam was struck with leprosy, and only after Moses begged God’s mercy, did God relent and take away her affliction.

‘Finally, for proponents of our 13th Amendment, the church helpfully reminds us that slavery is fine with God. “The New Testament does not condemn slavery,” it says. “What it does condemn is the misuse of a slave.”

Slavery is never good. Anyone who condones the enslavement of their fellow human beings is the lowest lifeforms on the planet and is not fit to live among other human beings.

Last but not least, the dreaded “Curse of Ham!”

Heads up to ya Rev.—it was Ham’s son Canaan who was cursed (Gen. 9:25). Canaan was to be a servant to his brothers. It is not noted that Shem or Japeth were European, Asian, or whatever or any so-called “races” as we know of them today due to racial hatred and prejudice.

Ham was blessed by God (Gen 9:1). Ham himself is never cursed, race or skin color is never mentioned, and therefore, out of context in the story of Genesis 9, as well as the fact that there are no more Canaanites alive in the world today, nor were there any during the time of American race-based slavery. Also, if one is to go by the Biblical history, which  has become increasingly problematic as the archaeological and textual evidence shows, the idea that Blacks are the sons and daughters of Ham/Canaan is incorrect as the early Israelites were in fact themselves Canaanites, as shown  here.

And Moses’s marriage to Zipporah was blessed by God (Numbers 12: 1-16).

I co-sign what a commentor on the SPLC site said about the curse of ham and its effect on people. As for the curse of ham:

If it was not for the delicious taste of pigs, millions of people would not be under the spell of the curse of ham, pork chops, or bacon.

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Universal Pictures

Deanna Durbin and Robert Benchley singing a duet in the 1941 Universal movie “Nice Girl?”


Published: April 30, 2013

Deanna Durbin, who as a plucky child movie star with a sweet soprano voice charmed American audiences during the Depression and saved Universal Pictures from bankruptcy before she vanished from public view 64 years ago, has died, a fan club announced on Tuesday. She was 91.

Universal Pictures, via Getty Images

Ms. Durbin with Franchot Tone in “His Butler’s Sister” (1943).

In a newsletter, the Deanna Durbin Society said Ms. Durbin died “a few days ago,” quoting her son, Peter H. David, who thanked her admirers for respecting her privacy. No other details were given.

Ms. Durbin had remained determinedly out of public view since 1949, when she retired to a village in France with her third husband.

From 1936 to 1942, Ms. Durbin was everyone’s intrepid kid sister or spunky daughter, a wholesome, radiant, can-do girl who in a series of wildly popular films was always fixing the problems of unhappy adults.

And as an instant Hollywood star with her very first movie, “Three Smart Girls,” she almost single-handedly fixed the problems of her fretting bosses at Universal, bringing them box-office gold.

In 1946, Ms. Durbin’s salary of $323,477 from Universal made her the second-highest-paid woman in America, just $5,000 behind Bette Davis.

Her own problems began when she outgrew the role that had brought her fame. Critics responded negatively to her attempts to be an adult on screen, as a prostitute in love with a killer in Robert Siodmak’s bleak film noir “Christmas Holiday” (1944) and as a debutante mixed up in a murder plot in “Lady on a Train” (1945.)

The child-star persona affected her personal life as well.

“When my first marriage failed, everyone said that I could never divorce. It would ruin the ‘image,’ ” she told Robert Shipman in Films and Filming magazine in 1983. “How could anybody really think that I was going to spend the rest of my life with a man I found I didn’t love, just for the sake of an ‘image’?”

The man was Vaughn Paul, an assistant director, whom she had married at 19 in 1941. The marriage lasted two years. Her second marriage, to Felix Jackson, the 43-year-old producer of several of her films, also ended in divorce, after the birth of a daughter.

The third marriage was a success: in 1950, at 28, she married Charles David, the 44-year-old French director of “Lady on a Train.” After starring in 21 feature films, she retired to a French farmhouse.

“I hated being in a goldfish bowl,” she said.

Edna Mae Durbin was born on Dec. 4, 1921, in Winnipeg, Manitoba, and grew up in Southern California, where she studied singing. She was discovered by an MGM casting director searching Los Angeles singing schools for someone to portray the opera star Ernestine Schumann-Heink as a child.

Signed by the studio at 13, Ms. Durbin, who already possessed a mature coloratura soprano, soon appeared in a one-reel short, “Every Sunday,” with another recently signed 13-year-old, Judy Garland, who sang swing while Ms. Durbin sang classical music.

Her MGM career ended suddenly, however, when Schumann-Heink, who was to play herself as an adult in the movie about her life, died at 75 and the studio did not pick up Ms. Durbin’s option. Shortly afterward she moved to Universal, shepherded there by Rufus Le Maire, a former MGM executive who had switched his allegiance to the rival studio.

Ms. Durbin was quickly handed to Joe Pasternak, who produced her first 10 movies, and to Henry Koster, who directed six of them: “Three Smart Girls,” “One Hundred Men and a Girl,” “Three Smart Girls Grow Up,” “First Love,” “Spring Parade” and “It Started With Eve.”

In his autobiography, “Easy the Hard Way,” Mr. Pasternak — who would eventually move to MGM and build the careers of two other coloratura sopranos, Kathryn Grayson and Jane Powell — said that stardom was always “a matter of chemistry between the public and the player” and that no one could take credit for discovering Deanna Durbin.

“You can’t hide that kind of light under a bushel,” he wrote. “You just can’t, even if you try.”

Ms. Durbin, who was originally to have ninth billing in “Three Smart Girls,” became the movie’s star when studio executives saw the first rushes. About the same time, in 1936, she began singing on Eddie Cantor’s popular weekly radio program.

In 1938 there was a nationwide search to choose the young man who would give Ms. Durbin her first screen kiss in the movie “First Love.” (Robert Stack was the actor chosen.) She was given a special miniature 1938 Academy Award for her “significant contribution in bringing to the screen the spirit and personification of youth.”

In movie after movie Ms. Durbin’s character found a way to help the struggling grown-ups in her life: reuniting her divorced parents, persuading the conductor Leopold Stokowski to help her out-of-work musician father, cajoling a stranger into becoming her father for a day.

Many of the films were Depression fairy tales in which Ms. Durbin won over or defeated silly rich people with the help of butlers, cooks and chauffeurs, who often risked their jobs to aid her.

After moving to France in 1949 and settling outside Paris in the village of Neauphle-le-Château, Ms. Durbin devoted most of her time to keeping her home, cooking and raising her children. In addition to Peter, her son from her marriage to Mr. David, Ms. Durbin had a daughter, Jessica, from her second marriage. Mr. David died in 1999, a few months before their 50th wedding anniversary.

Mr. David once said that he and Ms. Durbin had made a deal that he would protect her “from spiders, mosquitoes and reporters.”

Ms. Durbin, who gave almost no interviews after she left Hollywood, did send reporters a letter in 1958 that read in part: “I was a typical 13-year-old American girl. The character I was forced into had little or nothing in common with myself — or with other youth of my generation, for that matter. I could never believe that my contemporaries were my fans. They may have been impressed with my ‘success.’ but my fans were the parents, many of whom could not cope with their own youngsters. They sort of adopted me as their ‘perfect’ daughter.”

In the letter, which was excerpted in some newspapers, she also wrote: “I was never happy making pictures. I’ve gained weight. I do my own shopping, bring up my two children and sing an hour every day.”





Published: May 3, 2013

Mike Gray, a writer and filmmaker who tackled thorny contemporary issues in his work, including race relations in Chicago, American drug policy and, most notably, the safety of nuclear power plants — the subject of the 1979 film “The China Syndrome,” for which he wrote the original screenplay — died on Tuesday at his home in Los Angeles. He was 77.

Mike Gray

Columbia Pictures

Jack Lemmon and Jane Fonda in the film “The China Syndrome,” which was released in 1979.

The cause was heart failure, said his wife, Carol.

Mr. Gray brought an activist’s passion to projects in a variety of formats. He produced a pair of documentaries — “The Murder of Fred Hampton” and, with Chuck Olin, “American Revolution 2” — that examined race, politics and civil turbulence in Chicago in the 1960s. His magazine journalism included articles for Rolling Stone about a heroin overdose epidemic in Plano, Tex., and for GQ about voter fraud.

He wrote several books, including “Angle of Attack,” which detailed the failings of the National Aeronautics and Space Administration during the Apollo space program; “Drug Crazy,” about the history of American drug policy, which he characterized as folly from beginning to end; and “The Death Game,” about capital punishment.

“The China Syndrome,” which starred Jack Lemmon, Jane Fonda and Michael Douglas, who was also the producer, was a fictional story about a near disaster at a nuclear power plant and the power company’s attempt to cover it up. It was well researched: Mr. Gray did his homework on the potential dangers of nuclear power. But it was also denounced as alarmist by supporters of nuclear power.

Then, only weeks after the film was released, the nuclear plant at Three Mile Island in Pennsylvania suffered a partial meltdown, allowing a small amount of radioactivity to escape into the atmosphere. To many Americans, the film now seemed prescient.

Mr. Gray’s screenplay was changed somewhat — Ms. Fonda’s character, a television news reporter, had been in his version a male documentary filmmaker — and two co-writers are credited, T. S. Cook and the director, James Bridges.

Mr. Gray said he had written the script with the idea that in the rush to embrace nuclear power, the potential consequences had not been thought through. But he was, he acknowledged (to his family, at least), a novice at screenwriting.

“Before he started, he typed out the whole screenplay of ‘The African Queen’ to teach himself the format,” his wife said. “And he wrote the whole thing standing up, because he read somewhere that that’s how Hemingway wrote.”

Harold Michael Gray was born in Racine, Wis., on Oct. 26, 1935. His father was a traveling salesman, and the family moved to Darlington, Ind., where young Mike grew up. He graduated from Purdue, where he studied aeronautical engineering, and afterward worked in New York as an editor for Aviation Age.

By the mid-1960s he had moved to Chicago and formed a film company with a partner, making television commercials and documentaries. It was filming the violence during the Democratic National Convention in 1968 that changed the course of his life. Before that, he said, he had defined himself as a Goldwater Republican; afterward he was angry at the status quo.

“He was a small-town Indiana boy,” said his wife, the former Carol Hirsch. “He was really transformed. He was motivated by injustice. That’s how he described himself.”

Mr. Gray wrote a science fiction film, “Wavelength,” which was released in 1983, and produced and wrote episodes of “Starman,” a short-lived science fiction series, in the mid-1980s. He later produced episodes of “Star Trek: The Next Generation.”

In 1982, in the wake of the Three Mile Island accident, Mr. Gray and Ira Rosen recapitulated the event in a book, “The Warning.” After his book “Drug Crazy” was published in 1998, Mr. Gray became an activist on behalf of drug-policy reform, appearing at conferences and serving as the chairman of Common Sense for Drug Policy, an advocacy group.

Mr. Gray’s first marriage ended in divorce. So did his second, to the former Ms. Hirsch, whom he married in 1968, divorced in 1986 and married again in 1996. He is also survived by a brother, Dudley, and a son, Lucas.

“He used to say, ‘We got a divorce but it didn’t work out,’ ” his wife said.




Jeff Kravitz/FilmMagic, Inc., via Getty Images

Chris Kelly, a k a Mac Daddy, right, with Chris Smith, a k a Daddy Mac, performing as the duo Kris Kross in 1993.


Published: May 2, 2013

A pair of moppets with braided hair who wore their clothes backward, the kid duo Kris Kross was one of the unlikely music success stories of the early 1990s, multiplatinum stars who bridged hip-hop to pop, had indelible style, and showed that rap could sustain a youth invasion.

In the duo, Chris Kelly was the Mac Daddy to Chris Smith’s Daddy Mac. They had met in the first grade and were discovered in the early 1990s at the Greenbriar Mall in Atlanta by Jermaine Dupri, who molded them into the first commercially successful teen-oriented hip-hop act.

Mr. Kelly died on Wednesday after being found unresponsive in his home in Atlanta. He was 34.

According to a police report, Mr. Kelly’s mother, Donna Kelly Pratte, said he had been using cocaine and heroin before his death. The Fulton County Medical Examiner’s office said toxicology reports would not be available for several weeks.

James Christopher Kelly was born on Aug. 11, 1978, grew up in Atlanta, and was barely in his teens when he became a star. Kris Kross’s debut album, “Totally Krossed Out,” released on Ruffhouse/Columbia in 1992, was one of hip-hop’s first and loudest pop crossover statements, topping the Billboard album chart and going platinum four times over. “Jump,” the duo’s debut single, was the No. 1 song in the country for eight weeks, at the time the longest run for a hip-hop song.

Kris Kross was “the first major hip-hop artist to come out of Atlanta,” said the group’s former manager, Michael Mauldin. There was also no real precedent for the success of rappers of such a young age. “We didn’t have nothing to measure against at that time,” Mr. Mauldin said, “but we did in older times: Jackson 5, New Kids on the Block.”

At its peak, Kris Kross toured with Michael Jackson and recorded a song for the popular Nickelodeon cartoon series “Rugrats.” But as the group aged into more mature subject matter, its popularity waned. Two subsequent albums were successful, but less so: “Da Bomb” (1993) went platinum and the tougher, West Coast-influenced “Young, Rich & Dangerous” (1996) went gold. The pair reunited in February for the 20th-anniversary concert of So So Def, the influential label founded by Mr. Dupri in the wake of Kris Kross’s success, and were slated to be part of a coming tour celebrating the label.

In the meantime, Mr. Kelly studied audio engineering, ran a small record label and owned a day-care business with his mother. In addition to his mother, survivors include his stepfather, Jim Pratte, and his grandmother Rosina Williams.

During the lean years, Mr. Kelly could get frustrated, said DJ Nabs, the group’s D.J. and a longtime friend of Mr. Kelly’s: “People looked like they turned their back on him.”

But even though the style the group pioneered had changed, Mr. Kelly never fully left his glory years behind. In an interview with Yahoo earlier this year, he proudly proclaimed, “I’ve worn my pants backward since 1991, never frontward.”





Published: April 28, 2013

Donald Shirley, a pianist and composer who gathered classical music with jazz and other forms of popular music under a singular umbrella after being discouraged from pursuing a classical career because he was black, died on April 6 at his home in Manhattan. He was 86.

Brownie Harris

Donald Shirley around 1985. His works melded American and European traditions and exhibited a vast musical erudition.

His death, which was not widely reported at the time, was caused by complications of heart disease, said Michiel Kappeyne van de Coppello, a friend who studied piano with Mr. Shirley.

A son of Jamaican parents, Mr. Shirley was a musical prodigy who played much of the standard concert repertory by age 10 and made his professional debut with the Boston Pops at 18, performing Tchaikovsky’s Piano Concerto No. 1 in B-flat minor.

But when he was in his 20s, he told his family and friends, the impresario Sol Hurok advised him to pursue a career in popular music and jazz, warning him that American audiences were not willing to accept a “colored” pianist on the concert stage.

Thus derailed, Mr. Shirley took to playing at nightclubs and invented what amounted to his own musical genre. First as part of a duo with a bassist and later as the leader of the Don Shirley Trio, featuring a bassist and a cellist — an unusual instrumentation suggesting the sonorities of an organ — he produced music that synthesized popular and classical sounds. He often melded American and European traditions by embedding a well-known melody within a traditional classical structure.

In his hands, Irving Berlin’s “Blue Skies,” for example, became an elaborate set of variations on a theme. In his arrangement — he called his works transcriptions — of George Shearing’s “Lullaby of Birdland,” the famous melody abruptly became a fugue. His recording of Richard Rodgers’s “This Nearly Was Mine,”from “South Pacific,” was Chopinesque.

Mr. Shirley’s music exhibited a vast musical erudition. He was drawn to indigenous American forms, by which he meant the blues, the work song, the Negro spiritual and the show tune, and his compositions referred to those forms. He was not inclined to improvise and disliked being referred to as a jazz musician.

“He had a love-hate relationship with jazz,” Mr. Kappeyne van de Coppello said.

Still, he was close to many well-known jazz figures, including Duke Ellington, in whose honor he wrote “Divertimento for Duke by Don,” a symphonic work that had its premiere in 1974, performed by the Hamilton Philharmonic Orchestra of Ontario. His other orchestral works include a tone poem inspired by James Joyce’s “Finnegans Wake.”

His playing was virtuosic and lush, and in performance he often impressed critics with both his sound and invention. (His admirers also included Igor Stravinsky and Sarah Vaughan.) He eventually did make it back to the concert stage, though rarely to perform the standard classical repertory. He played Gershwin’s “Rhapsody in Blue” at La Scala in Milan; he played at Carnegie Hall with Ellington; he played Gershwin’s Concerto in F, accompanying the Alvin Ailey dancers, at the Metropolitan Opera in New York. In the late 1960s, he made unreleased recordings of Rachmaninoff with the New York Philharmonic and Khachaturian with the Minneapolis Symphony.

“The silky tone and supple rhythmic flow of Mr. Shirley’s playing is just as artful and ingratiating as ever,” Peter G. Davis wrote in The New York Times of a concert at Carnegie Hall in 1971. “ ‘I Can’t Get Started’ heard as a Chopin nocturne, or ‘Blowin’ in the Wind’ as a Rachmaninoff étude, may strike some as a trifle odd, but these — and everything on the program, in fact — were beautifully tailored to spotlight Mr. Shirley’s easy lyrical style and bravura technique.”

Donald Walbridge Shirley was born in Pensacola, Fla., on Jan. 29, 1927. His father, Edwin, was an Episcopal priest, and family lore has it that young Donald was playing the organ in church at age 3. His mother, the former Stella Gertrude Young, a teacher, died when Donald was 9. He studied music at the Catholic University of America in Washington.

He was married once and divorced. He is survived by a brother, Maurice, and a half-sister, Edwina Shirley Nalchawee.

Mr. Shirley made a number of recordings in the 1950s and early ’60s for the Cadence label, including “Piano Perspectives,” “Don Shirley Plays Love Songs,” “Don Shirley Plays Gershwin” and “Don Shirley Plays Shirley.” Later in the 1960s, he recorded with Columbia.

It was the founder of Cadence Records, Archie Bleyer, who insisted that Mr. Shirley be called Don, an informality that stuck with him throughout his career as a nettlesome reminder that he was unable to be known as the concert player he had always wished to be.

Jazz piano players, Mr. Shirley told The Times in 1982, when he was appearing at the Cookery in Greenwich Village, “smoke while they’re playing, and they’ll put the glass of whisky on the piano, and then they’ll get mad when they’re not respected like Arthur Rubinstein. You don’t see Arthur Rubinstein smoking and putting a glass on the piano.”

He added: “I am not an entertainer. But I’m running the risk of being considered an entertainer by going into a nightclub because that’s what they have in there. I don’t want anybody to know me well enough to slap me on the back and say, ‘Hey, baby.’ The black experience through music, with a sense of dignity, that’s all I have ever tried to do.”





Published: April 28, 2013

Mary Thom, a chronicler of the feminist movement and former executive editor of Ms. magazine, died Friday in a motorcycle accident in Yonkers. She was 68 and lived in Manhattan.

Women’s Media Center, via Associated Press

Mary Thom

The Women’s Media Center, where Ms. Thom was the editor in chief,announced her death. Ms. Thom joined Ms. magazine in 1972 as an editor, rising to become executive editor in 1990. She was known as a journalistic virtuoso who shaped the writing of many of the feminist movement’s luminaries, including Gloria Steinem.

While she largely operated behind the scenes, colleagues described her as a zealous advocate who fought for equal pay in the United States and helped spread the ideals of the women’s rights movement abroad.

“She was a lodestone for the women’s movement nationally, and a center of trust, common sense and creativity,” Ms. Steinem said on Saturday.

Ms. Thom wrote several books, including a history of Ms. magazine, and coedited an oral history of Bella S. Abzug, the congresswoman and a leader of the feminist movement, titled “Bella Abzug: How One Tough Broad From the Bronx Fought Jim Crow and Joe McCarthy, Pissed Off Jimmy Carter, Battled for the Rights of Women and Workers, Rallied Against War and for the Planet, and Shook Up Politics Along the Way.”

While many stars of the feminist movement praised Ms. Thom’s work, critics were not always as generous. The Chicago Sun-Times called the book about Ms. Abzug “a bizarre, plodding, Friars Club roast.”

Ms. Thom arrived at Ms. magazine convinced of the need for more scrutiny of lawmakers and their views on issues like abortion and birth control. She developed a system of grading politicians that quickly became one of the magazine’s most popular features.

At Ms., she often stayed late into the night reading letters to the editor. “It was incredibly moving and exciting, to just get that kind of response,” Ms. Thom recalled ina 2005 interview. “And no one had expected it.”

Her former colleagues said she brought a pragmatic, self-deprecating viewpoint to the magazine, which some saw as too serious.

“It was a refreshing anodyne to a kind of glassy-eyed abstract sisterhood,” said Robin Morgan, an author and a founder of the Women’s Media Center.

Ms. Thom was born in Cleveland on June 3, 1944, and grew up in Akron, Ohio. Her mother was a homemaker and her father worked as an engineer for a steel company. In the 2005 interview, Ms. Thom traced her early interest in activism to influences like jazz and Shakespeare.

It was at Bryn Mawr, from which Ms. Thom graduated in 1966, that she was swept into the civil rights and budding antiwar movements. At one point, she helped lead a fast to raise money for the Student Nonviolent Coordinating Committee.

Ms. Thom never married, and her friends said her true love was her motorcycle, a 1996 Honda Magna 750. On it, she zipped around town — to dinners in the West Village, feminist talks, and back home to her apartment on the Upper West Side.

On Friday, she was riding on the Saw Mill River Parkway shortly after 4 p.m. when she hit a car, throwing her onto the road, the Westchester County police said. She was pronounced dead at the scene.

Ms. Thom is survived by a sister, Susan Thom Loubet of Albuquerque, and a nephew, Thom Loubet of Washington.

Susan C. Beachy contributed research.




Agence France-Presse — Getty Images

François Jacob, left, and Jacques Monod in 1971. They helped discover how genes are regulated.


Published: April 25, 2013

Dr. François Jacob, a French war hero whose combat wounds forced him to change his career paths from surgeon to scientist, a pursuit that led to a Nobel Prize in 1965 for his role in discovering how genes are regulated, died on April 19 in Paris. He was 92.

Thomas Coex/Agence France-Presse — Getty Images

François Jacob in 1997.

The French government announced his death.

Dr. Jacob said he had been watching a dull movie with his wife, Lysiane, in 1958 when he began daydreaming and was struck with an idea of how genes might function. “I think I’ve just thought up something important,” he told her.

Seven years later, Dr. Jacob shared the Nobel Prize in Physiology or Medicine with Dr. Jacques Monod and Dr. André Lwoff, his colleagues at the Pasteur Institute in Paris, for their discovery that cells can switch on and switch off certain genetic information. Their work, which focused on bacteria, increased understanding of how genes could be selectively deployed by an organism. “They’re all there in the egg. But how does the egg know when to turn from one type of cell type to another?” Richard Burian, a professor emeritus of philosophy and science studies at Virginia Tech, said of the question asked by Dr. Jacob and his colleagues. “There must be some kind of signal.”

Their discovery, considered central to the development of molecular biology, offered new insight into how people inherit traits, how they grow and develop, and how they contract and fight diseases.

“The discoveries have given a strong impetus to research in all domains of biology with far-reaching effects spreading out like ripples in the water,” Sven Gard, a member of the Nobel Committee for Physiology or Medicine, said when the three men were awarded the prize, according to the Nobel Web site. “Now that we know the nature of such mechanisms, we have the possibility of learning to master them.”

François Jacob was born on June 17, 1920, in Nancy, France. He had begun studying medicine when World War II began. France was occupied by Nazi Germany’s forces in 1940, and Dr. Jacob, whose grandfather had been a four-star general in the French Army, fled to England by boat in 1940 and joined the Free French Army led by Charles de Gaulle.

He worked as a medical officer and fought with Allied forces in North Africa and in France, where he was seriously wounded in a German air raid. He received numerous high military honors, including the Cross of War and the Cross of the Liberation.

Dr. Jacob returned to medical school after the war, completing his studies in 1947, but damage to his hands from his combat wounds prevented him from becoming a surgeon. At a loss for what career to pursue, he was encouraged to try research and, though he had little training in it, he found a place at the Pasteur Institute in 1950. (He earned a doctorate in science at the Sorbonne in 1954.)

Working with other scientists at Pasteur, he quickly distinguished himself by identifying how bacteria adapt to drugs and bacterial viruses. It was a time of great discoveries in genetics. In 1953, James D. Watson and Francis Crick published their groundbreaking work on the double helix structure of DNA. At the Pasteur Institute, Dr. Jacob began working with Dr. Monod, and they soon had a breakthrough of their own. By means of a series of innovative experiments, they established that the transfer of genetic information could be controlled through two different types of genes, regulatory genes and structural genes, with the former controlling the expression of the latter.

“What mattered more than the answers were the questions and how they were formulated,” Dr. Jacob later wrote. “For in the best of cases, the answer led to more questions. It was a system for concocting expectation, a machine for making the future. For me, this world of questions and the provisional, this chase after an answer that was always put off to the next day, all that was euphoric. I lived in the future.”

Dr. Jacob expanded his research into other areas, including how cancer grows and spreads. He also waded into a debate about genetic superiority that arose when the Nobel-winning physicist William B. Shockley, who argued that race and heredity are important to intelligence, was among four Nobel laureates who contributed to a sperm bank intended to produce gifted children through artificial insemination. Dr. Jacob was amused at the notion, and he considered it misguided.

“For the group, as well as for the species, what gives an individual his genetic value is not the quality of his genes,” he wrote in Le Monde in 1980 in an article that later appeared in The New York Times. “It is the fact that he does not have the same collection of genes as anyone else. It is the fact that he is unique. The success of the human species is due notably to its biological diversity. Its potential lies in this diversity.”

Dr. Jacob became laboratory director at the Pasteur Institute in 1956 and four years later was appointed head of its new department of cell genetics. In 1964, he joined the Collège de France, where a chair of cell genetics was created for him.

Dr. Jacob married Lysiane Bloch, known as Lise, a pianist, in 1947. They had four children. After her death, he married Geneviève Barrier in 1999. Information about survivors was unavailable.

Dr. Jacob’s inquiries included matters moral and philosophical as well as cellular. He once wrote that he wanted to discover “the core of life.”

“What intrigues me in my life is: How did I come to be what I am?” he wrote in his 1988 autobiography, “The Statue Within.” “How did this person develop, this I whom I rediscover each morning and to whom I must accommodate myself to the end?”





Published: April 18, 2013

Dwike Mitchell, a classically trained pianist, performed for 56 years as half of the Mitchell-Ruff Duo, a celebrated ensemble that even by jazz standards was considered unusual — and not just because its other half, Willie Ruff, played the French horn.

Dwike Mitchell, seated, and Willie Ruff, who together formed a duo known for their thousands of concerts and their travels.

What set them apart was their missionary zeal. From 1955 to 2011, their thousands of concerts at schools and colleges and in foreign countries where jazz was taboo doubled as music appreciation classes for the young and uninitiated, and came to define the duo at least as much as their professional work, which was formidable.

Raised in poverty and given their first musical training in the black church, Mr. Mitchell and Mr. Ruff “seemed to be under some moral persuasion to pass their experience along,” wrote William Zinsser, the author of the 1984 book “Mitchell & Ruff: An American Profile in Jazz” (originally called “Willie and Dwike: An American Profile”).

Mr. Mitchell, who died on April 7 in Jacksonville, Fla., at 83, was a virtuoso who worked with Lionel Hampton and Dizzy Gillespie. Billy Strayhorn, the composer of “Take the ‘A’ Train” and other songs made famous by Duke Ellington, wrote a piece for Mr. Mitchell and Mr. Ruff, “Suite for Horn and Piano,” one of the few he wrote for any artist besides Ellington after their long collaboration began.

Mr. Mitchell and Mr. Ruff, who doubled on bass and was also classically trained, met in the Army in the late 1940s, went their separate ways in pursuit of education under the G.I. Bill — Mr. Mitchell to a Philadelphia conservatory, Mr. Ruff to the Yale School of Music — and reunited in 1954 as members of Hampton’s band. The two struck out on their own in 1955, opening for major acts like Ellington and Count Basie.

They were never embraced by jazz critics. Some viewed their classical training as detrimental to their credibility as jazz artists. But their academic backgrounds propelled the introspective Mr. Mitchell and the kinetic Mr. Ruff to world fame in 1959, when Mr. Ruff, who had a part-time teaching job at the Yale School of Music, arranged for them to accompany the Yale Russian Chorus on a summer visit to the Soviet Union.

The duo performed an impromptu jazz concert at Tchaikovsky Conservatory in Moscow during the trip, in defiance of state injunctions against the bourgeois decadence of jazz. Time magazine called it the first unofficial concert by American jazz musicians in the Soviet Union. (Benny Goodman and his orchestra gave the first official one three years later, in a deal between the State Department and the Soviet Ministry of Culture.)

They reprised the feat in the People’s Republic of China in 1981, demonstrating jazz techniques at conservatories in Shanghai and Beijing — openly this time. Headlines called it another first: the first jazz performance in China after the Cultural Revolution. Mr. Ruff, now a professor at Yale and curator of the Duke Ellington Fellowship, which he helped create in 1972 to bring well-known jazz musicians there to teach, said in a recent phone interview that Mr. Mitchell was “my main musical inspiration.”

He said the cause of death was pancreatic disease. Mr. Mitchell, who lived for many years in Manhattan when he was not on tour, moved to Jacksonville last year after becoming ill. He had no known immediate survivors.

Ivory Mitchell Jr. was born on Feb. 14, 1930, in Dunedin, Fla., a small city on the Gulf of Mexico where his father drove a garbage truck. He got his first piano, a discard his father retrieved from a curb, when he was 3. By the time he was 5 he was picking out chords by ear and accompanying his mother, Lilla, when she sang solos for a church choir.

He wanted a name less obvious than Ivory for a piano player, but could not settle on one. His mother came up with Dwike, a compression of several family names, he told Mr. Zinsser.

His mother left his father when Dwike was 8. An only child, he found refuge in music.

In a blog essay posted on the Web site of The American Scholar before Mr. Mitchell’s death, Mr. Zinsser said Mr. Mitchell’s approach to broken-down pianos (which musicians sometimes encounter on tour) illustrated his approach to life. “I learned long ago that it does no good to complain,” Mr. Zinsser recalled Mr. Mitchell telling him. Instead, listen to the keys and put their flatness or sharpness to use. “You say, ‘What does it do?’ ” said Mr. Mitchell, sounding an imaginary clinker on a piano. “ ‘Will it do anything? Let’s check it out.’ ”




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Saturn's "red rose" hurricane

NASA / JPL / Space Science Inst.


Saturn is Making Waves

May 1, 2013 | Just as it’s coming closest to Earth, the big ringed planet is in the news in multiple ways — including the discovery of a long-lasting hurricane at its north pole. > read more

One Gap, No Planets

April 29, 2013 | There’s a big gap in the dusty disk around the young star V1247 Orionis. Such a gap should be carved out by one or more planets, but astronomers can’t find any. > read more

Herschel Breathes Its Last

April 29, 2013 | After nearly four years of successful observing, the largest infrared space telescope ever launched has run out of cryogenic coolant, permanently ending its science operations. > read more

Lingering Echoes of Comet S-L 9’s Demise

May 3, 2013 | It’s been nearly 19 years since fragments of Comet Shoemaker-Levy 9 slammed into Jupiter. Recent observations show that water delivered by the comet still lingers in the planet’s stratosphere. > read more

Path of May 10th's annular eclipse

Source: Fred Espenak

The Eclipses of May 2013

April 30, 2013 | May 2013 features an annular solar eclipse that’s visible from extraordinarily little land area and a penumbral lunar eclipse that isn’t visible at all. > read more

See Saturn at Its Best for 2013

April 26, 2013 | With its rings tipped nicely into wide view, right now the ringed planet is its closest to Earth — making it a visual treat in telescopes of any size. > read more

Tour May’s Sky by Eye and Ear!

April 26, 2013 | Saturn rises in early evening and is visible throughout May. And a remarkable gathering of Venus, Jupiter, and Mercury sparkles low in the west toward month’s end. > read more

Globe at Night in 2011

Globe at Night

Take a Stand Against Light Pollution!

May 3, 2013 | “Globe at Night” is a fun, easy, and worthwhile activity for you and your family. Please join this worldwide campaign to measure the darkness of night skies everywhere from April 29th to May 8th. > read more


This Week’s Sky at a Glance

May 3, 2013 | The Arch of Spring arches over the western twilight, and a superthin Moon comes into view below it. > read more

Watch SkyWeekAs seen on PBS television stations nationwide

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Woodland Hills Camera & Telescope

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The Missionary Movement to ‘Save’ Black Babies

Akiba Solomon investigates the anti-abortion movement’s evangelical drive to reach “urban” and “underserved” women and communities.

9 LGBT Athletes of Color Who Paved the Way for Jason Collins

An NBA player became the highest-profile openly gay black man in America this week. As with any big step, he didn’t get there alone.

Also: The Messages of Love (and Hate) for Jason Collins

L.A. Food Culture Offers a Glimpse Into ‘The New America’

The U.S. will be “majority-minority” in a few decades, but in the City of Angels the future is now. In fact, you can literally taste it.

Los Angeles Times Drops ‘Illegal Immigrant’
The fourth largest newspaper in the country joins the AP and USA Today in dropping the i-word. Where are you New York Times?

Odd Future Feels Bad That You’re So Sensitive About Its Mountain Dew Ad
The L.A.-based hip hop collective says its latest shock-stunt may have offended some, but its just boundary pushing humor.

Father of Wrongly Accused Teen in Boston Bombing May Sue New York Post
The tabloid labled 16-year-old runner Salah Barhoume the “Bag Man.” His dad’s tired of waiting for the paper to make a meaningful correction.

This May Day, Support Bangladeshi Workers With More Than Just Boycotts
International Workers Day coincides this year with ongoing fallout from the latest Bangladeshi factory accident, which killed at least 386 people.

Is Facebook’s Push for Immigration Reform More Sinister Than It Seems?
Mark Zuckerberg’s Fwd.us, a pro-immigration reform organization, appears to most interested in securing tech companies’ access to lower-paid foreign workers.

Assata Shakur Becomes First Woman to be on FBI’s Most Wanted Terrorist List
The FBI says the former Black Panther Party member and now political exile is on its watch list for the 1973 murder of a state trooper, a crime Shakur says she didn’t commit.

There’s Scientific ‘Proof’ that Jamestown Settlers Practiced Cannibalism
For centuries European colonialists used accusations of cannibalism to vilify peoples of color. New evidence confirms that some practiced what they preached against.

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