Monthly Archives: March 2009

“TO WHOM WILL SHE CRY RAPE?”

One of the greatest of jazz and blues singer/essayist Abbey Lincoln’s words, though written over 43 years ago, still have much truth and fire. Words which still resonate the bitter truths that still fill the lives of Black women in the 21ST century. Listen to her preach. Listen to her speak truth to power.
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“Mark Twain said, in effect, that when a country enslaves a people, the first necessary job is to make the world feel that the people to be enslaved are subhuman. The next job is to make his fellow countrymen believe that man is inferior, and, then, the unkindest cut of all is to make that man believe himself inferior.
A good job has been done on the Black people in this country, as far as convincing them of their inferiority is concerned. The general white community has told us in a million different ways and in no uncertain terms that “God” and “nature” made a mistake when it came to the fashioning of us and ours. The whole society, having been thoroughly convinced of the stained, threatening, and evil nature of anything unfortunate enough to be, or to be referred to as, black, as an intended matter of courtesy refers to those of African extraction as “colored” or “Negro.”
The fact that “Negro” is the Spanish word for “black” is hardly understood, it would seem; or it would seem that the word “black” may be intimated or suggested, but never simply stated in good English.
Too many Negroes, if described or referred to as “black,” take it as an affront; and I was once told by a Canadian Irishman that I’d insulted him by referring to my person as a Black woman. He insisted that, in actuality, I was brown, not black; and I felt obliged to tell him he described himself as “white,” and that he wasn’t white either.
The fact that white people readily and proudly call themselves “white,” glorify all that is white, and whitewash all that is glorified, becomes unnatural and bigoted in its intent only when these same whites deny persons of African heritage who are Black the natural and inalienable right to readily and proudly call themselves “black,” glorify all that is black, and blackwash all that is glorified.
Yet, one is forced to conclude that this is not the case at all, that an astonishing proportion of the white population finds it discomforting that Blacks should dare to feel so much glory in being beautifully black. In the face of this kind of “reasoning,” the only conclusion one can logically come to is that there is something wrong with this society and its leadership. “The Man’s” opinion of God is sorry, to put it nicely, and his opinion of himself is simply vague and hazy.
Consider:
Swearing his love and devotion to the Omnipotent One on the one hand, yet defying and cursing him with rank impudence on the other; using the crutch of his “inherently” base and callow nature on the one hand, and claiming his godhood on the other; worshipping a Jew as the Son of God on the one hand, yet persecuting all other Jews as enemies of God on the other; historically placing this same Jew on the African continent on the one hand, and describing him as a European in physical appearance on the other (still, one would suppose that it’s tacitly understood by all that “God” couldn’t be anything other than “white,” no matter where He was born); advocating that the Black man is made of inferior stuff on the one hand, yet defying him not to prove his superiority on the other; naming hurricanes for women on the one hand, yet H is for the heart as pure as gold on the other; giving her pet names such as “whore,” “slut,” “bitch,” etc., on the one hand, yet, put them all together and they spell mother, the word “that means the world to me,” on the other.
No wonder the slogan “white is right” could take a whole nation by storm. One could never accuse this society of being rational.
Still, instead of this irrational society warping my delicate little psyche, it only drove me, ultimately, to the conclusion that any Black human being able to survive the horrendous and evil circumstances in which one inevitably finds oneself trapped must be some kind of a giant with great and peculiar abilities, with an armor as resistant as steel yet made of purest gold.
My mother is one of the most courageous people I have ever known, with an uncanny will to survive. When she was a young woman, the white folks were much further in the lead than they are now, and their racist rules gave her every disadvantage; yet, she proved herself a queen among women, any women, and as a result will always be one of the great legends for me.
But strange as it is, I’ve heard it echoed by too many Black full-grown males that Black womanhood is the downfall of the Black man in that she (the Black woman) is “evil,” “hard to get along with,” “domineering” “suspicious,” and “narrow-minded.” In short, a black, ugly, evil you-know what.
As time progresses I’ve learned that this description of my mothers, sisters, and partners in crime is used as the basis for the further shoving, by the Black man of his own head into the sand of oblivion. Hence, the Black mother, housewife, and all-round girl Thursday is called upon to suffer both physically and emotionally every, humiliation a woman can suffer and still function.
Her head is more regularly beaten than any other woman’s, and by her own man; she’s the scapegoat for Mr. Charlie; she is forced to stark realism and chided if caught dreaming; her aspirations for her and hers are, for sanity’s sake, stunted; her physical image has been criminally maligned, assaulted, and negated; she’s the first to be called ugly and never yet beautiful, and as a consequence is forced to see her man (an exact copy of her, emotionally and physically), brainwashed and wallowing in self-loathing, pick for his own the physical antithesis of her (the white woman and incubator of his heretofore arch enemy the white man). Then, to add guilt to insult and injury, she (the Black woman) stands accused as the emasculator of the only thing she has ever cared for, her Black man. She is the scapegoat for what white America has made of the “Negro personality.”
Raped and denied the right to cry out in her pain she- has been named the culprit and called “loose,” “hotblooded,” “wanton,” “sultry,” and “amoral.” She has been used as the white man’s sexual outhouse, and shamefully encouraged by her own ego-less man to persist in this function. Wanting, too, to be carried away by her “Prince Charming,” she must, in all honesty, admit that he has been robbed of his crown by the very assaulter and assassin who has raped her. Still, she looks upon her man as God’s gift to Black womanhood and is further diminished and humiliated and outraged when the feeling is not mutual.
When a white man “likes colored girls,” his woman (the white woman) is the last one he wants to know about it. Yet, seemingly, when a Negro “likes white girls,” his woman (the Black woman) is the first he wants to know about it. White female rejects and social misfits are flagrantly flaunted in our faces as the ultimate in feminine pulchritude. Our women are encouraged by our own men to strive to look and act as much like the white female image as possible, and only those who approach that “goal” in physical appearance and social behavior are acceptable. At best, we are made to feel that we are poor imitations and excuses for white women.
Evil? Evil, you say? The Black woman is hurt, confused, frustrated, angry, resentful, frightened and evil! Who in this hell dares suggest that she should be otherwise? These attitudes only point up her perception of the situation and her healthy rejection of same.
Maybe if our women get evil enough and angry enough, they’ll be moved to some action that will bring our men to their senses. There is one unalterable fact that too many of our men cannot seem to face. And that is, we “black, evil, ugly” women are a perfect and accurate reflection of you “black, evil, ugly” men. Play hide and seek as long as you can and will, but your every rejection and abandonment of us is only a sorry testament of how thoroughly and carefully you have been blinded and brainwashed. And let it further be understood that when we refer to you we mean, ultimately, us. For you are us, and vice versa.
“We are the women who were kidnapped and brought to this continents as slaves. We are the women who were raped, are still being raped, and our bastards children snatched from our breasts and scattered to the winds to be lynched, castrated, de-egoed, robbed, burned, and deceived.
We are the women whose strong and beautiful Black bodies were– and are– still being used as cheap labor force for Miss. Anne’s kitchen and Mr. Charlie’s bed, whose rich, black, and warm milk nurtured–and still nurtures–the heir to the racist and evil slave master.

We are the women who dwell in the hell-hole ghettos all over the land. We are the women whose bodies are sacrificed, as living cadavers, to experimental surgery in the white man’s hospital for the sake of white medicine. We are the women who are invisible on the television and move screens, on the Broadway stage. We are the women who are lusted after, sneered at, leered at, yelled at, grabbed at, tracked down by white degenerated in our own pitiable, poverty-stricken, and priceless neighborhoods.

We are the women whose hair is compulsively fried, whose skin is bleached, whose nose is “too big,” whose mouth is “too big and too loud,” whose behind is “too big and broad,” whose feet are “too big and flat,” whose face is “too black and shiny,” and whose suffering and patience is too long and enduring to be believed.

Who are just too damned much for everybody.

We are the women whose bars and recreation halls are invaded by flagrantly disrespectful, bigoted, simpering, amoral, emotionally unstable, outcast, maladjusted, nymphomaniacal, condescending white women…in desperate and untiring search of the “frothing-at-the-mouth-for-a-white-woman, strongbacked, sixty minutes hot black.”Our men.

We are the women who, upon protesting this invasion of our privacy and sanctity and sanity, are called “jealous,” and “evil,” and “small-minded,” and “prejudiced,” We are the women whose husbands and fathers and brother’s and sons have been plagiarized, imitated, denied, and robbed of the fruits of their genius, and who consequently we see emasculated, jailed, lynched, driven mad, deprived, enraged, and made suicidal. We are the women whom nobody, seemingly, cares about, who are made to feel inadequate stupid and backward, and who inevitably have the most colossal inferiority complexes to be found.

And who is spreading the propaganda that “the only free people in this country are the white man and the Black woman?” If this be freedom, then Heaven is Hell.

Who will revere the Black Woman? Who will keep our neighborhoods safe for Black innocent womanhood? Black womanhood is outraged and humiliated. Black womanhood cries for dignity and restitution and salvation. Black womanhood wants and needs protection, and keeping, and holding. Who will assuage her indignation ? Who will keep her precious and pure? Who will glorify and proclaim her beautiful image? To whom will she cry rape?

 “Who Will Revere the Black Woman?,” by Abbey Lincoln, reprinted from Negro Digest, September 1966, from the book, The Black Woman: An Anthology, by Toni Cade Bambara and Eleanor W. Traylor, Washington Square Press, 1970, 2005, pgs. 95-101.
 
 
1.
The Black Woman: An Anthology by Toni Cade Bambara and Eleanor W Traylor (Paperback – Mar 29, 2005)
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2009 SUNDANCE FILM FESTIVAL: ‘THE PEOPLE SPEAK’

The People Speak is a documentary inspired by Howard Zinn’s book, A People’s History of the United States and from the book he co-authored with Anthony Arnove, Voices of a People’s History.
 
This documentary showcases many well-known people who read excerpts from Howard Zinn’s monumental book.
 
Various actors, singer/songwriters, producers and directors recite passages from Zinn’s book:  Robert Redford, Jasmine Guy, Josh Brolin, Wyclef Jean, and others
 
The following video gives a glimpse of the poetry in motion of the power of words and the power of action and resistance of grassroots organization against tyranny and oppression. The ordinary people who did the extraordinary to create movements—-the Civil Rights Movement, the fight against slavery, the creation of unions, the feminist movement, the fight against Native American genocide, the fight for the eight-hour workday, the end of the cruelty of child labor. The voices of those who rebelled, dissented, resisted and were prophets and visionaries of their times, those who come to us from the past into the present to remind us that there is always a will to live and to die standing on our feet. That there is always inspiration for future generations to learn from those who came before them who paved the way for social justice for us all.
 
 
 
 
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Performed Thursday, February 26, 2009 with a cast of readers and musicians including:
 

Alphabetical list of Cast and Performances

Casey Affleck

  • The Declaration of Independence (July 4, 1776)
  • Thomas Paine, from Common Sense (1776)
  • John G. Burnett, “The Cherokee Removal Through the Eyes of a Private Soldier” (December 11, 1890)
Benjamin Bratt
  • Jermain Wesley Loguen, Letter to Sarah Logue (March 28, 1860)
  • Daniel Ellsberg, from Secrets: A Memoir of Vietnam and the Pentagon Papers (2003)
  • Camilo Mejia antiwar statement in Chicago (June 2005)
Josh Brolin
  • The Diario of Christopher Columbus (October 11–15, 1492).
  • Letter from Petersburg, Virginia, on Slave Rebellion (May 17, 1792).
  • Joseph Plumb Martin, A Narrative of Some of the Adventures, Dangers and Sufferings of a Revolutionary Soldier (1830).
  • Frederick Douglass, “The Significance of Emancipation in the West Indies.” (August 3, 1857)
  • Susan B. Anthony Addresses Judge Ward Hunt in The United States of America vs. Susan B. Anthony (June 19, 1873), with Christina Kirk.
  • Samuel Clemens (Mark Twain), “Comments on the Moro Massacre” (March 12, 1906)
  • .Bartolomeo Vanzetti, Speech to the Court (April 9, 1927).
  • Dalton Trumbo, Johnny Got His Gun (1939).
  • Lionel Stander Testimony to House Committee on Un-American Activities, Questioned by Harold H. Velde (May 6, 1953), with David Strathairn.
Jackson Browne
  • “Lives in the Balance” (1986).
  • “Drums of War” (2007).
Reg E. Cathey
  • Secret Keeper Richmond to Secret Keeper Norfolk (1793).
  • Frederick Douglass, “The Meaning of July Fourth for the Negro” (July 5, 1852).
  • Frederick Douglass, “West India Emancipation” (August 3, 1857).
  • Lewis H. Douglass on Black Opposition to McKinley (November 17, 1899).Martin Luther King, Jr., “Where Do We Go from Here?” (August 16, 1967).Vito Russo, “Why We Fight” (1988).
Exene Cervenka and John Doe
  • “The New World” (1983), with Chris and Rich Robinson.
  • Hazel Dickens, “Will Jesus Wash the Blood Stains from Your Hands” (1986)
  • “See How We Are” (1987)
Kathleen Chalfant
  • Elizabeth Cady Stanton, “Declaration of Sentiments and Resolutions,” Seneca Falls Convention (July 19, 1848).
  • Mary Elizabeth Lease, “Wall Street Owns the Country” (1890).
  • Mother Jones, “Agitation: The Greatest Factor for Progress” (March 24, 1903).
  • Rose Chernin on Organizing the Unemployed in the Bronx in the 1930s (1949).
  • Adrienne Rich, Letter to Jane Alexander Refusing the National Medal for the Arts
Don Cheadle
  • Black Hawk’s Surrender Speech (1832).
  • Missionary Department of the Atlanta, Georgia, A.M.E. Church, “The Negro Should Not Enter the Army” (May 1, 1899)
  • Richard Wright, from 12 Million Black Voices (1941)
Staceyann Chin
  • North Star Editorial, “The War with Mexico” (January 21, 1848).
  • Allen Ginsberg, “America” (January 17, 1956).
  • Assata Shakur (Joanne Chesimard), “Women in Prison: How We Are” (April 1978).
  • Marge Piercy, “The Low Road” (1980).
  • Yuri Kochiyama, “Then Came the War” (1991).
  • June Jordan Speaks Out Against the 1991 Gulf War (February 21, 1991).
Rosario Dawson
  • Elizabeth Cady Stanton, “Declaration of Sentiments and Resolutions,” Seneca Falls Convention (July 19, 1848)
  • Calixto Garcia on Mexican War, Letter to General William R. Shafter (July 17, 1898)
  • Yolanda Huet-Vaughn on refusing to fight in Iraq during first Gulf War (January 9, 1991)
Michael Ealy
  • Benjamin Banneker, Letter to Thomas Jefferson (August 19, 1791).
  • Arturo Giovannitti’s Address to the Jury (November 23, 1912).
  • United States Strategic Bombing Survey, Summary Report (Pacific War) (July 1, 1946).
  • Malcolm X, “Message to the Grass Roots” (November 10, 1963)
Martin Espada
  • Tecumseh’s Speech to the Osages (Winter 1811–12).
  • César Chávez, Address to the Commonwealth Club of California (November 9, 1984)
  • .Leonard Peltier on the Trail of Broken Treaties Protest (1999).
  • Tiberio Chavez, “Life Is a Continuous Struggle” (2004).
  • Camilo Mejía, statement on GI resistance to Iraq war (June 2005).
Lupe Fiasco
  • Mississippi Freedom Democratic Party. “The War on Vietnam” (1974).
  • Original song, “American Terrorist” (2007).
Danny Glover
  • Frederick Douglass, “West India Emancipation” (August 3, 1857).
  • Henry McNeal Turner, “On the Eligibility of Colored Members to Seats in the Georgia Legislature” (September 3, 1868).
  • Langston Hughes, “Ballad of Roosevelt” (1934).
  • John Lewis, Original Text of Speech to Be Delivered at the Lincoln Memorial (August 28, 1963).
  • Martin Luther King, Jr., “Beyond Vietnam” (April 4, 1967).
  • Interview with Frank “Big Black” Smith on 1971 Attica Uprising (2000).
  • Patricia Thompson, Kalamu Ya Salaam, and Father Jerome Ledoux on Hurricane Katrina (2006), with Kerry Washington and Darryl McDaniels.
Jasmine Guy
  • Abbey Lincoln, “Who Will Revere the Black Woman?” (September 1966).
  • Alice Walker, from “Once” (1968)
  • .Sylvia Woods, “You Have to Fight for Freedom” (1973).
  • Marian Wright Edelman, Commencement Address at Milton Academy (June 10, 1983).
  • Yamaoka Michiko, “Eight Hundred Meters from the Hypocenter” (1992).
  • Alice Walker, Letter to President Bill Clinton (March 13, 1996).
Q’Orianka Kilcher
  • Chief Joseph Recounts His Trip to Washington, D.C. (1879).
  • Maria Herrera-Sobek, Untitled Poem on Vietnam (1999).
Christina Kirk
  • Susan B. Anthony Addresses Judge Ward Hunt in The United States of America vs. Susan B. Anthony (June 19, 1873), with Josh Brolin.
  • Emma Goldman, “Patriotism: A Menace to Liberty” (1908).
  • Helen Keller, “Strike Against War” (January 5, 1916).
  • Vicky Starr (“Stella Nowicki”), “Back of the Yards” (1973).
  • Susan Brownmiller, “Abortion Is a Woman’s Right” (1999).
  • Orlando Rodriguez and Phyllis Rodriguez, “Not In Our Son’s Name” (September 15, 2001), with Viggo Mortensen.
John Legend
  • Muhammad Ali Speaks Out Against the Vietnam War (1966).
  • Marvin Gaye, “What’s Goin On” (1971).
  • Nina Simone, “Mississippi Goddamn”.
  • Traditional, “No More Auction Block”
Taj Mahal
  • “Baby, Please Don’t Go”
Darryl McDaniels
  • David Walker from his Appeal (1830).
  • Public Enemy, “Fight the Power” (1990).
  • Danny Glover, Speech During the World Day of Protest Against the War (February 15, 2003).
  • Patricia Thompson, Kalamu Ya Salaam, and Father Jerome Ledoux on Hurricane Katrina (2006), with Kerry Washington and Danny Glover.
Viggo Mortensen
  • Bartolomé de Las Casas, The Devastation of the Indies: A Brief Account (1542)
  • Plough Jogger on Shay’s Rebellion (1786).
  • “Why the IWW Is Not Patriotic to the United States” (1918).
  • Eugene Debs, “The Canton, Ohio, Speech” (June 16, 1918).
  • e. e. cummings, “i sing of Olaf glad and big” (1931).
  • Smedley Butler, War Is a Racket (1935).
  • Bob Dylan, “Masters of War” (1963).
  • Orlando Rodriguez and Phyllis Rodriguez, “Not In Our Son’s Name” (September 15, 2001), with Christina Kirk.
Randy Newman
  • Original song, “Sail Away” (1972).
  • Original song, ” A Few Words in Defense of Our Country” (2008).
Sandra Oh
  • Emma Goldman, “Patriotism: A Menace to Liberty” (1908)
  • The Final Letter from Ethel and Julius Rosenberg to Their Children (June 19, 1953)
Michael O’Malley
  • Samuel Dewees Recounts the Suppression of Insubordination in the Continental Army after the Mutinies of 1781 (1844).
  • Joe Hill, “My Last Will” (November 18, 1915).Abbie Hoffman, “Closing Argument” (April 15, 1987).
Sean Penn
  • Kevin Tillman, “After Pat’s Birthday” (October 2006)
Pink
  • Original song, “Dear Mr. President” (2007).
Chris and Rich Robinson
  • Woody Guthrie, “Do Re Mi” (1937)
  • Bob Dylan, “Only a Pawn in Their Game” (1964)
  • Neil Young, “Ohio” (1974)
David Strathairn
  • Henry David Thoreau, Civil Disobedience (1849).
  • Marriage Protest of Lucy Stone and Henry B. Blackwell (May 1, 1855), with Marisa Tomei.
  • John Brown, “John Brown’s Last Speech” (November 2, 1859).
  • Eugene Debs, Statement to the Court (September 18, 1918).
  • Lionel Stander Testimony to House Committee on Un-American Activities, Questioned by Harold H. Velde (May 6, 1953), with Josh Brolin.
  • Howard Zinn, “The Problem Is Civil Obedience” (November 1970).Admiral Gene Larocque Speaks to Studs Terkel About “The Good War” (1985).
Marisa Tomei
  • Marriage Protest of Lucy Stone and Henry B. Blackwell (May 1, 1855), with David Strathairn.Harriet Hanson Robinson,
  • “Characteristics of the Early Factory Girls” (1898).
  • Emma Goldman, from Marriage and Love (1911).
  • Adrienne Rich, Of Woman Born (1977).
  • Genora (Johnson) Dollinger, Striking Flint: Genora (Johnson) Dollinger Remembers the 1936–37 GM Sit-Down Strike (February 1995).
  • Cindy Sheehan, “It’s Time the Antiwar Choir Started Singing” (August 5, 2005).
Eddie Vedder
  • Bob Dylan, “Masters of War” (1963)“
  • Here’s to the State of Mississippi” (2006 rewrite of a Phil Ochs song by Tim Robbins)
  • “No More” (2008)
Kerry Washington
  • Maria Stewart, “An Address Delivered at the African Masonic Hall, Boston” (February 27, 1833).
  • Sojourner Truth, “Ain’t I a Woman?” (1851).
  • Frederick Douglass, “West India Emancipation” (August 3, 1857).
  • Testimony of Fannie Lou Hamer (August 22, 1964).
  • Mississippi Freedom Democratic Party, Petition Against the War in Vietnam (July 28, 1965).
  • Anne Moody, Coming of Age in Mississippi (1968).
  • Patricia Thompson, Kalamu Ya Salaam, and Father Jerome Ledoux on Hurricane Katrina (2006), with Danny Glover and Darryl McDaniels.
Harris Yulin
  • Thomas Hutchinson Recounts the Reaction to the Stamp Act in Boston (1765).
  • Columbus Sun, “The Class That Suffer” (February 17, 1865).
  • August Spies, “Address of August Spies” (October 7, 1886).
  • Bartolomeo Vanzetti, Speech to the Court (April 9, 1927).
  • Martin Duberman, Stonewall (1993).
 
For more on the film, “The People Speak,” visit the film website here:
 
 

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. . . .AND NOW FOR SOMETHING COMPLETELY DIFFERENT: ‘THE ATOMIC CAFE’ (1982)

 

The Manhattan Project. The ‘Trinity Test’ at Alamagordo, New Mexico. The guinea pig test of the people of Bikini Atoll of the hydrogen bomb. Fat Man and Little Boy. Colonel Paul Tibbets. The Enola Gay. Hiroshima and Nagasaki.
 
On August 6, 1945, with the splitting of the atom, with the explosion of the first atomic bomb, the United States brought the rest of the world into the atomic age. The Atomic Cafe is the story of the race for atomic power and the creation of the Cold War and the Iron Curtain. 
 
The Atomic Cafe is a documentary made up mostly of propaganda news reels about the supposed benefits of the atom bomb. The blatant ignorance of those of the past is laughable now, but then, many believed in the agenda of a government that lied about the fallout effects of radiation poisoning, destruction of the environment, and the fact that spent nuclear waste (uranium, plutonium, etc.) have half-lives that can live on in the soil for hundreds of years.
 
The ludicrousness of the U.S. government exposing American soldiers to ground-zero blasts of atomic bombs set off to rate the effectiveness of future atomic bombs, and after the bomb blast, allowing these same soldiers to walk, unprotected, into the site of the blast, thus exposing them to radiation contamination that would affect them later with deathly consequences.
 
We can all now laugh at the scene where U.S. students are told to “Duck, and cover!” under their school desks, as if a piece of wooden furniture would protect them from a blast that is the equivalent of a 20 tons of TNT.
 
The air raid drills that occurred every Friday at mid-morning at schools all across America, as a form of civilian preparedness for the coming nuclear holocaust between Capitalist America and Communist Russia.
 
The bomb shelters that in the end would not truly protect those who sought escape from nuclear Armageddon. The shelters that would entrap those hiding in them, as tombs, if the bomb was dropped. Even if the occupiers of the shelters did manage to make their way to the surface, they would face a world where life as they knew it was obliterated, where water sources would be contaminated, food supplies would be inedible, especially canned goods that had been damaged and dented thereby affected by radiation contamination.
 
The missile silos built on U.S.citizen’s property under the guise of the U.S. government that this was a patriotic duty of a citizen to allow their property to be a housing compound for America’s then Weapons of Mass Destruction.
 
The Atomic Cafe is a documentary that reveals the hubris, the foolishness, the capriciousness towards this most powerful of energy sources as a wartime weapon the likes of which the world had never seen.
 
Something so small as an atom that could wreak such devastating effects.
 
For your enjoyment, here is Part 1 of The Atomic Cafe:
 
 
 
 
To view the entire documentary, click on this link:http://www.booserver.com/projects.php…

(Trivia: Two of the three directors of this documentary, Kevin and Pierce Rafferty, are cousins of George W. Bush. Kevin Rafferty later became a mentor to Micheal Moore, who went on to produce and direct the documentary, Roger & Me.)

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FROM THE ARCHIVES: WOMEN IN PRISON: HOW IT IS WITH US BY ASSATA SHAKUR

Women in Prison: How It Is With Us

Assata Shakur / Joanne Chesimard
published in The Black Scholar, April 1978

We sit in the bull pen. We are all black. All restless. And we are all freezing. When we ask, the matron tells us that the heating system cannot be adjusted. All of us, with the exception of a woman, tall and gaunt, who looks naked and ravished, have refused the bologna sandwiches. The rest of us sit drinking bitter, syrupy tea. The tall, fortyish woman, with sloping shoulders, moves her head back and forth to the beat of a private tune while she takes small, tentative bites out a bologna sandwich. Someone asks her what she’s in for. Matter of factly, she says, “They say I killed some nigga. But how could I have when I’m buried down in South Carolina?” Everybody’s face gets busy exchanging looks. A short, stout young woman wearing men’s pants and men’s shoes says, “Buried in South Carolina?” “Yeah,” says the tall woman. “South Carolina, that’s where I’m buried. You don’t know that? You don’t know shit, do you? This ain’t me. This ain’t me.” She kept repeating, “This ain’t me” until she had eaten all the bologna sandwiches. Then she brushed off the crumbs and withdrew, head moving again, back into that world where only she could hear her private tune.

Lucille comes to my tier to ask me how much time a “C” felony conviction carries. I know, but i cannot say the words. I tell her i will look it up and bring the sentence charts for her to see. I know that she has just been convicted of manslaughter in the second degree. I also know that she can be sentenced up to fifteen years. I knew from what she had told me before that the District Attorney was willing to plea bargain: Five years probation in exchange for a guilty pleaø a lesser charge.

Her lawyer felt that she had a case: specifically, medical records which would prove that she had suffered repeated physical injunes as the result of beatings by the deceased and, as a result of those beatings, on the night of her arrest her arm was mutilated (she must still wear a brace on it) and one of her ears was partially severed in addition to other substantial injunes Her lawyer felt that her testimony, when she took the stand in her own defense, would establish the fact that not only had she been repeatedly beaten by the deceased, but that on the night in question he told her he would kill her, viciously beat her and mauled her with a knife. But there is no self defense in the state of New York.

The District Attorney made a big deal of the fact that she drank. And the jury, affected by t.v. racism, “law and order”, petrified by crime and unimpressed with Lucille as a “responsible citizen,” convicted her. And i was the one who had to tell her that she was facing fifteen years in prison while we both silently wondered what would happen to the four teenage children that she had raised almost single-handedly.

Spikey has short time, and it is evident, the day before she is to be released, that she does not want to go home. She comes to the Bing (Administrative Segregation) because she has received an infraction for fighting. Sitting in front of her cage and talking to her i realize that the fight was a desperate, last ditch effort in hope that the prison would take away her “good days.” She is in her late thirties. Her hands are swollen. Enormous. There are huge, open sores on her legs. She has about ten teeth left. And her entire body is scarred and ashen. She has been on drugs about twenty years. Her veins have collapsed. She has fibrosis epilepsy and edema. She has not seen her three children in about eight years. She is ashamed to contact home because she robbed and abused her mother so many times.

When we talk it is around the Christmas holidays and she tells me about her bad luck. She tells me that she has spent the last four Christmases in jail and tells me how happy she is to be going home. But i know that she has no where to go and that the only “friends” she has in the world are here in jail. She tells me that the only regret she has about leaving is that she won’t be singing in the choir at Christmas. As i talk to her i wonder if she will be back. I tell her good bye and wish her luck. Six days later, through the prison grapevine, i hear that she is back. Just in time for the Christmas show.

We are at sick call. We are waiting on wooden benches in a beige and orange room to see the doctor. Two young women who look only mildly battered by life sit wearing pastel dresses and pointy-toed state shoes. (Wearing “state” is often a sign that the wearer probably cannot afford to buy sneakers in commissary.) The two are talking about how well they were doing on the street. Eavesdropping, i find out that they both have fine “old men” that love the mess out of them. I find out that their men dress fly and wear some baad clothes and so do they. One has 40 pairs of shoes while the other has 100 skirts. One has 2 suede and 5 leather coats. The other has 7 suedes and 3 leathers. One has 3 mink coats, a silver fox and a leopard. The other has 2 minks, a fox jacket, a floor length fox and a chinchilla. One has 4 diamond rings and the other has 5. One lives in a duplex with a sunken tub and a sunken living room with a water fall. The other describes a mansion with a revolving living room. I’m relieved when my name is called. I had been sitting there feeling very, very sad.

There are no criminals here at Riker’s Island Correctional Institution for Women, (New York), only victims. Most of the women (over 95%) are black and Puerto Rican. Many were abused children. Most have been abused by men and all have been abused by “the system.”

There are no big time gangsters here, no premeditated mass murderers, no godmothers. There are no big time dope dealers, no kidnappers, no Watergate women. There are virtually no women here charged with white collar crimes like embezzling or fraud. Most of the women have drug related cases. Many are charged as accessories to crimes committed by men. The major crimes that women here are charged with are prostitution, pick-pocketing, shop lifting, robbery and drugs. Women who have prostitution cases or who are doing “fine” time make up a substantial part of the short term population. The women see stealing or hustling as necessary for the survival of themselves or their children because jobs are scarce and welfare is impossible to live on. One thing is clear: amerikan capitalism is in no way threatened by the women in prison on Riker’s Island.

One gets the impression, when first coming to Riker’s Island that the architects conceived of it as a prison modelled after a juvenile center. In the areas where visitors usually pass there is plenty of glass and plenty of plants and flowers. The cell blocks consist of two long corridors with cells on each side connected by a watch room where the guards are stationed, called a bubble. Each corridor has a day room with a t.v., tables, multi-colored chairs, a stove that doesn’t work and a refrigerator. There’s a utility room with a sink and a washer and dryer that do not work.

Instead of bars the cells have doors which are painted bright, optimistic colors with slim glass observation panels. The doors are controlled electronically by the guards in the bubble. The cells are called rooms by everybody. They are furnished with a cot, a closet, a desk, a chair, a plastic upholstered headboard that opens for storage, a small book case, a mirror, a sink and a toilet. The prison distributes brightly colored bedspreads and throw rugs for a homey effect. There is a school area, a gym, a carpeted auditorium, two inmate cafeterias and outside recreation areas that are used during the summer months only.

The guards have successfully convinced most of the women that Riker’s Island is a country club. They say that it is a playhouse compared to some other prisons (especially male): a statement whose partial veracity is not predicated upon the humanity of correction officials at Riker’s Island, but, rather, by contrast to the unbelievably barbaric conditions of other prisons. Many women are convinced that they are, somehow, “getting over.” Some go so far as to reason that because they are not doing hard time, they are i really in prison.

This image is further reinforced the pseudo-motherly attitude many of the guards; a deception which all too often successfully reverts women children. The guards call the women inmates by their first names. The women address the guards either as Officer, Mis — or by nicknames, (Teddy Bear, Spanky, Aunt Louise, Squeeze, Sarge, Black Beauty, Nutty Mahogany, etc.). Frequently, when a woman returns to Riker’s she will make the rounds, gleefully embracing her favorite guard: the prodigal daughter returns.

If two women are having a debate about any given topic the argument will often be resolved by “asking the officer.” The guards are forever telling the women to “grow up,” to “act like ladies,” to “behave” and to be “good girls.” If an inmate is breaking some minor rule like coming to say “hi” to her friend on another floor or locking in a few minutes late, a guard will say, jokingly, “don’t let me have to come down there and beat your butt.” It is not unusual to hear a guard tell a woman, “what you need is a good spanking.” The tone is often motherly, “didn’t I tell you, young lady, to…”; or, “you know better than that”; or, “that’s a good girl.” And the women respond accordingly. Some guards and inmates “play” together. One officer’s favorite “game” is taking off her belt and chasing her “girls” down the hall with it, smacking them on the butt.

But beneath the motherly veneer, the reality of guard life is every present. Most of the guards are black, usually from working class, upward bound, civil service oriented backgrounds. They identify with the middle class, have middle class values and are extremely materialistic. They are not the most intelligent women in the world and many are extremely limited.

Most are aware that there is no justice in the amerikan judicial system and that blacks and Puerto Ricans are discriminated against in every facet of amerikan life. But, at the same time, they are convinced that the system is somehow “lenient.” To them, the women in prison are “losers” who don’t have enough sense to stay out of jail. Most believe in the boot strap theory – anybody can “make it” if they try hard enough. They congratulate themselves on their great accomplishments. In contrast to themselves they see the inmate as ignorant, uncultured, self-destructive, weak-minded and stupid. They ignore the fact that their dubious accomplishments are not based on superior intelligence or effort, but only on chance and a civil service list.

Many guards hate and feel trapped by their jobs. The guard is exposed to a certam amount of abuse from co-workers, from the brass as well as from inmates, ass kissing, robotizing and mandatory overtime. (It is common practice for guards to work a double shift at least once a week.) But no matter how much they hate the military structure, the infighting, the ugliness of their tasks, they are very aware of how close they are to the welfare lines. If they were not working as guards most would be underpaid or unemployed. Many would miss the feeling of superiority and power as much as they would miss the money, especially the cruel, sadistic ones.

The guards are usually defensive about their jobs and indicate by their behavior that they are not at all free from guilt. They repeatedly, compulsively say, as if to convince themselves, “This is a job just like any other job.” The more they say it the more preposterous it seems.

The major topic of conversation here is drugs. Eighty percent of inmates have used drugs when they were in the street. Getting high is usually the first thing a woman says she’s going to do when she gets out. In prison, as on the streets, an escapist culture prevails. At least 50 percent of the prison population take some form of psychotropic drug. Elaborate schemes to obtain contraband drugs are always in the works.

Days are spent in pleasant distractions: soap operas, prison love affairs, card playing and game playing. A tiny minority are seriously involved in academic pursuits or the learning of skills. An even smaller minority attempt to study available law books. There are no jail house lawyers and most of the women lack knowledge of even the most rudimentary legal procedures. When asked what happened in court, or, what their lawyers said, they either don’t know or don’t remember. Feeling totally helpless and totally railroaded a woman will curse out her lawyer or the judge with little knowledge of what is being done or of what should be done. Most plead guilty, whether they are guilty or not. The few who do go to trial usually have lawyers appointed by the state and usually are convicted.

Here, the word lesbian seldom, if ever, is mentioned. Most, if not all, of the homosexual relationships here involve role playing. The majority of relationships are either asexual or semi-sexual. The absence of sexual consummation is only partially explained by prison prohibition against any kind of sexual behavior. Basically the women are not looking for sex. They are looking for love, for concern and companionship. For relief from the overwhelming sense of isolation and solitude that pervades each of us.

Women who are “aggressive” or who play the masculine roles are referred to as butches, bulldaggers or stud broads. They are always in demand because they are always in the minority. Women who are “passive,” or who play feminine roles are referred to as fems. The butch-fem relationships are often oppressive, resembling the most oppressive, exploitative aspect of a sexist society. It is typical to hear butches threatening fems with physical violence and it is not uncommon for butches to actually beat their “women.” Some butches consider themselves pimps and go with the women who have the most commissary, the most contraband or the best outside connections. They feel they are a class above ordinary women which entitles them to “respect.” They dictate to fems what they are to do and many insist the fems wash, iron, sew and clean their cells for them. A butch will refer to another butch as “man.” A butch who is well liked is known as “one of the fellas” by her peers.

Once in prison changes in roles are common. Many women who are strictly heterosexual in the street become butch in prison. “Fems” often create butches by convincing an inmate that she would make a “cute butch.” About 80 percent of the prison population engage in some form of homosexual relationship. Almost all follow negative, stereotypic male/ female role models.

There is no connection between the women’s movement and lesbianism. Most of the women at Riker’s Island have no idea what feminism is, let alone lesbianism. Feminism, the women’s liberation movement and the gay liberation movement are worlds away from women at Riker’s.

The black liberation struggle is equally removed from the lives of women at Riker’s. While they verbalize acute recognition that amerika is a racist country where the poor are treated like dirt they, nevertheless, feel responsible for the filth of their lives. The air at Riker’s is permeated with self-hatred. Many women bear marks on their arms, legs and wrists from suicide attempts or self-mutilation. They speak about themselves in self-deprecating terms. They consider themselves failures.

While most women contend that whitey is responsible for their oppression they do not examine the cause or source of that oppression. There is no sense of class struggle. They have no sense of communism, no definition of it, but they consider it a bad thing. They do not want to destroy Rockefella. They want to be like him. Nicky Barnes, a major dope seller, is discussed with reverence. When he was convicted practically everyone was sad. Many gave speeches about how kind, smart and generous he was; no one spoke about the sale of drugs to our children.

Politicians are considered liars and crooks. The police are hated. Yet, during cop and robber movies, some cheer loudly for the cops. One woman pasted photographs of Farrah Fawcett Majors all over her cell because she “is a baad police bitch.” Kojak and Barretta get their share of admiration.

A striking difference between women and men prisoners at Riker’s Island is the absence of revolutionary rhetoric among the women. We have no study groups. We have no revolutionary literature around. There are no groups of militants attempting to “get their heads together.” The women at Riker’s seem vaguely aware of what a revolution is but generally regard it as an impossible dream. Not at all practical.

While men in prison struggle to maintain their manhood there is no comparable struggle by women to preserve their womanhood. One frequently hears women say, “Put a bunch of bitches together and you’ve got nothin but trouble”; and, “Women don’t stick together, that’s why we don’t have nothin.” Men prisoners constantly refer to each other as brother. Women prisoners rarely refer to each other as sister. Instead, “bitch” and “whore” are the common terms of reference. Women, however, are much kinder to each other than men, and any form of violence other than a fist fight is virtually unknown. Rape, murder and stabbings at the women’s prison are non-existent.

For many, prison is not that much different from the street. It is, for some, a place to rest and recuperate. For the prostitute prison is a vacation from turning tricks in the rain and snow. A vacation from brutal pimps. Prison for the addict is a place to get clean, get medical work done and gain weight. Often, when the habit becomes too expensive, the addict gets herself busted, (usually subconsciously) so she can get back in shape, leave with a clean system ready to start all over again. One woman claims that for a month or two every year she either goes jail or to the crazy house to get away from her husband.

For many the cells are not much differt from the tenements, the shooting galleries and the welfare hotels they live in on the street. Sick call is no different from the clinic or the hospital emergency room. The fights are the same except they are less dangerous. The police are the same. The poverty is the same. The alienation is the same. The racism is the same. The sexism is the same. The drugs are the same and the system is the same. Riker’s and is just another institution. In childhood school was their prison, or youth houses or reform schools or children shelters or foster homes or mental hospitals or drug programs and they see all institutions as indifferent to their needs, yet necessary to their survival.

The women at Riker’s Island come there from places like Harlem, Brownsville, Bedford-Stuyvesant, South Bronx and South Jamaica. They come from places where dreams have been abandoned like the buildings. Where there is no more sense of community. Where neighborhoods are transient. Where isolated people run from one fire trap to another. The cities have removed us from our strengths, from our roots, from our traditions. They have taken away our gardens and our sweet potato pies and given us McDonald’s. They have become our prisons, locking us into the futility and decay of pissy hallways that lead nowhere. They have alienated us from each other and made us fear each other. They have given us dope and television as a culture.

There are no politicians to trust. No roads to follow. No popular progressive culture to relate to. There are no new deals, no more promises of golden streets and no place else to migrate. My sisters in the streets, like my sisters at Riker’s Island, see no way out. “Where can I go?”, said a woman on the day she was going home. “If there’s nothing to believe in,” she said, “I can’t do nothin except try to find cloud nine.”

What of our Past? What of our History? What of our Future?

I can imagine the pain and the strength of my great great grandmothers who were slaves and my great great grandmothers who were Cherokee Indians trapped on reservations. I remembered my great grandmother who walked every where rather than sit in the back of the bus. I think about North Carolina and my home town and i remember the women of my grandmother’s generation: strong, fierce women who could stop you with a look out the corners of their eyes. Women who walked with majesty; who could wring a chicken’s neck and scale a fish. Who could pick cotton, plant a garden and sew without a pattern. Women who boiled clothes white in big black cauldrons and who hummed work songs and lullabys. Women who visited the elderly, made soup for the sick and shortnin bread for the babies.

Women who delivered babies, searched for healing roots and brewed medicines. Women who darned sox and chopped wood and layed bricks. Women who could swim rivers and shoot the head off a snake. Women who took passionate responsibility for their children and for their neighbors’ children too.

The women in my grandmother’s generation made giving an art form. “Here, gal, take this pot of collards to Sister Sue”; “Take this bag of pecans to school for the teacher”; “Stay here while I go tend Mister Johnson’s leg.” Every child in the neighborhood ate in their kitchens. They called each other sister because of feeling rather than as the result of a movement. They supported each other through the lean times, sharing the little they had.

The women of my grandmother’s generation in my home town trained their daughters for womanhood. They taught them to give respect and to demand respect. They taught their daughters how to churn butter; how to use elbow grease. They taught their daughters to respect the strength of their bodies, to lift boulders and how to kill a hog; what to do for colic, how to break a fever and how to make a poultice, patchwork quilts, plait hair and how to hum and sing. They taught their daughters to take care, to take charge and to take responsibility. They would not tolerate a “lazy heifer” or a “gal with her head in the clouds.” Their daughters had to learn how to get their lessons, how to survive, how to be strong. The women of my grandmother’s generation were the glue that held family and the community together. They were the backbone of the church. And of the school. They regarded outside institutions with dislike and distrust. They were determined that their children should survive and they were committed to a better future.

I think about my sisters in the movement. I remember the days when, draped in African garb, we rejected our foremothers and ourselves as castrators. We did penance for robbing the brother of his manhood, as if we were the oppressor. I remember the days of the Panther Party when we were “moderately liberated.” When we were allowed to wear pants and expected to pick up the gun. The days when we gave doe-eyed looks to our leaders. The days when we worked like dogs and struggled desperately for the respect which they struggled desperately not to give us. I remember the black history classes that did mention women and the posters of our “leaders” where women were conspicuously absent We visited our sisters who bore the complete responsibility of the children while the Brotha was doing his thing. Or had moved on to bigger and better things.

Most of us rejected the white women’s movement. Miss ann was still Miss ann to us whether she burned her bras or not. We could not muster sympathy for the fact that she was trapped in her mansion and oppressed by her husband. We were, and still are, in a much more terrible jail. We knew that our experiences as black women were completely different from those of our sisters in the white women’s movement. And we had no desire to sit in some consciousness raising group with white women and bare our souls.

Women can never be free in a country that is not free. We can never be liberated in a country where the institutions that control our lives are oppressive. We can never be free while our men are oppressed. Or while the amerikan government and amerikan capitalism remain intact.

But it is imperative to our struggle that we build a strong black women’s movement. It is imperative that we, as black women, talk about the experiences that shaped us; that we assess our strengths and weaknesses and define our own history. It is imperative that we discuss positive ways to teach and socialize our children.

The poison and pollution of capitalist cities is choking us. We need the strong medicine of our foremothers to make us well again. We need their medicines to give us strength to fight and the drive to win. Under the guidance of Harriet Tubman and Fannie Lou Hamer and all of our foremothers, let us rebuild a sense of community. Let us rebuild the culture of giving and carry on the tradition of fierce determination to move on closer to freedom.


Assata Shakur was a member of the Black Panther Party who went underground to evade police repression, joining the Black Liberation Army. She was captured in 1973 and held as a political prisoner until 1979 (one year after this article was written), when she was broken out of prison by a unit of the Black Liberation Army. She made her waY to Cuba where she lives to this day, despite increasing pressure from the United States for her extradition.

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ON THIS DAY IN BLACK MUSIC HISTORY: MARCH 21

#1 R&B Song 1970:   “Call Me,” Aretha Franklin

 

Born:   Eddie “Son” House, 1902; Otis Spann, 1930; Russell Thompkins, Jr. (the Stylistics), 1951

 

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1930   Otis Spann, considered one of the finest blues piano players, was born today. He began in the ’40s playing with the likes of Memphis Slim, Muddy Waters, and Roosevelt Sykes. His technical ability was mind-boggling, and his right hand was one of the fastest across the keys of anyone this side of Big Maceo. Over the years he played with artists as diverse as Chuck Berry, Sonny Boy Williamson, Fleetwood Mac, and Howlin’ Wolf.

 

1959   The Platters’ “Smoke Gets In Your Eyes” (one of my favourite Platters hits, and one of the most beautiful songs ever written or sung), reached #1 in England, spending an amazing seventeen weeks in the British Top 10. The quintet would chart sixteen times in the United Kingdom over four years, including placing their hits “I’m Sorry” and “My Prayer” (another one of my favourites) on the charts three times, each one making the Top 30.

 

 

They asked me how I knew
My true love was true
Oh, I of course replied
Something here inside cannot be denied

They said someday you’ll find
All who love are blind
Oh, when your heart’s on fire
You must realize
Smoke gets in your eyes

So I chaffed them and I gaily laughed
To think they could doubt my love
Yet today my love has flown away
I am without my love

Now laughing friends deride
Tears I can not hide
Oh, so I smile and say
When a lovely flame dies
Smoke gets in your eyes
Smoke gets in your eyes

 

 

1960   Rarely was an artist so versatile that he could have a two-sided hit with two so distinctly different recordings, but few were as great as Jackie Wilson. “Mr. Excitement” charted with the pop ballad “Night” (based on the classical melody “My Heart at Thy Sweet Voice” from Saint-Saens’ Samson and Delilah), reaching #3 R&B and #4 pop. The flip, “Doggin Around,” a classic wailing blues number, reached #15 pop and spent three weeks at #1 R&B.

 

 

 

1963   Little Esther Phillips began a two-week engagement at Baltimore’s Royal Theater.

 

1992   R. Kelly charted with “Honey Love,” reaching #1 R&B and #39 pop. Known as a solo artist, Kelly recorded the song with his vocal group Public Announcement.

 

1998   Puff Daddy & the Family, featuring the Notorious B.I.G. and Busta Rhymes, charted with “Victory,” reaching #13 R&B and #19 pop.

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SKYWATCH: VENUS AT ITS 8-YEAR BEST

Venus. Beautiful, Venus.

I never tire of looking up to the heavens and seeing  her rise in the East and go across the sky into the West (the Morning Star and the Evening Star), so brilliant, so spectacular, so close.

 

File:Terrestrial planet size comparisons.jpg
Size comparison of terrestrial planets (left to right): Mercury, Venus, Earth, and Mars.

This diagram shows the approximate relative sizes of the terrestrial planets, from left to right: Mercury, Venus, Earth, and Mars. Distances are not to scale.

A terrestrial planet is a planet that is primarily composed of silicate rocks. The term is derived from the Latin word for Earth, “Terra”, so an alternate definition would be that these are planets which are, in some notable fashion, “Earth-like”. Terrestrial planets are substantially different from gas giants, which might not have solid surfaces and are composed mostly of some combination of hydrogen, helium, and water existing in various physical states. Terrestrial planets all have roughly the same structure: a central metallic core, mostly iron, with a surrounding silicate mantle. Terrestrial planets have canyons, craters, mountains, volcanoes and secondary atmospheres.  Source: http://solarsystem.nasa.gov/multimedia/gallery/terr_sizes.jpg

File:Venuspioneeruv.jpg
Cloud structure in Venus’s atmosphere, revealed by ultraviolet observations. Ultraviolet image of Venus’ clouds as seen by the Pioneer Venus Orbiter (February 26, 1979).  The immense C- or Y-shaped features which are visible only in these wavelengths are individually short lived, but reform often enough to be considered a permanent feature of Venus’ clouds. The mechanism by which Venus’ clouds absorb ultraviolet is not well understood.  Source:  NSSDC Photo Gallery Venus (February 26, 1979) – http://nssdc.gsfc.nasa.gov/photo_gallery/photogallery-venus.html

 

Now, she is in inferior conjunction to her sister, planet Earth, as Venus is as close as she will come this year to being directly between Earth and the Sun.  On March 27, 2009, take out your telescope and be prepared to view Venus during mid- to late afternoon.

Careful! Do not look towards Venus, with the Sun in your vision, with unprotected eyes. To view Venus during the day, find a shaded area to place your scope to set up viewing, to protect your eyes from blindness. Aim your scope at Venus in the late afternoon when both the Sun and Venus are low on the horizon (viewing Venus above the Sun), to see this magnificent celestial phenomenon. If you do not have a telescope, you may use binoculars, but, when viewing Venus, it is best to follow the procedures indicated in the following article to protect your precious vision:

 

VENUS AT ITS 8-YEAR BEST

Venus hung extraordinarily high and bright in the Northern Hemisphere’s evening sky during January and February, 2009. But in mid-March, Venus started to plunge toward the sunset horizon, appearing more than 1° lower on each successive evening.

But for telescopic observers, this is the most exciting possible time to view Venus. On March 27th, our sister planet will be at inferior conjunction — as close as it will come this year to being directly between us and the Sun. As that date approaches the crescent seems too thin to be real, and it sports exotic cusp extensions as shown at right. The crescent spans nearly a full arcminute from tip to tip in late March — big enough to be seen easily in steadily supported binoculars.

Near inferior conjunction, Venus sports exotic cusp extensions due to sunlight filtering through its atmosphere.
John Boudreau

Near inferior conjunction, the only way to get a clear telescopic image of Venus is to view the planet in broad daylight. When doing this, you must be extremely careful not to aim your telescope (or its finderscope!) at the Sun, or you may end up permanently blind. By far the safest procedure is to view Venus in mid- to late afternoon, when both it and the Sun below it are getting lower in the sky. Place your telescope just inside the shadow of a building, so that no part of the scope is sunlit. Use binoculars or your finderscope to scan above or upper right of where the Sun would be if you could see it, and you’ll soon locate Venus. You can use our Interactive Sky Chart or your favorite planetarium software to find the precise distance and angle between Venus and the Sun on your date.

John Boudreau

Once every 8 years — and this is one of them — inferior conjunction also provides a special treat for naked-eye observers. Because Venus passes more than 8° north of the Sun, it should be visible at both dawn and dusk for at least three days centered on March 23rd at latitude 40° north. The farther north you live, the longer the period of dawn-and-dusk visibility will be. Find a spot with unobstructed horizons to the east and west, and scout the sky with binoculars before attempting a naked-eye sighting.

Posted by Tony Flanders, March 13, 2009
 

 

This phenomenon of inferior conjunction does not occur often, so try to partake of this wonderful treat for the naked eye observers.

So make a date with Venus this coming late March 2009.

Don’t miss this special event.

It may be a while before we see another inferior conjunction of Venus.

Enjoy! 

 

 

File:Venus2 mag big.png
Magellan radar topographical map of Venus (false color)

Beneath Venus’ Clouds

If the thick clouds covering Venus were removed, how would the surface appear? Using an imaging radar technique, the Magellan spacecraft was able to lift the veil from the Face of Venus and produce this spectacular high resolution image of the planet’s surface. Red, in this false-color map, represents mountains, while blue represents valleys. This 3-kilometer resolution map is a composite of Magellan images compiled between 1990 and 1994. Gaps were filled in by the Earth-based Arecibo Radio Telescope. The large yellow/red area in the north is Ishtar Terra featuring Maxwell Montes, the largest mountain on Venus. The large highland regions are analogous to continents on Earth. Scientists are particularly interested in exploring the geology of Venus because of its similarity to Earth.

  • Image from NASA website, and converted to PNG format
  • Credit: Magellan Team, JPL, NASA.

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COLORLINES: THE WAR ON TERROR FUELS RACIAL BULLYING

 


March 19, 2009 ColorLines Direct. News and commentary from ColorLines magazine and RaceWire blog.

Colorlines Cover
The ColorLines March/April issue is available now. Find out why racial justice matters in the fight for gay marriage.

 

 

The War on Terror Fuels Racial Bullying
Julianne Hing reports from the Sikh community in Queens, New York on the organizing effort to change school policies after a spate of violent incidents targeted at Sikh kids swept through schools.


The Art of Protest
Felicia R. Martinez reminds us that compelling political art that moves people to action and starts a dialogue isn’t just for multi-million dollar presidential campaigns but also for local groups raising awareness. Martinez weighs in and offers suggestions on bridging the gap.


On Racewire.org

Listen to the Compact for Racial Justice Forum Call – Race & Immigration [AUDIO]
If you missed this week’s Compact for Racial Justice Forum Call on Race and Immigration you can still listen to and share a recording by
clicking here. Also don’t forget to RSVP for the next call that takes place on March 31st looking at Race and Civil Rights.
 
nunu
Nunu Kidane on Race, Refugees, and Obama [VIDEO]
Priority Africa Network’s Nunu Kidane discusses America’s destructively racialized refugee policy, and calls out the disparity between intentions and actions towards countries in need.
.
Health in Detention
Michelle Chen looks at new reports from human rights groups that issue a grim prognosis for the health of detained immigrants.
Applied Research Center/ColorLines is Subleasing Office Space in New York
The NY office located at
32 Broadway, Suite 1801, New York, NY 10004, is subleasing office space. There are four offices available ranging from $1,000 to $ 2,000 a month, price is negotiable. To view the space or to find out more information, please contact Donna Hernandez at 646-502-8841 or
dhernandez@arc.org

 


 :: ColorLines Magazine Online :: The Applied Research Center

ColorLines Magazine
900 Alice Street, Suite 400 :: Oakland, CA 94607
Phone: 510-653-3415 :: Fax: 510-986-1062
Subscription Orders: 1-888-287-3126

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ON THIS DAY IN BLACK MUSIC HISTORY: MARCH 20

#1 R&B Song 1943:   “Don’t Stop Now,” Bonnie davis

 

Born:   Sister Roseta Tharp, 1921; Tracy Chapman, 1964

 

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1948   Dinah Washington charted with Fats Waller’s “Ain’t Misbehavin’,” reaching #6 R&B. The song was originally used in Waller’s 1929 Broadway musical, Hot Chocolates.

1950   The Carols, a Ravens-styled quartet on Columbia, recorded their first single, “Please Believe in Me.” In 1954, the Carols’ bass lead and adoring Ravens’ fan Tommy Evans became the Ravens’ new bass.

 

1965   The Temptations, Martha & the Vandellas, the Supremes, the Miracles, and Stevie Wonder began a twenty-one-date, twice a night tour of England as the Tamla Motown package in London at Finsbury Park.

 

1991   Michael Jackson trumped his sister Janet’s $50 million record deal with his own Sony agreement that would be touted as the first billion-dollar entertainment contract starting with an $18 million advance just for his forthcoming Dangerous album. The deal included an unheard-of royalty of $2.08 per album,a $5 million advance for subsequent albums, and his own record video, TV, and film complex.

 

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1993   Rapper Dr. Dre reached #2 with “Nuttin’ But a ‘G’ Thang,” which heavily borrowed from the contents of the 1975 R&B hit “I Want’a Do Something Freaky To You,” by Leon Haywood.

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ON THIS DAY IN BLACK MUSIC HISTORY: MARCH 19

#1 R&B Song 1966:   “634-5789″ (Soulsville USA),” Wilson Pickett

 

Born:   Clarence Paul (the “5” Royales), 1928; Clarence “Frogman” Henry, 1937; Walter Jackson (the  Velvetones), 1938; Ruth Pointer (the Pointer Sisters), 1946

 

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1955   Johnny Ace’s posthumously issued “Pledging My Love” reached #17 pop today while continuing a run at #1 R&B for ten weeks starting February 12. The R&B standard was recorded by Elvis Presley more than twenty years later. (Johnny died on December 25, 1954, Christmas Day, from a gunshot wound to the head in Houston, Texas. He was only 25 years old.)

After touring for a year, Ace had been performing at the City Auditorium in Houston, Texas on Christmas 1954. During a break between sets, Ace allegedly decided to play a game of Russian Roulette. He aimed a .45 caliber revolver at his girlfriend, Olivia Gibbs, and pulled the trigger. He then attempted to shoot her friend, Mary Carter. Both times, the hammer fell on an empty chamber. He then swiftly turned the gun on himself and ended his life. Big Mama Thornton, a witness to the shooting, said in a written statement (included in the book The Late Great Johnny Ace) that Johnny had been playing with the gun, but not playing Russian Roulette. According to Ms. Thornton, Johnny pointed the gun at his girlfriend and another woman who were sitting nearby, but did not fire. He then pointed the gun toward himself. The gun went off, shooting him in the side of the head.)

 

1962   Barbara George performed her one and only R&B chart record on American Bandstand. Barbara was one of the few artists in music history to have her chart single make #1. With her, it was all or nothing.

 

1969   The Flamingos’ “Boogaloo Party” charted (#93). It was their only single among sixty-one releases to hit in England (#26).

 

 

1988   Michael Jackson bought the Sycamore Ranch in Santa Ynez Valley, CA. He reportedly paid more than $28 million for what would soon become known worldwide as the Neverland Ranch.

 

1993   Hugh Masekela, Philip Bailey, Gerald Albright, Chaka Khan, and Bobby Lyle started a twenty-six night tour in Sacramento, CA, called A Night On the Town.

 

1993   Mary J. Blige was awarded the Best New R&B Artist and Best R&B Album, Female for What’s the 411? at the seventh annual Soul Train Awards in Los Angeles.

 

1996   Aaron Neville performed at the Angola State Prison outside St. Francisville, LA.

 

2001   The Flamingos, along with Solomon Burke, were industed into the Rock and Roll Hall of Fame.

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TEXAS JUDGE CRITICIZED FOR TELLING THE TRUTH

DALLAS JUDGE CRITICIZED FOR RACIALLY CHARGED QUOTE
DALLAS (AP) ― March 18, 2009 12:11PM/CST

The top judge in Dallasmunicipal court system is receiving criticism for writing that “black folks have been cleaning up white folks’ messes for hundreds of years” in his column in a weekly newspaper with a mostly black readership.
 
Administrative Judge C. Victor Lander apologized Tuesday. A member of the Dallas City Council, which appoints all municipal judges, has called for his resignation.
 
Lander, who is black, said he wrote his column earlier this month to praise the reform efforts of Dallas County District Attorney Craig Watkins, the state’s first black DA.
 
Watkins has gained national attention for allowing the Innocence Project of Texas to systematically review post-conviction requests for DNA testing, which has helped Dallas County toss aside the guilty verdicts of 20 wrongly convicted men, a national high.
 
Lander, a municipal judge for 12 years and the court’s administrative judge for the last 10 months, said he has written for the Dallas Weekly since about 2004 or 2005.
 
In a February column about Jeremiah Wright, President Barack Obama‘s former pastor, Lander told his readers to “be forever suspect of the mainstream media.” He has also called for former President George W. Bush, now a Dallas resident, to be prosecuted.
 
“I wanted to make sure that you who read this and other African-American newspapers know that the only place you will get the truth is from your own people … ,” Lander wrote.
Lander told a North Texas newspaper that his column is independent of his judicial role and should not reflect upon the rulings he makes from the bench.
 
“While we do serve as judges, we maintain our independence,” he said. “We are still members of the community, and we are persons who have a duty and a responsibility that if you see wrong, you try to right it.”
 
Landers remarks have divided city council members. Mitchell Rasansky, who is white, wrote a letter asking Lander to resign, saying he was “extremely offended and hurt by these unwarranted comments.”
 
But council member Angela Hunt, who is white, praised Lander’s competence on the court, which mainly deals with traffic citations and other violations of city ordinances.
“He’s new to this job and new to having this much focus on his words,” Hunt said. “He needs to be more thoughtful in the future, and I’m hopeful he’ll clarify his statement.”
 
Deputy Mayor Pro Tem Dwaine Caraway, who is black, defended Lander, saying society is more comfortable discussing issues of race.
 
“People are able to put more on the table and discuss it without feeling like they’re being slapped in the face,” he said.
 

 

(© 2009 The Associated Press.

 

SOURCE:  http://cbs11tv.com/local/Dallas.judge.C.2.962220.html

 

 

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“Administrative Judge C. Victor Lander, who has been a municipal judge for 12 years,  apologized Tuesday for writing in the Dallas Weekly that “black folks have been cleaning up white folks’ messes for hundreds of years.”
 
Well, duh, Black Americans have been cleaning up “white folks’ messes” for centuries and generations.
 
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So, what’s the problem? The man told the truth.
 
Why fire him over telling the truth about this country?
 
Then again, America, the truth hurts, doesn’t it?

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