IN REMEMBRANCE: 3-1-2015

LEONARD NIMOY, SPOCK OF ‘STAR TREK’

 

The Man Who Was Spock

Leonard Nimoy, best known for playing the character Spock in the Star Trek television shows and films, died at 83.

Video by Robin Lindsay on Publish Date February 27, 2015. Photo by NBC, via Photofest.

His wife, Susan Bay Nimoy, confirmed his death, saying the cause was end-stage chronic obstructive pulmonary disease.

Mr. Nimoy announced last year that he had the disease, attributing it to years of smoking, a habit he had given up three decades earlier. He had been hospitalized earlier in the week.

His artistic pursuits — poetry, photography and music in addition to acting — ranged far beyond the United Federation of Planets, but it was as Mr. Spock that Mr. Nimoy became a folk hero, bringing to life one of the most indelible characters of the last half century: a cerebral, unflappable, pointy-eared Vulcan with a signature salute and blessing: “Live long and prosper” (from the Vulcan “Dif-tor heh smusma”).

Nimoy Explains Origin of Vulcan Greeting

As part of the Yiddish Book Center Wexler Oral History Project, Leonard Nimoy explains the origin of the Vulcan hand signal used by Spock, his character in the “Star Trek” series.

Video by Yiddish Book Center on Publish Date February 27, 2015. Photo by Yiddish Book Center’s Wexler Oral History Project.

Mr. Nimoy, who was teaching Method acting at his own studio when he was cast in the original “Star Trek” television series in the mid-1960s, relished playing outsiders, and he developed what he later admitted was a mystical identification with Spock, the lone alien on the starship’s bridge.

Yet he also acknowledged ambivalence about being tethered to the character, expressing it most plainly in the titles of two autobiographies: “I Am Not Spock,” published in 1977, and “I Am Spock,” published in 1995.

In the first, he wrote, “In Spock, I finally found the best of both worlds: to be widely accepted in public approval and yet be able to continue to play the insulated alien through the Vulcan character.”

“Star Trek,” which had its premiere on NBC on Sept. 8, 1966, made Mr. Nimoy a star. Gene Roddenberry, the creator of the franchise, called him “the conscience of ‘Star Trek’ ” — an often earnest, sometimes campy show that employed the distant future (as well as some special effects that appear primitive by today’s standards) to take on social issues of the 1960s.

His stardom would endure. Though the series was canceled after three seasons because of low ratings, a cultlike following — the conference-holding, costume-wearing Trekkies, or Trekkers (the designation Mr. Nimoy preferred) — coalesced soon after “Star Trek” went into syndication.

The fans’ devotion only deepened when “Star Trek” was spun off into an animated show, various new series and an uneven parade of movies starring much of the original television cast, including — besides Mr. Nimoy — William Shatner (as Captain Kirk), DeForest Kelley (Dr. McCoy), George Takei (the helmsman, Sulu), James Doohan (the chief engineer, Scott), Nichelle Nichols (the chief communications officer, Uhura) and Walter Koenig (the navigator, Chekov).

When the director J. J. Abrams revived the “Star Trek” film franchise in 2009, with an all-new cast including Zachary Quinto as Spock, he included a cameo part for Mr. Nimoy, as an older version of the same character. Mr. Nimoy also appeared in the 2013 follow-up, “Star Trek Into Darkness.”

His zeal to entertain and enlighten reached beyond “Star Trek” and crossed genres. He had a starring role in the dramatic television series “Mission: Impossible” and frequently performed onstage, notably as Tevye in “Fiddler on the Roof.” His poetry was voluminous, and he published books of his photography.

He also directed movies, including two from the “Star Trek” franchise, and television shows. And he made records, singing pop songs as well as original songs about “Star Trek,” and gave spoken-word performances — to the delight of his fans and the bewilderment of critics.

But all that was subsidiary to Mr. Spock, the most complex member of the Enterprise crew, who was both one of the gang and a creature apart, engaged at times in a lonely struggle with his warring racial halves.

In one of his most memorable “Star Trek” performances, Mr. Nimoy tried to follow in the tradition of two actors he admired, Charles Laughton and Boris Karloff, who each played a monstrous character — Quasimodo and the Frankenstein monster — who is transformed by love.

In Episode 24, which was first shown on March 2, 1967, Mr. Spock is indeed transformed. Under the influence of aphrodisiacal spores he discovers on the planet Omicron Ceti III, he lets free his human side and announces his love for Leila Kalomi (Jill Ireland), a woman he had once known on Earth. In this episode, Mr. Nimoy brought to Spock’s metamorphosis not only warmth, compassion and playfulness, but also a rarefied concept of alienation.

“I am what I am, Leila,” Mr. Spock declares after the spores’ effect has worn off and his emotions are again in check. “And if there are self-made purgatories, then we all have to live in them. Mine can be no worse than someone else’s.”

Born in Boston on March 26, 1931, Leonard Simon Nimoy was the second son of Max and Dora Nimoy, Ukrainian immigrants and Orthodox Jews. His father worked as a barber.

From the age of 8, Leonard acted in local productions, winning parts at a community college, where he performed through his high school years. In 1949, after taking a summer course at Boston College, he traveled to Hollywood, though it wasn’t until 1951 that he landed small parts in two movies, “Queen for a Day” and “Rhubarb.”


Leonard Nimoy Dies at 83

CreditJerry Mosey/Associated Press

He continued to be cast in little-known movies, although he did presciently play an alien invader in a cult serial called “Zombies of the Stratosphere,” and in 1961 he had a minor role on an episode of “The Twilight Zone.” His first starring movie role came in 1952 with “Kid Monk Baroni,” in which he played a disfigured Italian street-gang leader who becomes a boxer.

Mr. Nimoy served in the Army for two years, rising to sergeant and spending 18 months at Fort McPherson in Georgia, where he presided over shows for the Army’s Special Services branch. He also directed and starred as Stanley in the Atlanta Theater Guild’s production of “A Streetcar Named Desire” before receiving his final discharge in November 1955.

He then returned to California, where he worked as a soda jerk, movie usher and cabdriver while studying acting at the Pasadena Playhouse. He achieved wide visibility in the late 1950s and early 1960s on television shows like “Wagon Train,” “Rawhide” and “Perry Mason.” Then came “Star Trek.”

Mr. Nimoy returned to college in his 40s and earned a master’s degree in Spanish from Antioch University Austin, an affiliate of Antioch College in Ohio, in 1978. Antioch University later awarded Mr. Nimoy an honorary doctorate.

Mr. Nimoy directed the movies “Star Trek III: The Search for Spock” (1984) and “Star Trek IV: The Voyage Home” (1986), which he helped write. In 1991, the same year that he resurrected Mr. Spock on two episodes of “Star Trek: The Next Generation,” Mr. Nimoy was also the executive producer and a writer of the movie “Star Trek VI: The Undiscovered Country.”

He then directed the hugely successful comedy “Three Men and a Baby” (1987), a far cry from his science-fiction work, and appeared in made-for-television movies. He received an Emmy nomination for the 1982 movie “A Woman Called Golda,” in which he portrayed the husband of Golda Meir, the prime minister of Israel, who was played by Ingrid Bergman. It was the fourth Emmy nomination of his career — the other three were for his “Star Trek” work — although he never won.

Mr. Nimoy’s marriage to the actress Sandi Zober ended in divorce. Besides his wife, he is survived by his children, Adam and Julie Nimoy; a stepson, Aaron Bay Schuck; six grandchildren and one great-grandchild; and an older brother, Melvin.

Though his speaking voice was among his chief assets as an actor, the critical consensus was that his music was mortifying. Mr. Nimoy, however, was undaunted, and his fans seemed to enjoy the camp of his covers of songs like “If I Had a Hammer.” (His first album was called “Leonard Nimoy Presents Mr. Spock’s Music From Outer Space.”)

From 1977 to 1982, Mr. Nimoy hosted the syndicated series “In Search Of …,” which explored mysteries like the Loch Ness monster and U.F.O.s. He also narrated “Ancient Mysteries” on the History Channel and appeared in commercials, including two with Mr. Shatner for Priceline.com. He provided the voice for animated characters in “Transformers: The Movie,” in 1986, and “The Pagemaster,” in 1994.

In 2001 he voiced the king of Atlantis in the Disney animated movie “Atlantis: The Lost Empire,” and in 2005 he furnished voice-overs for the computer game Civilization IV. More recently, he had a recurring role on the science-fiction series “Fringe” and was heard, as the voice of Spock, in an episode of the hit sitcom “The Big Bang Theory.”

Mr. Nimoy was an active supporter of the arts as well. The Thalia, a venerable movie theater on the Upper West Side of Manhattan, now a multi-use hall that is part of Symphony Space, was renamed the Leonard Nimoy Thalia in 2002.

He also found his voice as a writer. Besides his autobiographies, he published “A Lifetime of Love: Poems on the Passages of Life” in 2002. Typical of Mr. Nimoy’s simple free verse are these lines: “In my heart/Is the seed of the tree/Which will be me.”

In later years, he rediscovered his Jewish heritage, and in 1991 he produced and starred in “Never Forget,” a television movie based on the story of a Holocaust survivor who sued a neo-Nazi organization of Holocaust deniers.

In 2002, having illustrated his books of poetry with his photographs, Mr. Nimoy published  “Shekhina,” a book devoted to photography with a Jewish theme, that of the feminine aspect of God. His black-and-white photographs of nude and seminude women struck some Orthodox Jewish leaders as heretical, but Mr. Nimoy asserted that his work was consistent with the teachings of the kabbalah.

His religious upbringing also influenced the characterization of Spock. The character’s split-fingered salute, he often explained, had been his idea: He based it on the kohanic blessing, a manual approximation of the Hebrew letter shin, which is the first letter in Shaddai, one of the Hebrew names for God.

“To this day, I sense Vulcan speech patterns, Vulcan social attitudes and even Vulcan patterns of logic and emotional suppression in my behavior,” Mr. Nimoy wrote years after the original series ended.

But that wasn’t such a bad thing, he discovered. “Given the choice,” he wrote, “if I had to be someone else, I would be Spock.”

Correction: February 27, 2015
An earlier version of this obituary, using information from Antioch College, misstated the name of an institution that awarded Mr. Nimoy an honorary doctorate. It was Antioch University, not Antioch College.

SOURCE

“Live long, and prosper”, indeed.

Mr. Leonard Nimoy was more than just Mr. Spock. He excelled at many endeavors.

But, it will always be as the cool, logical, and level-headed Vulcan Mr. Spock of the U.S.S. Enterprise that so many of us will remember him.

He will be missed.

Rest in peace, Mr. Leonard Nimoy.

Rest in peace.

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DORI J. MAYNARD, WHO SOUGHT DIVERSITY IN JOURNALISM

Dori J. Maynard speaking in 2013 at a public forum about the trial of George Zimmerman. Credit Jane Tyska/Bay Area News Group

The cause was lung cancer, her mother, Liz Rosen, said.

At her death, Ms. Maynard was the president and chief executive of the Robert C. Maynard Institute for Journalism Education, a nonprofit organization based in Oakland and named for her father, a former editor and publisher of The Oakland Tribune. Mr. Maynard, who died in 1993, was the first black person in the United States to own a general-circulation daily newspaper.

A former newspaper reporter, Ms. Maynard joined the Maynard Institute not long after her father’s death and became its president in 2001.

There, she continued her lifelong interest in exploring the often rocky landscape where race, class, ethnicity and the news media converge. She lectured frequently on the subject and contributed articles to The Huffington Post, American Journalism Review and other publications.

During Ms. Maynard’s tenure, the institute’s purview included professional development, recruitment, a media watchdog program and a news service, America’s Wire, which provides articles on racial inequity and related subjects to newspapers, magazines and websites. To date, the institute has trained more than 5,000 minority journalists and newsroom managers around the country.

Dolores Judith Maynard was born in Manhattan on May 4, 1958; her parents divorced when she was 5. Her father’s second wife, Nancy Hicks Maynard, was one of the first black women to work as a reporter at The New York Times.

With colleagues, Robert and Nancy Maynard founded the Maynard Institute, originally known as the Institute for Journalism Education, in 1977; after Mr. Maynard’s death, it was renamed in his honor.

Dori Maynard earned a bachelor’s degree in American history from Middlebury College in Vermont and was later a reporter at The Bakersfield Californian; The Patriot Ledger, in Quincy, Mass.; and The Detroit Free Press, where her beats included City Hall and the coverage of poverty.

She and Mr. Maynard became the first father-daughter pair to be named Nieman fellows in journalism at Harvard, he in 1966 and she in 1993. Ms. Maynard was also a fellow of the Society of Professional Journalists.

With her father, she was the author of “Letters to My Children” (1995), a collection of his newspaper columns, for which she wrote introductory essays.

Ms. Maynard’s husband, Charles Grant Lewis, whom she married in 2006, died in 2008. Besides her mother, survivors include two brothers, David and Alex Maynard, and a sister, Sara-Ann Rosen. Her stepmother, Nancy Hicks Maynard, died in 2008.

Under Ms. Maynard’s stewardship, the Maynard Institute sought to educate not only aspiring journalists but also the profession of journalism itself, prodding news organizations to cast a wider net when it came to subjects deemed worthy of coverage.

“The conversation that goes on in the newsroom,” Ms. Maynard told NPR in 2005, “determines not only what stories get into the newspaper or onto your television or radio shows, but also determines all the elements that go into those stories.” She added:

“If that conversation is not managed in a way that allows the diversity of opinion that may be in your newsroom to be reflected in your coverage, important elements of those stories are left out, so that they become not only less relevant to communities of color, but they also shortchange the white community, because they are not finding out what’s going on in neighborhoods and communities other than their own.”

SOURCE

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EUGENIE CLARK, SCHOLAR OF LIFE AQUATIC

Eugenie Clark examines deep water sharks from Suruga Bay, Japan, in 1980. Credit David Doubilet

The cause was lung cancer, her son Nikolas Konstantinou said.

Long before “Jaws” scared the wits out of swimmers, Dr. Clark rode a 40-foot whale shark off Baja California, ran into killer great white sharks while scuba diving in Hawaii, studied “sleeping” sharks in undersea caves off the Yucatán, witnessed a shark’s birth and found a rare six-gill shark in a submersible dive off Bermuda.

She also swam into schools of man-eating barracuda and had disconcerting encounters with 500-pound clams and giant squid. Despite close calls, she was never attacked, and she tended to make light of the dangers. Indeed, she told of the privileges of exploring an undersea world of exotic creatures and enchanting beauty.

Eugenie Clark in 1951. Credit The American Museum of Natural History

Dr. Clark was an ichthyologist and oceanographer whose academic credentials, teaching and research posts, scientific activities and honors filled a 20-page curriculum vitae, topped by longtime roles as a professor at the University of Maryland and director of the Mote Marine Laboratory in Sarasota.

She also wrote three books, 80 scientific treatises and more than 70 articles and professional papers; lectured at 60 American universities and in 19 countries abroad; appeared in 50 television specials and documentaries; was the subject of many biographies and profiles; made intriguing scientific discoveries; and had four species of fish named for her.

For all her scientific achievements, Dr. Clark was also a figure of popular culture who used her books, lectures and expertise to promote the preservation of ecologically fragile shorelines, to oppose commercial exploitation of endangered species and to counteract misconceptions, especially about sharks.

She insisted that “Jaws,” the 1975 Steven Spielberg film based on a Peter Benchley novel, and its sequels inspired unreasonable fears of sharks as ferocious killers. Car accidents are far more numerous and terrible than shark attacks, she said in a 1982 PBS documentary, “The Sharks.”

She said at the time that only about 50 shark attacks on humans were reported annually and that only 10 were fatal, and that the great white shark portrayed in “Jaws” would attack only if provoked, while most of the world’s 350 shark species were not dangerous to people at all.

“When you see a shark underwater,” she said, “you should say, ‘How lucky I am to see this beautiful animal in his environment.’ ”

Ms. Clark was born in New York City on May 4, 1922, to Charles Clark and the former Yumico Mitomi. Her father died when she was 2. Her mother worked in Lower Manhattan, and when the girl was 9 she began leaving her on Saturday mornings at an aquarium near the Battery. Fascinated, Eugenie persuaded her mother to buy her a 15-gallon tank and kept fish, toads, snakes and a small alligator at home.

She graduated from Bryant High School in Queens and Hunter College, where she majored in zoology, and earned a master’s degree at New York University.

Over the years, Dr. Clark made more than 70 deep dives in submersibles, once to 12,000 feet. Credit Tak Konstantinou

After doing research at the University of California’s Scripps Institution of Oceanography, she was a research assistant at the Museum of Natural History in New York and returned to N.Y.U., where she earned a doctorate in 1950, focusing on fish reproduction.

Further marine biology studies in Massachusetts and the West Indies led to a published paper on the visual abilities of fish. In 1949, the Navy sent her to the South Seas to study poisonous fish. Taught by Palau Islanders to spear fish underwater, she collected hundreds of specimens. A year later she collected 300 species of fish from the Red Sea, three of them new to science.

Dr. Clark was married five times. She and her second husband, Dr. Ilias Konstantinu, an orthopedic surgeon, had four children — Hera, Aya, Themistokles and Nikolas — and were divorced in 1967. They survive her, as does one grandson.

Her first book, “Lady With a Spear,” was published in 1953. In it, she told of fish that variously inflated themselves to incredible dimensions, stood on their heads to show masculinity, advertised themselves with yellow lipstick, grunted like pigs, stung with deadly effect, and had two sets of eyes — to see in and out of water.

From 1955 to 1967, Dr. Clark was the founding director of the Cape Haze Marine Laboratory in Florida, which became the Mote Marine Laboratory and in 1978 was moved to City Island in Sarasota. She resumed work with the lab as a consultant in 1986 and later became its director emeritus.

In 1968 she joined the University of Maryland, where she became a full professor and senior research scientist, taught for decades and became professor emeritus in 1992. She received many honorary degrees and awards.

Her second book, “The Lady and the Sharks” (1969), explored the behavior and physiology of sharks and other marine life and her experiences as a diver, biologist and teacher. With Ann McGovern, a biographer of Dr. Clark, she also wrote “Desert Benealth the Sea” (1991).

Over the years, Dr. Clark made more than 70 deep dives in submersibles, once to 12,000 feet. She found whale sharks, the world’s largest fish, 3,200 feet down, and sharks with six pairs of gills (most have five pairs) in the deep sea off Bermuda. She developed a shark repellent from an exudate of flatfish called the Red Sea Moses sole and taught sharks, once thought to be untrainable, to perform whole sequences of tasks.

“Sharks are among the most perfectly constructed creatures in nature,” she said. “Some forms have survived for two hundred million years.”

In 2004, after Dr. Clark injured her Achilles’ heel in a dive, doctors discovered she had lung cancer. She stopped diving temporarily, but the cancer went into remission. In 2009, she celebrated her 87th birthday in a submersible 900 feet under the surface of Lake Tahoe. She did it again when she turned 88.

Correction: February 26, 2015
An earlier version of this obituary misstated part of the name of an institution where Dr. Clark did research early in her career. It is the Scripps Institution of Oceanography, not Institute. Because of an editing error, the earlier version also misstated the institution’s affiliation at the time Dr. Clark was there, in the 1940s. While it was part of the University of California, it was not part of the University of California, San Diego, which was not established until 1960.

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